{"title":"Soul \/ Funk","description":"\u003cp data-start=\"181\" data-end=\"720\"\u003eSoul and funk brought groove, power and feeling to the forefront of modern music. From the raw emotion of classic soul singers to the infectious rhythms of funk innovators, these records remain essential for both the dancefloor and the living room. Our Soul \/ Funk collection features legendary artists, timeless albums and rare pressings that capture the spirit of the 1960s and ’70s, alongside contemporary reissues that keep the groove alive. Explore our curated selection of Soul and Funk vinyl — music that moves both body and soul.\u003c\/p\u003e","products":[{"product_id":"arooj-aftab-vulture-prince","title":"Arooj Aftab - Vulture Prince (2022 Verve Deluxe Edition 2LP Vinyl)","description":"\u003cp\u003eVulture Prince is Arooj Aftab’s critically acclaimed third studio album. A deeply meditative work of grief and longing, the album is dedicated to the memory of her younger brother, Maher. Featuring a haunting blend of jazz, minimalism, folk, and neo-Sufi sensibilities, the record became her breakthrough, earning a Grammy for “Mohabbat” (Best Global Music Performance), a placement on Barack Obama’s 2021 Summer Playlist, and widespread acclaim from publications like \u003cem\u003ePitchfork\u003c\/em\u003e, \u003cem\u003eThe Guardian\u003c\/em\u003e, \u003cem\u003eTime\u003c\/em\u003e, and \u003cem\u003eThe New York Times.\u003c\/em\u003e\u003c\/p\u003e","brand":"Verve Records","offers":[{"title":"Default Title","offer_id":42447009349691,"sku":null,"price":110.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/ab67616d0000b273fd247739c6b3bb01aec1c689__82008.jpg?v=1757295454"},{"product_id":"herbie-hancock-thrust","title":"Herbie Hancock - Thrust (1974 Columbia Reissue LP Vinyl)","description":"\u003cp\u003eA defining work from Herbie Hancock's jazz-funk era, Thrust delivers a seamless blend of improvisational flair and deep funk grooves. This sought-after US Pitman pressing (PC 32965) from 1974 captures the raw energy of one of Hancock's most electrifying studio albums.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eVinyl\u003c\/b\u003e: VG+\u003cbr\u003e\u003cb\u003eSleeve\u003c\/b\u003e: VG+\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eOur grading system explained \u003c\/span\u003e\u003ca href=\"https:\/\/dpbg4u-d1.myshopify.com\/pages\/secondhand-grading-guide\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003ehere\u003c\/b\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e","brand":"Columbia","offers":[{"title":"Default Title","offer_id":42447490973755,"sku":null,"price":30.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/IMG_4238.jpg?v=1759018737"},{"product_id":"herbie-hancock-sunlight","title":"Herbie Hancock - Sunlight (1978 CBS LP Vinyl)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThis electrifying album marks Herbie Hancock’s bold expansion into smooth jazz–funk fusion, integrating electronic textures and vocoder vocals that anticipated his genre-hopping sound through the '80s and beyond.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eVinyl\u003c\/b\u003e: VG\u003cbr\u003e\u003cb\u003eSleeve\u003c\/b\u003e: VG+\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eOur grading system explained \u003c\/span\u003e\u003ca href=\"https:\/\/dpbg4u-d1.myshopify.com\/pages\/secondhand-grading-guide\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003ehere\u003c\/b\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e","brand":"CBS","offers":[{"title":"Default Title","offer_id":42447511978043,"sku":null,"price":20.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/IMG_4241.jpg?v=1759018106"},{"product_id":"humphrey-lyttelton-gigs","title":"Humphrey Lyttelton - Gigs (1987 Calligraph LP Vinyl)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eDelivering a vibrant snapshot of British jazz in its electrifying prime, Gigs spotlights trumpeter and bandleader Humphrey Lyttelton with a dynamic ensemble, delivering playful arrangements and rich improvisations across a varied set of tunes. Produced by Lyttelton himself and issued on the esteemed Calligraph label, this studio recording encapsulates the warmth and finesse of his group's live energy.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eVinyl\u003c\/b\u003e: VG+\u003cbr\u003e\u003cb\u003eSleeve\u003c\/b\u003e: VG+\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eOur grading system explained \u003c\/span\u003e\u003ca href=\"https:\/\/dpbg4u-d1.myshopify.com\/pages\/secondhand-grading-guide\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003ehere\u003c\/b\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e","brand":"Calligraph Records","offers":[{"title":"Default Title","offer_id":42447520399419,"sku":null,"price":20.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/IMG_4232.jpg?v=1759020239"},{"product_id":"alice-coltrane-a-monastic-trio","title":"Alice Coltrane – A Monastic Trio (2024 Verve Reissue LP Vinyl)","description":"\u003cp data-start=\"789\" data-end=\"1160\"\u003eThis stunning reissue brings back to life \u003cem data-start=\"831\" data-end=\"848\"\u003eA Monastic Trio\u003c\/em\u003e, Alice Coltrane’s debut solo album originally recorded in 1968. Pressed on heavy 180-gram vinyl and issued as part of the \u003cem data-start=\"971\" data-end=\"989\"\u003eVerve by Request\u003c\/em\u003e series, this gatefold LP captures the spiritual intensity and musical exploration that mark Coltrane’s early post-John Coltrane era.\u003c\/p\u003e","brand":"Verve Records","offers":[{"title":"Default Title","offer_id":42458803208251,"sku":null,"price":90.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/602458948134.jpg?v=1757725043"},{"product_id":"nina-simone-fodder-on-my-wings","title":"Nina Simone – Fodder On My Wings (2020 Verve Reissue LP Vinyl)","description":"\u003cp data-start=\"189\" data-end=\"465\"\u003eOriginally released in 1982 after her move to Paris, \u003cem data-start=\"242\" data-end=\"262\"\u003eFodder on My Wings\u003c\/em\u003e is one of \u003cstrong data-start=\"273\" data-end=\"290\"\u003eNina Simone’s\u003c\/strong\u003e most personal and introspective albums. Written during a turbulent period of her life, it blends soul, jazz, gospel, and African influences into a raw, emotional statement.\u003c\/p\u003e\n\u003cp data-start=\"467\" data-end=\"746\"\u003eThe record includes some of Simone’s most autobiographical songs, like \u003cem data-start=\"538\" data-end=\"574\"\u003eI Sing Just to Know That I’m Alive\u003c\/em\u003e and the searing \u003cem data-start=\"591\" data-end=\"624\"\u003eI Was Just a Stupid Dog to Them\u003c\/em\u003e. It’s both deeply vulnerable and fiercely defiant, showing her unmatched ability to transform pain into powerful music.\u003cstrong data-start=\"748\" data-end=\"769\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"905\" data-end=\"1045\"\u003eA hidden gem in Simone’s catalogue, \u003cem data-start=\"941\" data-end=\"961\"\u003eFodder on My Wings\u003c\/em\u003e is essential for anyone seeking the rawest, most unfiltered side of her artistry.\u003c\/p\u003e","brand":"Verve Records","offers":[{"title":"Default Title","offer_id":42461850435643,"sku":null,"price":60.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/44060708-3df8-44e8-b535-5347a5a819a2_thumbnail_4096.webp?v=1757916444"},{"product_id":"nina-simone-i-put-a-spell-on-you-2016-back-to-black-180g-lp","title":"Nina Simone - I Put A Spell On You (2016 Back To Black 180g LP)","description":"\u003cp\u003e\u003cstrong\u003eNina Simone - \u003cem\u003eI Put A Spell On You\u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003e \u003c\/em\u003e\u003cstrong\u003eVinyl LP - 2016 Back To Black 180g Stereo Reissue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNina Simone's 1965 album showcases her extraordinary vocal range and interpretive powers across twelve tracks blending jazz, blues, soul, and theatrical material. The album includes her definitive version of the title track (originally by Screamin' Jay Hawkins), the anthemic \"Feeling Good\" from the musical The Roar Of The Greasepaint, and Jacques Brel's \"Ne Me Quitte Pas\" sung in French, demonstrating Simone's ability to transform any material into deeply personal statements. Originally released on Philips and reissued in 2016 as part of the Back To Black series on 180g vinyl, this European stereo pressing captures one of Simone's most successful albums both artistically and commercially.\u003c\/p\u003e\n\u003cp\u003eSimone's approach to interpreting material made every song uniquely hers through her commanding vocal delivery, sophisticated piano work, and willingness to reshape arrangements to serve emotional truth rather than commercial expectations. Her version of \"I Put A Spell On You\" strips away the original's novelty elements to reveal genuine romantic obsession, while \"Feeling Good\" becomes a declaration of personal liberation rather than mere show tune. The album balances well-known material with Simone originals and lesser-known songs, each receiving treatment that reveals new emotional depths.\u003c\/p\u003e\n\u003cp\u003eThe programme's diversity demonstrates Simone's refusal to be confined by genre boundaries, moving from blues to French chanson to musical theatre to original compositions without sacrificing coherence. Her piano playing, classically trained yet informed by jazz and gospel, provides both accompaniment and commentary throughout. Released as part of the Back To Black reissue series on 180g vinyl with original Philips artwork, this European pressing offers this essential Simone album in quality format.\u003c\/p\u003e","brand":"Philips","offers":[{"title":"Default Title","offer_id":42461864198203,"sku":null,"price":70.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/R-21758989-1719078150-6433.jpg?v=1770951851"},{"product_id":"floating-points-pharoah-sanders-promises","title":"Floating Points \/ Pharoah Sanders \/ The London Symphony Orchestra – Promises (2021 Luaka Bop LP Coloured Vinyl)","description":"\u003cp data-start=\"278\" data-end=\"495\"\u003eReleased in 2021 on Luaka Bop, \u003cem data-start=\"309\" data-end=\"319\"\u003ePromises\u003c\/em\u003e is a stunning collaboration between electronic composer \u003cstrong data-start=\"376\" data-end=\"395\"\u003eFloating Points\u003c\/strong\u003e (Sam Shepherd), legendary saxophonist \u003cstrong data-start=\"434\" data-end=\"453\"\u003ePharoah Sanders\u003c\/strong\u003e, and \u003cstrong data-start=\"459\" data-end=\"492\"\u003eThe London Symphony Orchestra\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"497\" data-end=\"869\"\u003eStructured as a single continuous suite in nine movements, the album blends lush orchestration, gentle electronics, and Sanders’s deeply soulful tenor saxophone into a meditative, transcendent experience. The recurring piano motif ties the work together, while Sanders’s expressive playing and the orchestra’s sweeping textures elevate the piece into something timeless.\u003c\/p\u003e\n\u003cp data-start=\"871\" data-end=\"1047\"\u003eCritically acclaimed upon release, \u003cem data-start=\"906\" data-end=\"916\"\u003ePromises\u003c\/em\u003e was hailed as one of the finest albums of the decade, proving the enduring power of collaboration across generations and genres.\u003c\/p\u003e\n\u003cp data-start=\"1277\" data-end=\"1425\"\u003eA deeply moving and genre-defying masterpiece, \u003cem data-start=\"1324\" data-end=\"1334\"\u003ePromises\u003c\/em\u003e is essential listening for fans of jazz, classical, and contemporary experimental music.\u003c\/p\u003e","brand":"Luaka Bop","offers":[{"title":"Default Title","offer_id":42469174640699,"sku":null,"price":80.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/dc5770dc-415c-41d9-820f-a91b2eeb2e98_thumbnail_4096.webp?v=1758193296"},{"product_id":"kamasi-washington-fearless-movement","title":"Kamasi Washington – Fearless Movement (2024 Young \/ XL Recordings 2LP Vinyl)","description":"\u003cp data-start=\"214\" data-end=\"568\"\u003eReleased in 2024, \u003cem data-start=\"232\" data-end=\"251\"\u003eFearless Movement\u003c\/em\u003e is the long-awaited new album from saxophonist and composer \u003cstrong data-start=\"312\" data-end=\"333\"\u003eKamasi Washington\u003c\/strong\u003e, his first full-length since \u003cem data-start=\"363\" data-end=\"381\"\u003eHeaven and Earth\u003c\/em\u003e (2018). Expansive, soulful, and rhythmically charged, the album showcases Washington’s ability to fuse spiritual jazz with funk, hip-hop, orchestral elements, and groove-driven energy.\u003c\/p\u003e\n\u003cp data-start=\"570\" data-end=\"941\"\u003eAcross two LPs, Washington is joined by longtime collaborators from his West Coast Get Down collective, along with guest appearances that stretch the album’s sound beyond genre boundaries. From soaring saxophone solos to lush choral arrangements and deep rhythmic foundations, \u003cem data-start=\"847\" data-end=\"866\"\u003eFearless Movement\u003c\/em\u003e is both a personal statement and a celebration of collective creativity.\u003cstrong data-start=\"943\" data-end=\"966\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1179\" data-end=\"1335\"\u003eAmbitious, heartfelt, and overflowing with sound, \u003cem data-start=\"1229\" data-end=\"1248\"\u003eFearless Movement\u003c\/em\u003e confirms Kamasi Washington as one of the most important voices in contemporary jazz.\u003c\/p\u003e","brand":"Young","offers":[{"title":"Default Title","offer_id":42469374787643,"sku":null,"price":75.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/9899d14312b75dd2548176aed557cf63_700x700_96c0c935-3235-4261-8551-c579849580b4.webp?v=1758202193"},{"product_id":"kamasi-washington-heaven-and-earth","title":"Kamasi Washington – Heaven and Earth (2018 Young Turks 5LP Box Set Vinyl)","description":"\u003cp data-start=\"210\" data-end=\"524\"\u003eReleased in 2018, \u003cem data-start=\"228\" data-end=\"246\"\u003eHeaven and Earth\u003c\/em\u003e is an expansive and ambitious statement from saxophonist and composer \u003cstrong data-start=\"317\" data-end=\"338\"\u003eKamasi Washington\u003c\/strong\u003e. Spread across five LPs, the album explores two complementary perspectives: “Earth” represents the world as he sees it, while “Heaven” represents the world as he imagines it could be.\u003c\/p\u003e\n\u003cp data-start=\"526\" data-end=\"853\"\u003eFeaturing his West Coast Get Down collective and a host of guest musicians, the music blends spiritual jazz, funk, soul, orchestral arrangements, and choral textures into a grand, cinematic journey. From driving grooves to lush harmonies and soaring solos, \u003cem data-start=\"783\" data-end=\"801\"\u003eHeaven and Earth\u003c\/em\u003e is both deeply personal and universally resonant.\u003cstrong data-start=\"855\" data-end=\"878\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1061\" data-end=\"1196\"\u003eAn album of vision and scale, \u003cem data-start=\"1091\" data-end=\"1109\"\u003eHeaven and Earth\u003c\/em\u003e confirms Kamasi Washington as one of the most important voices in 21st-century jazz.\u003c\/p\u003e","brand":"Young Turks","offers":[{"title":"Default Title","offer_id":42476846710843,"sku":null,"price":120.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/kamasi-washington-heaven-and-earth-vinyl-lp-record-453281_1080x_20481072-2e62-4ce9-8ca8-df0db9d293c9.webp?v=1758454487"},{"product_id":"robert-glasper-black-radio-iii","title":"Robert Glasper – Black Radio III (2022 Loma Vista 2LP Vinyl)","description":"\u003cp data-end=\"530\" data-start=\"193\"\u003eReleased in 2022 on Loma Vista, \u003cem data-end=\"242\" data-start=\"225\"\u003eBlack Radio III\u003c\/em\u003e continues pianist, composer, and producer \u003cstrong data-end=\"305\" data-start=\"285\"\u003eRobert Glasper’s\u003c\/strong\u003e acclaimed series blending jazz, R\u0026amp;B, hip-hop, and soul. Known for his genre-defying approach and collaborations, Glasper once again brings together an impressive roster of guest artists to create a rich, modern soundscape.\u003c\/p\u003e\n\u003cp data-end=\"920\" data-start=\"532\"\u003eThe album features appearances from \u003cstrong data-end=\"578\" data-start=\"568\"\u003eH.E.R.\u003c\/strong\u003e, \u003cstrong data-end=\"590\" data-start=\"580\"\u003eCommon\u003c\/strong\u003e, \u003cstrong data-end=\"601\" data-start=\"592\"\u003eQ-Tip\u003c\/strong\u003e, \u003cstrong data-end=\"622\" data-start=\"603\"\u003eJennifer Hudson\u003c\/strong\u003e, \u003cstrong data-end=\"646\" data-start=\"624\"\u003eEsperanza Spalding\u003c\/strong\u003e, \u003cstrong data-end=\"665\" data-start=\"648\"\u003eTy Dolla $ign\u003c\/strong\u003e, and more — each track offering a fresh fusion of styles anchored by Glasper’s unmistakable touch on keys. At once socially conscious, deeply grooving, and emotionally resonant, \u003cem data-end=\"861\" data-start=\"844\"\u003eBlack Radio III\u003c\/em\u003e stands as a bold statement for jazz in the 21st century.\u003c\/p\u003e\n\u003cp data-end=\"1231\" data-start=\"1111\"\u003eContemporary, relevant, and endlessly replayable, \u003cem data-end=\"1178\" data-start=\"1161\"\u003eBlack Radio III\u003c\/em\u003e is a must-have for fans of modern jazz and beyond.\u003c\/p\u003e","brand":"Loma Vista","offers":[{"title":"Default Title","offer_id":42477245694011,"sku":null,"price":125.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/a0971461934_10.jpg?v=1758460027"},{"product_id":"the-comet-is-coming-hyper-dimensional-expansion-beam","title":"The Comet Is Coming – Hyper-Dimensional Expansion Beam (2022 Impulse! Vinyl LP)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eThe Comet Is Coming – \u003cem data-start=\"145\" data-end=\"179\"\u003eHyper-Dimensional Expansion Beam\u003c\/em\u003e (2022 Impulse! LP)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"233\" data-end=\"453\"\u003eReleased in 2022 on Impulse!, \u003cem data-start=\"263\" data-end=\"297\"\u003eHyper-Dimensional Expansion Beam\u003c\/em\u003e is the third album from UK cosmic-jazz trio \u003cstrong data-start=\"342\" data-end=\"365\"\u003eThe Comet Is Coming\u003c\/strong\u003e — \u003cstrong data-start=\"368\" data-end=\"389\"\u003eShabaka Hutchings\u003c\/strong\u003e (saxophone), \u003cstrong data-start=\"403\" data-end=\"416\"\u003eDanalogue\u003c\/strong\u003e (synths), and \u003cstrong data-start=\"431\" data-end=\"442\"\u003eBetamax\u003c\/strong\u003e (drums).\u003c\/p\u003e\n\u003cp data-start=\"455\" data-end=\"744\"\u003eRecorded in Peter Gabriel’s Real World Studios, the album explodes with energy, blending spiritual jazz, electronica, funk, and psychedelic grooves. From pulsing, high-energy tracks to spacious cosmic passages, the record captures the band’s signature mix of intensity and transcendence.\u003c\/p\u003e\n\u003cp data-start=\"455\" data-end=\"744\"\u003e\u003cmeta charset=\"utf-8\"\u003eDriving, cosmic, and fiercely modern, \u003cem data-start=\"1010\" data-end=\"1044\"\u003eHyper-Dimensional Expansion Beam\u003c\/em\u003e is a journey through sound and space — essential for fans of spiritual and experimental jazz.\u003c\/p\u003e","brand":"Impulse!","offers":[{"title":"Default Title","offer_id":42477485654075,"sku":null,"price":50.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/khsdbfhkbdkhhbksd__20618.jpg?v=1758462160"},{"product_id":"jimmy-smith-the-cat","title":"Jimmy Smith – The Cat (1973 Verve Japan Reissue LP Vinyl)","description":"\u003cp data-start=\"164\" data-end=\"489\"\u003eReleased in 1964 on Verve, \u003cem data-start=\"191\" data-end=\"200\"\u003eThe Cat\u003c\/em\u003e is one of \u003cstrong data-start=\"211\" data-end=\"228\"\u003eJimmy Smith’s\u003c\/strong\u003e most iconic albums — a dynamic meeting of his Hammond B-3 organ with \u003cstrong data-start=\"298\" data-end=\"317\"\u003eLalo Schifrin’s\u003c\/strong\u003e bold big band arrangements. Produced by Creed Taylor, the record blends soul jazz grit with cinematic swing, making it one of Smith’s most accessible and enduring works.\u003c\/p\u003e\n\u003cp data-start=\"491\" data-end=\"770\"\u003eFrom the title track’s driving groove (later used in countless film and TV soundtracks) to swaggering cuts like \u003cem data-start=\"603\" data-end=\"625\"\u003eTheme from Joy House\u003c\/em\u003e and \u003cem data-start=\"630\" data-end=\"650\"\u003eBasin Street Blues\u003c\/em\u003e, Smith’s fiery organ leads a brassy, hard-swinging ensemble through a set that’s equal parts funky and sophisticated.\u003cstrong data-start=\"772\" data-end=\"793\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"918\" data-end=\"1058\"\u003eA perfect entry point into Jimmy Smith’s catalogue, \u003cem data-start=\"970\" data-end=\"979\"\u003eThe Cat\u003c\/em\u003e captures the soul-jazz pioneer at his peak with widescreen Verve production.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eVinyl\u003c\/b\u003e: VG+\u003cbr\u003e\u003cb\u003eSleeve\u003c\/b\u003e: VG+\u003cbr\u003e\u003cstrong\u003eObi:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eNone\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eOur grading system explained \u003c\/span\u003e\u003ca href=\"https:\/\/dpbg4u-d1.myshopify.com\/pages\/secondhand-grading-guide\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003ehere\u003c\/b\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003ePhoto is of the actual item.\u003c\/span\u003e\u003c\/p\u003e","brand":"Verve Records","offers":[{"title":"Default Title","offer_id":42494744330299,"sku":null,"price":40.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/IMG_4252.jpg?v=1759025750"},{"product_id":"stanley-clarke-school-days","title":"Stanley Clarke – School Days (1976 Atlantic Japan LP Vinyl)","description":"\u003cp data-start=\"181\" data-end=\"517\"\u003eReleased in 1976 on Atlantic, \u003cem data-start=\"211\" data-end=\"224\"\u003eSchool Days\u003c\/em\u003e is the landmark solo album by bassist \u003cstrong data-start=\"263\" data-end=\"281\"\u003eStanley Clarke\u003c\/strong\u003e, a defining statement of the jazz fusion era. With his virtuosic electric bass playing at the center, Clarke blends funk, rock, and jazz into a powerful, groove-driven set that influenced generations of bassists and fusion musicians.\u003c\/p\u003e\n\u003cp data-start=\"519\" data-end=\"866\"\u003eThe title track quickly became Clarke’s signature piece, showcasing his percussive slap-bass technique and melodic inventiveness. Throughout the album, he’s joined by top fusion players including \u003cstrong data-start=\"715\" data-end=\"730\"\u003eGeorge Duke\u003c\/strong\u003e, \u003cstrong data-start=\"732\" data-end=\"751\"\u003eJohn McLaughlin\u003c\/strong\u003e, \u003cstrong data-start=\"753\" data-end=\"769\"\u003eBilly Cobham\u003c\/strong\u003e, and \u003cstrong data-start=\"775\" data-end=\"790\"\u003eGerry Brown\u003c\/strong\u003e, creating music that is both technically dazzling and irresistibly funky.\u003cstrong data-start=\"868\" data-end=\"889\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"969\" data-end=\"1117\"\u003eExplosive, funky, and groundbreaking, \u003cem data-start=\"1007\" data-end=\"1020\"\u003eSchool Days\u003c\/em\u003e remains one of the essential bass-driven albums of the 1970s and a cornerstone of jazz fusion.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eVinyl\u003c\/b\u003e: EX\u003cbr\u003e\u003cb\u003eSleeve\u003c\/b\u003e: EX\u003cbr\u003e\u003cstrong\u003eObi:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eNone\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eOur grading system explained \u003c\/span\u003e\u003ca href=\"https:\/\/dpbg4u-d1.myshopify.com\/pages\/secondhand-grading-guide\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003ehere\u003c\/b\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003ePhoto is of the actual item.\u003c\/span\u003e\u003c\/p\u003e","brand":"Atlantic","offers":[{"title":"Default Title","offer_id":42507491934267,"sku":null,"price":40.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/IMG_4324.jpg?v=1759580331"},{"product_id":"s-rgio-mendes-brasil-77-max-20","title":"Sérgio Mendes \u0026 Brasil '77 – Max 20 (1971 A\u0026M Japan LP Vinyl)","description":"\u003cp data-start=\"196\" data-end=\"492\"\u003eReleased in 1973 exclusively in Japan on A\u0026amp;M, \u003cem data-start=\"242\" data-end=\"250\"\u003eMax 20\u003c\/em\u003e is a compilation showcasing the best of \u003cstrong data-start=\"291\" data-end=\"321\"\u003eSérgio Mendes \u0026amp; Brasil ’77\u003c\/strong\u003e. Blending Brazilian bossa nova, samba rhythms, pop, and jazz, the album captures Mendes’s signature sound that made him an international star in the late ’60s and ’70s.\u003c\/p\u003e\n\u003cp data-start=\"494\" data-end=\"772\"\u003eThis Japan-only release was part of A\u0026amp;M’s \u003cem data-start=\"536\" data-end=\"544\"\u003eMax 20\u003c\/em\u003e series, collecting highlights from Mendes’s catalogue with Brasil ’77. Expect sun-soaked grooves, smooth vocal harmonies, and polished arrangements that move easily between Brazilian roots and international pop sensibilities.\u003cstrong data-start=\"774\" data-end=\"817\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"910\" data-end=\"1106\"\u003eWith its unique track selection and limited Japanese issue, \u003cem data-start=\"970\" data-end=\"978\"\u003eMax 20\u003c\/em\u003e is both a collector’s item and a joyful introduction to the timeless fusion of Brazilian music and pop that Mendes perfected.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eVinyl\u003c\/b\u003e: EX\u003cbr\u003e\u003cb\u003eSleeve\u003c\/b\u003e: EX\u003cbr\u003e\u003cstrong\u003eObi:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eVG+\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eOur grading system explained \u003c\/span\u003e\u003ca href=\"https:\/\/dpbg4u-d1.myshopify.com\/pages\/secondhand-grading-guide\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003ehere\u003c\/b\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003ePhoto is of the actual item.\u003c\/span\u003e\u003c\/p\u003e","brand":"A\u0026M","offers":[{"title":"Default Title","offer_id":42507524374587,"sku":null,"price":55.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/IMG_4338.jpg?v=1759581758"},{"product_id":"ray-charles-the-genius-of-ray-charles","title":"Ray Charles – The Genius of Ray Charles (1970s Atlantic US Vinyl LP)","description":"\u003cp data-start=\"560\" data-end=\"862\"\u003eOriginally released in 1959 and reissued in stereo on \u003cstrong data-start=\"614\" data-end=\"644\"\u003eAtlantic Records (SD-1312)\u003c\/strong\u003e during the 1970s, \u003cem data-start=\"663\" data-end=\"690\"\u003eThe Genius of Ray Charles\u003c\/em\u003e captures \u003cstrong data-start=\"700\" data-end=\"715\"\u003eRay Charles\u003c\/strong\u003e at the height of his creative powers, expanding his sound from rhythm and blues roots into lush big band swing and sweeping orchestral balladry.\u003c\/p\u003e\n\u003cp data-start=\"864\" data-end=\"1311\"\u003eSide A finds Charles fronting a powerhouse jazz ensemble drawn from Count Basie’s band, including \u003cstrong data-start=\"962\" data-end=\"977\"\u003eClark Terry\u003c\/strong\u003e, \u003cstrong data-start=\"979\" data-end=\"993\"\u003eJoe Newman\u003c\/strong\u003e, \u003cstrong data-start=\"995\" data-end=\"1009\"\u003eFrank Wess\u003c\/strong\u003e, \u003cstrong data-start=\"1011\" data-end=\"1028\"\u003eFreddie Green\u003c\/strong\u003e, and \u003cstrong data-start=\"1034\" data-end=\"1053\"\u003eQuentin Jackson\u003c\/strong\u003e, with arrangements that swing hard and sparkle with energy. The band roars through \u003cem data-start=\"1137\" data-end=\"1162\"\u003eLet the Good Times Roll\u003c\/em\u003e, \u003cem data-start=\"1164\" data-end=\"1190\"\u003eAlexander’s Ragtime Band\u003c\/em\u003e, and \u003cem data-start=\"1196\" data-end=\"1207\"\u003eDeed I Do\u003c\/em\u003e — joyous, full-bodied performances driven by Charles’s unmistakable piano touch and soulful phrasing.\u003c\/p\u003e\n\u003cp data-start=\"1313\" data-end=\"1619\"\u003eSide B shifts tone, with \u003cstrong data-start=\"1338\" data-end=\"1357\"\u003eHarry Lookofsky\u003c\/strong\u003e conducting strings and horns in rich, cinematic settings. Here, Charles transforms standards like \u003cem data-start=\"1456\" data-end=\"1481\"\u003eCome Rain or Come Shine\u003c\/em\u003e and \u003cem data-start=\"1486\" data-end=\"1505\"\u003eJust for a Thrill\u003c\/em\u003e into deeply felt torch songs — performances that prefigured his later orchestral masterpieces on ABC-Paramount.\u003c\/p\u003e\n\u003cp data-start=\"1621\" data-end=\"1916\"\u003eThis \u003cstrong data-start=\"1626\" data-end=\"1656\"\u003eSpecialty Records pressing\u003c\/strong\u003e, identifiable by its red-and-green Atlantic label, delivers warm, dynamic stereo sound and the full majesty of these sessions. \u003cem data-start=\"1784\" data-end=\"1811\"\u003eThe Genius of Ray Charles\u003c\/em\u003e remains a cornerstone in both jazz and soul history — where gospel fire meets big band sophistication.\u003c\/p\u003e\n\u003cp data-end=\"1214\" data-start=\"1061\"\u003e\u003cb\u003eVinyl\u003c\/b\u003e\u003cspan\u003e: EX\u003c\/span\u003e\u003cbr\u003e\u003cb\u003eSleeve\u003c\/b\u003e\u003cspan\u003e: EX\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eOur grading system explained \u003c\/span\u003e\u003ca href=\"https:\/\/dpbg4u-d1.myshopify.com\/pages\/secondhand-grading-guide\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003ehere\u003c\/b\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003ePhoto is of the actual item.\u003c\/span\u003e\u003c\/p\u003e","brand":"Atlantic","offers":[{"title":"Default Title","offer_id":42534962528315,"sku":null,"price":50.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/IMG_4576.jpg?v=1760831524"},{"product_id":"bobby-hutcherson-san-francisco","title":"Bobby Hutcherson – San Francisco (1994 Blue Note US Reissue Vinyl LP)","description":"\u003cp data-start=\"630\" data-end=\"1014\"\u003eOriginally released in 1971 by \u003cstrong data-start=\"654\" data-end=\"682\"\u003eBlue Note Records\u003c\/strong\u003e, \u003cem data-start=\"684\" data-end=\"699\"\u003eSan Francisco\u003c\/em\u003e captures vibraphonist \u003cstrong data-start=\"722\" data-end=\"742\"\u003eBobby Hutcherson\u003c\/strong\u003e and tenor saxophonist \u003cstrong data-start=\"765\" data-end=\"780\"\u003eHarold Land\u003c\/strong\u003e exploring the crossroads of hard bop, modal jazz, and emerging electric fusion. Originally recorded in 1970 and produced by \u003cstrong data-start=\"905\" data-end=\"921\"\u003eDuke Pearson\u003c\/strong\u003e, the album marks one of Blue Note’s most soulful and forward-thinking sessions of the era.\u003c\/p\u003e\n\u003cp data-start=\"1016\" data-end=\"1569\"\u003eWith \u003cstrong data-start=\"1021\" data-end=\"1035\"\u003eJoe Sample\u003c\/strong\u003e on piano and Fender Rhodes, \u003cstrong data-start=\"1064\" data-end=\"1081\"\u003eJohn Williams\u003c\/strong\u003e on acoustic and electric bass, and \u003cstrong data-start=\"1117\" data-end=\"1133\"\u003eMickey Roker\u003c\/strong\u003e on drums, the ensemble blends acoustic warmth with electric textures, yielding a sound both modern and deeply grooving. Tracks like \u003cem data-start=\"1266\" data-end=\"1284\"\u003eGoin’ Down South\u003c\/em\u003e and \u003cem data-start=\"1289\" data-end=\"1295\"\u003eUmmh\u003c\/em\u003e simmer with funky propulsion, while \u003cem data-start=\"1332\" data-end=\"1338\"\u003eJazz\u003c\/em\u003e and \u003cem data-start=\"1343\" data-end=\"1355\"\u003eProcession\u003c\/em\u003e showcase Hutcherson’s signature sense of harmony and space. The closing track, \u003cem data-start=\"1435\" data-end=\"1457\"\u003eA Night in Barcelona\u003c\/em\u003e, drifts into lyrical reflection — the perfect coda to an album of rhythmic sophistication and melodic beauty.\u003c\/p\u003e\n\u003cp data-start=\"1571\" data-end=\"1876\"\u003eThis \u003cstrong data-start=\"1576\" data-end=\"1592\"\u003e1994 reissue\u003c\/strong\u003e faithfully preserves the clarity and depth of the original recording, pressed on high-quality vinyl with the crisp, wide stereo imaging that defines Blue Note’s golden era. \u003cem data-start=\"1766\" data-end=\"1781\"\u003eSan Francisco\u003c\/em\u003e remains a standout in Hutcherson’s discography — vibrant, soulful, and endlessly listenable.\u003c\/p\u003e\n\u003cp data-end=\"1214\" data-start=\"1061\"\u003e\u003cb\u003eVinyl\u003c\/b\u003e\u003cspan\u003e: EX\u003c\/span\u003e\u003cbr\u003e\u003cb\u003eSleeve\u003c\/b\u003e\u003cspan\u003e: EX\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eOur grading system explained \u003c\/span\u003e\u003ca href=\"https:\/\/dpbg4u-d1.myshopify.com\/pages\/secondhand-grading-guide\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003ehere\u003c\/b\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003ePhoto is of the actual item.\u003c\/span\u003e\u003c\/p\u003e","brand":"Blue Note","offers":[{"title":"Default Title","offer_id":42535437991995,"sku":null,"price":115.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/IMG_4578.jpg?v=1760854461"},{"product_id":"yussef-kamaal-black-focus-2016-brownswood-uk-vinyl-lp","title":"Yussef Kamaal – Black Focus (2016 Brownswood UK Vinyl LP)","description":"\u003cp data-start=\"569\" data-end=\"1021\"\u003eLondon’s new jazz movement found its voice on \u003cem data-start=\"615\" data-end=\"628\"\u003eBlack Focus\u003c\/em\u003e, the debut album from \u003cstrong data-start=\"651\" data-end=\"668\"\u003eYussef Kamaal\u003c\/strong\u003e, released on \u003cstrong data-start=\"682\" data-end=\"707\"\u003eBrownswood Recordings\u003c\/strong\u003e in 2016. 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You can hear the room breathe — every cymbal flicker, every horn swell, glowing through the studio’s legendary acoustics.\u003c\/p\u003e\n\u003cp data-start=\"1120\" data-end=\"1418\"\u003eThe album opens with \u003cem data-start=\"1141\" data-end=\"1178\"\u003eMy Girl Is Just Enough Woman for Me\u003c\/em\u003e, all charm and drive, while \u003cem data-start=\"1207\" data-end=\"1223\"\u003eFine L’il Lass\u003c\/em\u003e and \u003cem data-start=\"1228\" data-end=\"1241\"\u003eThomasville\u003c\/em\u003e simmer with that unmistakable Blue Note heat. Turrentine’s tone turns tender on \u003cem data-start=\"1322\" data-end=\"1348\"\u003eSomeone to Watch Over Me\u003c\/em\u003e, before closing with \u003cem data-start=\"1370\" data-end=\"1385\"\u003eStolen Sweets\u003c\/em\u003e — equal parts swing and smile.\u003c\/p\u003e\n\u003cp data-start=\"1420\" data-end=\"1758\"\u003eWith \u003cstrong data-start=\"1425\" data-end=\"1455\"\u003ecover design by Reid Miles\u003c\/strong\u003e and \u003cstrong data-start=\"1460\" data-end=\"1492\"\u003ephotography by Francis Wolff\u003c\/strong\u003e, the packaging is as iconic as the music itself. Pressed on \u003cstrong data-start=\"1553\" data-end=\"1571\"\u003e180-gram vinyl\u003c\/strong\u003e, mastered from the original tapes, and housed in a \u003cstrong data-start=\"1623\" data-end=\"1652\"\u003eStoughton tip-on gatefold\u003c\/strong\u003e, this \u003cstrong data-start=\"1659\" data-end=\"1682\"\u003eBlue Note Tone Poet\u003c\/strong\u003e edition feels as close as you can get to being in the room with the band.\u003c\/p\u003e\n\u003cp data-start=\"1760\" data-end=\"1963\"\u003eFor fans of \u003cstrong data-start=\"1772\" data-end=\"1800\"\u003eStanley Turrentine vinyl\u003c\/strong\u003e, \u003cstrong data-start=\"1802\" data-end=\"1814\"\u003ehard bop\u003c\/strong\u003e and \u003cstrong data-start=\"1819\" data-end=\"1832\"\u003esoul-jazz\u003c\/strong\u003e collectors, \u003cem data-start=\"1845\" data-end=\"1862\"\u003eComin’ Your Way\u003c\/em\u003e is both a rediscovery and a revelation — classic Blue Note craftsmanship, revived in perfect form.\u003c\/p\u003e","brand":"Blue Note","offers":[{"title":"Default Title","offer_id":42554736050235,"sku":null,"price":80.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/comin-your-way-blue-note-tone-poet-series.jpg?v=1761381140"},{"product_id":"donald-byrd-slow-drag-2023-blue-note-tone-poet-vinyl-lp","title":"Donald Byrd – Slow Drag (2023 Blue Note Tone Poet Vinyl LP)","description":"\u003cp data-start=\"370\" data-end=\"749\"\u003eRecorded on \u003cstrong data-start=\"382\" data-end=\"398\"\u003eMay 12, 1967\u003c\/strong\u003e, at \u003cstrong data-start=\"403\" data-end=\"424\"\u003eRudy Van Gelder’s\u003c\/strong\u003e legendary Englewood Cliffs studio, \u003cem data-start=\"460\" data-end=\"471\"\u003eSlow Drag\u003c\/em\u003e finds \u003cstrong data-start=\"478\" data-end=\"493\"\u003eDonald Byrd\u003c\/strong\u003e deep in the pocket of \u003cstrong data-start=\"516\" data-end=\"528\"\u003ehard bop\u003c\/strong\u003e and \u003cstrong data-start=\"533\" data-end=\"546\"\u003esoul-jazz\u003c\/strong\u003e. Issued as part of the acclaimed \u003cstrong data-start=\"580\" data-end=\"610\"\u003eBlue Note Tone Poet Series\u003c\/strong\u003e, this reissue revives one of Byrd’s most effortlessly grooving sessions — a record that swings with confidence yet never loses its cool.\u003c\/p\u003e\n\u003cp data-start=\"751\" data-end=\"1036\"\u003eByrd leads a powerhouse lineup: \u003cstrong data-start=\"783\" data-end=\"796\"\u003eSonny Red\u003c\/strong\u003e on alto sax, \u003cstrong data-start=\"810\" data-end=\"826\"\u003eCedar Walton\u003c\/strong\u003e on piano, \u003cstrong data-start=\"837\" data-end=\"854\"\u003eWalter Booker\u003c\/strong\u003e on bass, and \u003cstrong data-start=\"868\" data-end=\"885\"\u003eBilly Higgins\u003c\/strong\u003e on drums and vocals. Together they balance sharp rhythm and lyrical flow, that unmistakable late-60s Blue Note chemistry between precision and feel.\u003c\/p\u003e\n\u003cp data-start=\"1038\" data-end=\"1427\"\u003eThe title track \u003cem data-start=\"1054\" data-end=\"1065\"\u003eSlow Drag\u003c\/em\u003e sets the tone, unfolding in relaxed swing, all brass and swagger. \u003cem data-start=\"1132\" data-end=\"1148\"\u003eBooker’s Bossa\u003c\/em\u003e and \u003cem data-start=\"1153\" data-end=\"1165\"\u003eJelly Roll\u003c\/em\u003e glide with effortless groove, while Byrd’s take on \u003cem data-start=\"1217\" data-end=\"1230\"\u003eSecret Love\u003c\/em\u003e is smooth but searching, built around Walton’s sparkling piano work. \u003cem data-start=\"1300\" data-end=\"1311\"\u003eThe Loner\u003c\/em\u003e and \u003cem data-start=\"1316\" data-end=\"1326\"\u003eMy Ideal\u003c\/em\u003e close the record with warmth and understatement, proof that Byrd could speak volumes in restraint.\u003c\/p\u003e\n\u003cp data-start=\"1429\" data-end=\"1781\"\u003eRemastered from the original analog tapes and pressed on \u003cstrong data-start=\"1486\" data-end=\"1504\"\u003e180-gram vinyl\u003c\/strong\u003e, this \u003cstrong data-start=\"1511\" data-end=\"1541\"\u003eTone Poet gatefold edition\u003c\/strong\u003e offers Van Gelder’s full sonic depth — crisp horns, resonant bass, and that signature room sound. With \u003cstrong data-start=\"1645\" data-end=\"1664\"\u003eFrancis Wolff’s\u003c\/strong\u003e in-studio photography and \u003cstrong data-start=\"1691\" data-end=\"1718\"\u003eStoughton tip-on sleeve\u003c\/strong\u003e, it’s both an audiophile release and a collector’s artefact.\u003c\/p\u003e\n\u003cp data-start=\"1783\" data-end=\"1964\"\u003eFor fans of \u003cstrong data-start=\"1795\" data-end=\"1810\"\u003eDonald Byrd\u003c\/strong\u003e, \u003cstrong data-start=\"1812\" data-end=\"1828\"\u003eCedar Walton\u003c\/strong\u003e, and the golden age of \u003cstrong data-start=\"1852\" data-end=\"1873\"\u003eBlue Note Records\u003c\/strong\u003e, \u003cem data-start=\"1875\" data-end=\"1886\"\u003eSlow Drag\u003c\/em\u003e is essential — soulful, sophisticated, and unhurried in all the right ways.\u003c\/p\u003e","brand":"Blue Note","offers":[{"title":"Default Title","offer_id":42554740342843,"sku":null,"price":85.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/91utdc4Pf3L._AC_SL1500.jpg?v=1761382588"},{"product_id":"ezra-collective-dance-no-ones-watching-2lp-vinyl","title":"Ezra Collective - Dance, No One's Watching (2LP Vinyl)","description":"\u003cp class=\"whitespace-normal break-words\"\u003eThe Mercury Prize-winning Ezra Collective return with their most ambitious work yet, a sprawling double album that captures the essence of their electrifying live performances and pushes their sound into bold new territories. Dance, No One's Watching is a joyous celebration of movement, freedom and the transformative power of music.\u003c\/p\u003e\n\u003cp class=\"whitespace-normal break-words\"\u003eAcross 16 tracks spanning two records, the London quintet blend contemporary jazz with Afrobeat rhythms, creating an infectious groove that refuses to stay still. From the vibrant energy of \"Palm Wine\" and \"God Gave Me Feet For Dancing\" to the introspective moments of \"Hear My Cry\" and the uplifting closer \"Everybody\", this album showcases the band's remarkable range and musical maturity.\u003c\/p\u003e\n\u003cp class=\"whitespace-normal break-words\"\u003eLed by drummer Femi Koleoso and featuring the virtuosic talents of TJ Koleoso on bass, Joe Armon-Jones on keyboards, James Mollison on tenor saxophone and Ife Ogunjobi on trumpet, Ezra Collective have crafted a record that feels both deeply personal and universally resonant. The album's title serves as an invitation to let go, to dance without inhibition and to embrace the pure joy of being present in the moment.\u003c\/p\u003e\n\u003cp class=\"whitespace-normal break-words\"\u003eReleased in September 2024 on Partisan Records, this double vinyl edition presents the album in its full glory, with warm analogue sound that captures every nuance of the band's dynamic interplay. \u003c\/p\u003e","brand":"Partisan Records","offers":[{"title":"Default Title","offer_id":42555541585979,"sku":null,"price":75.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/a4249844765_10.jpg?v=1761470862"},{"product_id":"yussef-dayes-black-classical-music-2lp-vinyl-reissue","title":"Yussef Dayes - Black Classical Music (2LP Vinyl Reissue)","description":"\u003cp class=\"whitespace-normal break-words\"\u003eOne of the most ambitious and celebrated jazz releases of recent years, Yussef Dayes' Black Classical Music is a sprawling masterwork that redefines the boundaries of contemporary jazz. This double vinyl reissue captures the full scope of the drummer's vision, blending Afrobeat, jazz-funk and hip hop into a deeply personal statement about Black musical heritage and its infinite possibilities.\u003c\/p\u003e\n\u003cp class=\"whitespace-normal break-words\"\u003eAcross 20 tracks, Dayes leads an extraordinary cast of collaborators through a sonic journey that moves from the explosive energy of \"Afro Cubanism\" to the orchestral beauty of \"Magnolia Symphony\" and the laid-back groove of \"Gelato\". The album features remarkable contributions from Tom Misch, Chronixx, Masego and the Chineke! Orchestra, alongside stellar performances from bassist Rocco Palladino, saxophonist Shabaka Hutchings and guitarist Miles James.\u003c\/p\u003e\n\u003cp class=\"whitespace-normal break-words\"\u003eWhat makes Black Classical Music so compelling is its refusal to be confined. Dayes draws from jazz tradition while embracing Afrobeat polyrhythms, Brazilian percussion, UK jazz innovation and contemporary production techniques. Tracks like \"Raisins Under The Sun\", featuring a brass section and bass clarinet, sit alongside the synth-driven \"Turquoise Galaxy\" and the reggae-infused \"Pon Di Plaza\", yet the album flows with remarkable coherence.\u003c\/p\u003e\n\u003cp class=\"whitespace-normal break-words\"\u003eThis is music that demands attention and rewards repeated listening. Dayes' drumming anchors each piece with precision and soul, while his vision as composer and bandleader shines through every arrangement. Originally released in 2023 on Brownswood Recordings, this reissue offers a chance to experience one of the decade's most important jazz albums in its full vinyl glory.\u003c\/p\u003e","brand":"Brownswood","offers":[{"title":"Default Title","offer_id":42575362195515,"sku":null,"price":80.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/a0393988977_10.webp?v=1762312739"},{"product_id":"joe-armon-jones-all-the-quiet-part-ii-limited-edition-2lp-blue-vinyl","title":"Joe Armon-Jones - All The Quiet Part II (Limited Edition 2LP Blue Vinyl)","description":"\u003cp class=\"whitespace-normal break-words\"\u003eKeyboardist and composer Joe Armon-Jones returns with All The Quiet Part II, a mesmerising exploration of dub, jazz and electronics that pushes his sound into deeper, more experimental territory. Pressed on stunning blue transparent vinyl and released as a limited edition through his own Aquarii Records imprint, this double album showcases Armon-Jones at his most adventurous.\u003c\/p\u003e\n\u003cp class=\"whitespace-normal break-words\"\u003eBuilding on the foundations laid by its predecessor, Part II journeys through ten tracks that blend jazz improvisation with the spacious, bass-heavy textures of dub music. From the contemplative opening \"Acknowledgement Is Key\" through the hypnotic grooves of \"Lavender\" and \"Westmoreland\", the album creates an immersive sonic landscape where keyboards, rhythm and space exist in perfect balance.\u003c\/p\u003e\n\u003cp class=\"whitespace-normal break-words\"\u003eTracks like \"PSR Orchestra\" and \"War Transmission\" demonstrate Armon-Jones' skill in crafting atmospheric compositions that feel both futuristic and rooted in reggae tradition, while pieces such as \"Another Place\" and \"Journey South\" offer moments of introspection and beauty. The album's fusion of hip hop influence, funk rhythms and dub production creates something genuinely distinctive within the contemporary UK jazz scene.\u003c\/p\u003e\n\u003cp class=\"whitespace-normal break-words\"\u003eReleased in June 2025, this is essential listening for fans of Armon-Jones' work with Ezra Collective and his acclaimed solo output. The blue transparent pressing is a fitting presentation for an album that explores transparency of sound and the spaces between notes.\u003c\/p\u003e","brand":"Aquarii Records","offers":[{"title":"Default Title","offer_id":42575539208251,"sku":null,"price":125.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/a0610926232_10.webp?v=1762312692"},{"product_id":"herbie-hancock-secrets-us-columbia-vinyl-lp-stereo-pitman-pressing","title":"Herbie Hancock - Secrets (US Columbia Vinyl LP Stereo Pitman Pressing)","description":"\u003cp data-start=\"1061\" data-end=\"1214\"\u003e\u003cb\u003eVinyl\u003c\/b\u003e\u003cspan\u003e: VG (three large scuffs on side 1 but plays fine)\u003c\/span\u003e\u003cbr\u003e\u003cb\u003eSleeve\u003c\/b\u003e\u003cspan\u003e: VG+\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eOur grading system explained \u003c\/span\u003e\u003ca href=\"https:\/\/dpbg4u-d1.myshopify.com\/pages\/secondhand-grading-guide\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003ehere\u003c\/b\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003ePhoto is of the actual item.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"whitespace-normal break-words\"\u003e \u003c\/p\u003e\n\u003cp class=\"whitespace-normal break-words\"\u003e\u003cstrong\u003eHerbie Hancock - Secrets\u003c\/strong\u003e \u003cstrong\u003eVinyl LP - Original US Columbia Pitman Pressing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"whitespace-normal break-words\"\u003eHerbie Hancock's \u003cem\u003eSecrets\u003c\/em\u003e finds the keyboard master fully immersed in the electric jazz-funk sound he pioneered with Headhunters, while pushing into even more synthesizer-heavy and vocoder-laden territory. Released in 1976 on Columbia Records and pressed at their Pitman facility, this album represents Hancock at his most commercially ambitious, blending infectious grooves with the harmonic sophistication and improvisational depth that marked all his work.\u003c\/p\u003e\n\u003cp class=\"whitespace-normal break-words\"\u003eThe album opens with \"Doin' It\", a vocoder and talkbox showcase featuring Wah Wah Watson on lead vocals through his \"voice bag\" alongside Ray Parker's funky guitar and backing vocals from a small choir. This track epitomises the album's fusion of funk, soul and jazz sensibilities. \"People Music\" continues the groove before Hancock revisits one of his most beloved compositions, \"Cantaloupe Island\", reimagining the Blue Note classic through a 1970s funk lens with synthesizers and electric keyboards replacing the acoustic quartet of the original.\u003c\/p\u003e\n\u003cp class=\"whitespace-normal break-words\"\u003eSide two ventures into more experimental territory. \"Spider\" and \"Swamp Rat\" explore darker, more atmospheric textures, while \"Gentle Thoughts\" offers a moment of reflection. The album closes with \"Sansho Shima\", an evocative piece that hints at Eastern influences. Throughout, the core band of Paul Jackson on bass, James Levi on drums, Ray Parker on guitar, and Bennie Maupin on reeds and Lyricon provides a tight foundation for Hancock's extensive keyboard arsenal, which ranges from Rhodes and clavinet to the then-cutting-edge Oberheim Polyphonic and ARP synthesizers.\u003c\/p\u003e\n\u003cp class=\"whitespace-normal break-words\"\u003eThis original Pitman pressing, identifiable by the faint \"P\" stamp in the dead wax, represents the album with the sound quality Columbia's pressing plants were known for during this era. For fans of Hancock's electric period and 1970s jazz-funk, \u003cem\u003eSecrets\u003c\/em\u003e is an essential document.\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e","brand":"Columbia","offers":[{"title":"Default Title","offer_id":42605871824955,"sku":null,"price":40.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/IMG_5044.jpg?v=1762645437"},{"product_id":"bob-james-one-1978-japanese-cti-limited-edition-vinyl-lp","title":"Bob James - One (1978 Japanese CTI Limited Edition Vinyl LP)","description":"\u003cp data-end=\"1214\" data-start=\"1061\"\u003e\u003cb\u003eVinyl\u003c\/b\u003e\u003cspan\u003e: VG+\u003c\/span\u003e\u003cbr\u003e\u003cb\u003eSleeve\u003c\/b\u003e\u003cspan\u003e: VG+\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eObi:\u003c\/strong\u003e\u003cspan\u003e None\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eOur grading system explained \u003c\/span\u003e\u003ca href=\"https:\/\/dpbg4u-d1.myshopify.com\/pages\/secondhand-grading-guide\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003ehere\u003c\/b\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003ePhoto is of the actual item.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBob James - One\u003c\/strong\u003e \u003cstrong\u003eVinyl LP - Limited Edition Japanese CTI Reissue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBob James' debut as a leader for CTI Records, \u003cem\u003eOne\u003c\/em\u003e established the keyboardist and arranger as a major force in 1970s fusion and jazz-funk. Recorded at Van Gelder Studio between February and April 1974 with an all-star cast and released in this limited edition Japanese pressing in 1978 as part of CTI's Original 1500 Series, the album showcases James' gifts as both a Fender Rhodes virtuoso and a sophisticated arranger capable of blending jazz improvisation with lush orchestration and infectious grooves.\u003c\/p\u003e\n\u003cp\u003eThe album opens with \"Valley Of The Shadows\", immediately establishing the CTI aesthetic: James' electric piano over Steve Gadd's crisp drumming, supported by strings, horns, and Ralph MacDonald's percussion. The production is immaculate, every element perfectly balanced in Rudy Van Gelder's engineering and producer Creed Taylor's vision of accessible, beautifully recorded jazz.\u003c\/p\u003e\n\u003cp\u003e\"In The Garden\" and \"Soulero\" continue the fusion of jazz sophistication with pop accessibility. James' arrangements incorporate full string and horn sections (featuring jazz luminaries like Thad Jones, Jon Faddis, and Lew Soloff among the trumpeters) without ever sounding overly orchestrated or saccharine. His keyboard work balances technical facility with melodic clarity, influenced equally by bebop pianists and contemporary R\u0026amp;B.\u003c\/p\u003e\n\u003cp\u003eSide two opens with \"Night On Bald Mountain\", James' audacious jazz-funk reimagining of Modest Mussorgsky's classical composition. This track exemplifies the early 1970s fusion movement's ambition, taking a 19th-century Russian tone poem and transforming it into a vehicle for contemporary jazz improvisation. Steve Gadd's drumming here is particularly remarkable, his precision and musicality making complex rhythms sound effortless.\u003c\/p\u003e\n\u003cp\u003e\"Feel Like Making Love\", originally a Roberta Flack hit, receives an instrumental treatment that emphasises its romantic melody while adding jazz harmonic sophistication. The album closes with \"Nautilus\", which became one of the most sampled tracks in hip-hop history. Built on a hypnotic groove with Idris Muhammad replacing Gadd on drums, the track's infectious bass line (Gary King) and James' electric piano riff have been sampled by countless artists, making this one of the most culturally influential jazz-funk recordings of the era.\u003c\/p\u003e\n\u003cp\u003eThe personnel throughout is exceptional. Beyond the rhythm section of King, Gadd, and Muhammad, the album features virtuoso trumpeter Jon Faddis, Count Basie Orchestra veteran Thad Jones, and studio guitarist Richie Resnicoff. The string section, featuring some of New York's finest classical musicians, adds lushness without overwhelming the jazz elements.\u003c\/p\u003e\n\u003cp\u003eThis Japanese pressing, manufactured by King Record Co. Ltd. and distributed through their CTI partnership, represents the label's commitment to superior vinyl quality. Part of the CTI Original 1500 Series, this limited edition reissue offers the pristine sound quality essential to appreciating Van Gelder's engineering and the album's detailed arrangements. The CTI aesthetic of beautiful packaging and audiophile-quality pressing makes this an attractive edition for both James collectors and CTI completists.\u003c\/p\u003e","brand":"CTI","offers":[{"title":"Default Title","offer_id":43048567341115,"sku":null,"price":60.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/IMG_7291.jpg?v=1781061598"},{"product_id":"nina-simone-baltimore-1978-japanese-cti-vinyl-lp-gatefold","title":"Nina Simone - Baltimore (1978 Japanese CTI Vinyl LP Gatefold)","description":"\u003cp data-start=\"1061\" data-end=\"1214\"\u003e\u003cb\u003eVinyl\u003c\/b\u003e\u003cspan\u003e: EX\u003c\/span\u003e\u003cbr\u003e\u003cb\u003eSleeve\u003c\/b\u003e\u003cspan\u003e: VG+\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eObi:\u003c\/strong\u003e\u003cspan\u003e EX\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eOur grading system explained \u003c\/span\u003e\u003ca href=\"https:\/\/dpbg4u-d1.myshopify.com\/pages\/secondhand-grading-guide\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003ehere\u003c\/b\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003ePhoto is of the actual item.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNina Simone - Baltimore\u003c\/strong\u003e \u003cstrong\u003eVinyl LP - Japanese CTI Gatefold with Obi and Insert\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOne of Nina Simone's most intimate and spiritually powerful recordings, \u003cem\u003eBaltimore\u003c\/em\u003e captures the legendary singer and pianist in Brussels during January 1978, performing a deeply personal programme that ranges from reggae-inflected social commentary to gospel affirmation. Produced by Creed Taylor for CTI Records and released in Japan in a handsome gatefold edition with obi strip and Japanese\/English lyric insert, this album showcases Simone at a crucial moment in her career, living in self-imposed European exile yet creating music of undiminished power and conviction.\u003c\/p\u003e\n\u003cp\u003eThe album opens with the title track \"Baltimore\", a searing indictment of urban decay and racial injustice that demonstrates Simone's unwavering commitment to using her art as social commentary. Arranger David Matthews provides a reggae-influenced setting that was contemporary for 1978 yet honours Simone's jazz roots. Her voice, weathered and deepened by experience, carries the weight of lived truth rather than mere performance.\u003c\/p\u003e\n\u003cp\u003e\"Everything Must Change\" reveals Simone's gift for finding profound meaning in popular material, transforming what could be a simple ballad into a meditation on impermanence and acceptance. \"The Family\" and \"My Father\", both arranged by Simone herself, showcase her ability to craft intimate narratives that feel both deeply personal and universally relatable. Her piano playing throughout demonstrates the classical training that underpinned all her work, even as her phrasing and approach remained rooted in jazz and gospel traditions.\u003c\/p\u003e\n\u003cp\u003eSide two continues with \"Music For Lovers\", another Simone arrangement, before launching into Hall \u0026amp; Oates' \"Rich Girl\", which Simone transforms from a pop hit into a vehicle for social observation about materialism and values. \"That's All I Want From You\" receives a tender reading, while \"Forget\" explores the pain of moving past relationships and trauma.\u003c\/p\u003e\n\u003cp\u003eThe album's final two tracks embrace gospel explicitly. \"Balm In Gilead\", the traditional spiritual, receives a powerful reading featuring backing vocalists including Ray Simpson (who would later join the Village People) and a full choir. Simone's delivery is both celebratory and searching, her voice and piano creating a sacred space. \"If You Pray Right\" closes the album with an affirmation of faith that transcends religious boundaries, Simone's conviction making the message universal.\u003c\/p\u003e\n\u003cp\u003eDavid Matthews' string arrangements add lushness without overwhelming Simone's essential directness. The rhythm section of Gary King on bass, Eric Gale on guitar, and Jim Madison on drums provides contemporary grooves while remaining sensitive to Simone's dynamic range and unpredictable phrasing. Percussionist Nicky Marrero adds colour, while the extensive string section brings orchestral depth to Matthews' sophisticated charts.\u003c\/p\u003e\n\u003cp\u003eProducer Creed Taylor's liner notes (included in the insert) describe attending Simone's December 1977 London concert and being unprepared for the intensity she brought to the recording studio a month later in Brussels. His observation that Simone \"turns everything - even the most simple, mundane phrase or lyric - into a radiant, poetic message\" perfectly captures what makes this album special. Mixed at Electric Lady Studios using the then-innovative Aphex Aural Exciter, the recording captures both the intimacy of Simone's voice and piano and the warmth of the orchestral elements.\u003c\/p\u003e\n\u003cp\u003eThis Japanese pressing, manufactured and distributed by King Record Co. Ltd., represents CTI's commitment to superior vinyl quality. The gatefold packaging, obi strip, and bilingual insert make this an attractive edition for Simone collectors and CTI enthusiasts alike.\u003c\/p\u003e","brand":"CTI","offers":[{"title":"Default Title","offer_id":43050194599995,"sku":null,"price":110.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/IMG_5367.jpg?v=1764450557"},{"product_id":"stanley-turrentine-the-baddest-turrentine-1980-japanese-cti-limited-edition-vinyl-lp","title":"Stanley Turrentine - The Baddest Turrentine (1980 Japanese CTI Limited Edition Vinyl LP)","description":"\u003cp data-end=\"1214\" data-start=\"1061\"\u003e\u003cb\u003eVinyl\u003c\/b\u003e\u003cspan\u003e: EX\u003c\/span\u003e\u003cbr\u003e\u003cb\u003eSleeve\u003c\/b\u003e\u003cspan\u003e: EX\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eObi:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eNone\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eOur grading system explained \u003c\/span\u003e\u003ca href=\"https:\/\/dpbg4u-d1.myshopify.com\/pages\/secondhand-grading-guide\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003ehere\u003c\/b\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003ePhoto is of the actual item.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStanley Turrentine - The Baddest Turrentine\u003c\/strong\u003e \u003cstrong\u003eVinyl LP - Limited Edition Japanese CTI Compilation\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAn anthology of Stanley Turrentine's finest CTI recordings, \u003cem\u003eThe Baddest Turrentine\u003c\/em\u003e lives up to its bold title by compiling four essential tracks that showcase the tenor saxophonist at his soulful, swinging best. Released in 1980 as a limited edition Japanese pressing in CTI's Original 1500 Series and manufactured by King Record Co. Ltd., this collection captures Turrentine's ability to bridge sophisticated jazz improvisation with the deep blues feeling and groove that made him one of the most accessible and popular jazz artists of the 1970s.\u003c\/p\u003e\n\u003cp\u003eThe album opens with \"Sugar\", Turrentine's signature tune and one of the biggest jazz hits of the 1970s. With its irresistible groove, memorable melody, and Turrentine's warm, full-bodied tenor sound, \"Sugar\" became a crossover success that introduced countless listeners to jazz while maintaining genuine artistic substance. Recorded at Van Gelder Studios with Rudy Van Gelder's pristine engineering, the track demonstrates how Turrentine could make commercial music without compromising his jazz credentials.\u003c\/p\u003e\n\u003cp\u003e\"Salt Song\" continues the savory seasoning metaphor, delivering another groove-oriented performance that showcases Turrentine's gift for creating melodies that stick in the listener's mind. His tone, rich and slightly gritty, conveys both sophistication and earthiness - a combination that defines the soul-jazz aesthetic he helped popularize. Producer Creed Taylor's production provides lush orchestration and contemporary arrangements that frame Turrentine's playing without overwhelming it.\u003c\/p\u003e\n\u003cp\u003eSide two opens with \"Speedball\", a more uptempo number that demonstrates Turrentine's facility and swing at faster tempos. While known for his ballad playing and mid-tempo grooves, Turrentine could also burn through changes with technical command and bluesy phrasing that always swung. The album closes with \"Don't Mess With Mister T\", a title that playfully asserts Turrentine's mastery while delivering another soulful, groove-heavy performance.\u003c\/p\u003e\n\u003cp\u003eWhat made Turrentine special was his ability to honour the blues and soul traditions that informed his playing while incorporating the harmonic sophistication of modern jazz. His sound was immediately identifiable - that big, warm tone with just enough edge to give it character. Unlike some soul-jazz players who simplified their approach for commercial purposes, Turrentine maintained his improvisational depth while making music that moved both the head and the body.\u003c\/p\u003e\n\u003cp\u003eThis compilation, selected from Turrentine's CTI catalogue by producer Creed Taylor, provides an excellent introduction to Turrentine's work for the label. Ira Gitler's liner notes (included in the four-page insert) provide context about Turrentine's career and approach, while Alen MacWeeney's photography and Bob Ciano's artwork maintain CTI's high standards for visual presentation.\u003c\/p\u003e\n\u003cp\u003eThe Japanese pressing by King Record Co. offers the audiophile sound quality CTI releases demand. Van Gelder's engineering, Taylor's production, and King's manufacturing combine to create a listening experience that does justice to Turrentine's gorgeous tone and the sophisticated arrangements that frame his playing. Part of the CTI Original 1500 Series, this limited edition represents the care Japanese labels took in presenting important American jazz to their market.\u003c\/p\u003e","brand":"CTI","offers":[{"title":"Default Title","offer_id":43052169691195,"sku":null,"price":50.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/IMG_5372_75f847f7-f25b-44a5-99b7-61c48a2d918b.jpg?v=1764583227"},{"product_id":"nina-simone-little-girl-blue-65th-anniversary-pink-vinyl-limited-edition-lp","title":"Nina Simone - Little Girl Blue (65th Anniversary Pink Vinyl Limited Edition LP)","description":"\u003cp\u003eNina Simone's debut album remains one of the most stunning first statements in jazz history, capturing the then-25-year-old pianist and vocalist in 1957 at the moment she transformed from classical music aspirant Eunice Waymon into the incomparable Nina Simone. This 65th Anniversary Edition, released on 9 August 2024 as a limited edition pink vinyl pressing remastered by the legendary Kevin Gray, honours this landmark recording with audiophile quality and striking presentation befitting its classic status.\u003c\/p\u003e\n\u003cp\u003eRecorded for Bethlehem Records in 1957, \u003cem\u003eLittle Girl Blue\u003c\/em\u003e introduced a completely original voice to jazz. Simone's classical piano training is evident in her sophisticated touch and harmonic choices, yet she approaches standards and blues with a deeply personal emotional directness that transcends stylistic categories. Her contralto voice, rich and slightly husky, could convey both vulnerability and strength, sometimes within the same phrase.\u003c\/p\u003e\n\u003cp\u003eThe album opens with Duke Ellington's \"Mood Indigo\", and immediately Simone's distinctive approach is clear: sophisticated yet accessible, respecting the tradition while making it entirely her own. \"Don't Smoke In Bed\" showcases her gift for intimate ballad interpretation, while \"He Needs Me\" (from the film Pal Joey) becomes a meditation on emotional dependency that feels both tender and clear-eyed.\u003c\/p\u003e\n\u003cp\u003eThe title track \"Little Girl Blue\", a Rodgers and Hart standard, receives a definitive reading. Simone's piano introduction sets a melancholic mood before her voice enters with the vulnerability suggested by the title, yet with an underlying dignity that prevents sentimentality. This performance exemplifies her ability to find profound meaning in popular material through interpretive genius rather than vocal pyrotechnics.\u003c\/p\u003e\n\u003cp\u003e\"Love Me Or Leave Me\" swings with authority, while \"My Baby Just Cares For Me\" - which became an unexpected international hit decades later when used in a 1987 Chanel commercial - demonstrates Simone's playful side and impeccable sense of rhythm. Her piano accompaniment throughout is never merely supportive; it's an equal partner in expression, drawing on her classical technique while swinging with jazz feeling.\u003c\/p\u003e\n\u003cp\u003eBacked by the understated yet expert rhythm section of bassist Jimmy Bond and drummer Al Heath, Simone explores a diverse programme. \"Good Bait\" showcases her bebop chops, \"Plain Gold Ring\" delves into blues feeling, while \"You'll Never Walk Alone\" transforms the Rodgers and Hammerstein show tune into something approaching a spiritual affirmation. The album's emotional centrepiece, \"I Loves You Porgy\" from Gershwin's Porgy and Bess, receives a reading of such tenderness and longing that it became Simone's first chart success. The album closes with \"Central Park Blues\", an original composition that demonstrates Simone's gifts extended to writing as well as interpretation.\u003c\/p\u003e\n\u003cp\u003eThis 65th Anniversary Edition has been remastered by Kevin Gray, one of the most respected mastering engineers in the world, known for his meticulous work on audiophile reissues. Gray's remastering brings new clarity to Simone's voice and piano while honouring the intimacy of the original 1957 recording. The limited edition pink vinyl pressing adds visual appeal while maintaining sonic integrity.\u003c\/p\u003e\n\u003cp\u003eThe package includes liner notes by Daphne A. Brooks and Joe Muranyi, providing historical context about Simone's early career and this album's significance. Released through Dark Horse Records and BMG, this reissue represents the care contemporary labels are taking to preserve and present classic jazz recordings for new generations.\u003c\/p\u003e","brand":"Bethlehem Records","offers":[{"title":"Default Title","offer_id":43075651502139,"sku":null,"price":75.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/nina-simone-little-girl-blue-pink-vinyl-65th-anniversary-edition-sealed-uk-vinyl-lp-album-record-dh0024xus-844086_1200x696copy.jpg?v=1765698034"},{"product_id":"pharoah-sanders-thembi-2024-verve-by-request-180g-vinyl-lp-gatefold","title":"Pharoah Sanders - Thembi (2024 Verve By Request 180g Vinyl LP Gatefold)","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eRecorded across two sessions in late 1970 and early 1971, \u003cem\u003eThembi\u003c\/em\u003e captures Pharoah Sanders transitioning from his most intense free jazz explorations toward a more spiritual, accessible sound that would define his 1970s masterpieces. This 9 August 2024 reissue, part of Universal Music's Verve By Request series and pressed by Third Man Pressing on 180-gram vinyl in a gatefold sleeve, offers this landmark Impulse! recording in premium contemporary presentation.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe album's first side, recorded on 25 November 1970 at The Record Plant in Los Angeles, features Sanders leading a sextet through three extended explorations. \"Astral Traveling\" opens with the hypnotic, trance-inducing quality that would become Sanders' signature, layering his tenor saxophone over Lonnie Liston Smith's Fender Rhodes, Cecil McBee's bass, Clifford Jarvis' percussion-heavy drumming, and Michael White's violin. Sanders adds bells and percussion himself, creating dense rhythmic textures that support his increasingly ecstatic saxophone flights.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\"Red, Black \u0026amp; Green\" addresses Pan-African consciousness through its title (referencing the Black liberation flag colours) and music, Sanders' tenor alternating between screaming intensity and tender melodicism. \"Thembi\", the title track dedicated to Sanders' wife at the time, closes the first side with a performance that balances spiritual searching with accessible beauty, pointing toward the approach Sanders would perfect on albums like Karma and Journey to the Source.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eSide two, recorded on 12 January 1971 at The Record Plant in New York City, presents a different trio configuration featuring Sanders on saxophone, Lonnie Liston Smith on acoustic piano, and Cecil McBee on bass. The absence of drums creates a more spacious, contemplative atmosphere. \"Love\" is a brief meditation, while \"Morning Prayer\" and \"Bailophone Dance\" showcase Sanders' ability to create spiritual music that honours African traditions while remaining distinctly jazz-based.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eSanders' tenor saxophone playing throughout moves between extraordinary technical control and ecstatic abandon. His tone, enormous and sometimes harsh, conveys spiritual yearning and transcendent joy. The extended technique he employs, including overtones, multiphonics, and extreme register explorations, serves emotional and spiritual expression rather than mere display.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eLonnie Liston Smith's presence is crucial, his modal piano and electric piano work providing harmonic foundation while allowing space for collective improvisation. Smith would continue working with Sanders before forming his own successful Cosmic Echoes group. Cecil McBee's bass anchors both sessions with melodic invention and rhythmic solidity, while Clifford Jarvis' drumming on the first side adds propulsive energy and African-influenced polyrhythms. Michael White's violin adds another voice to the collective, his playing influenced by both jazz and Indian classical music. \u003c\/p\u003e","brand":"Impulse!","offers":[{"title":"Default Title","offer_id":43076407394363,"sku":null,"price":70.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/PharoahSanders-Thembi_1LP_Cvr.webp?v=1765762735"},{"product_id":"bobby-hutcherson-san-francisco-2023-blue-note-classic-vinyl-180g-lp","title":"Bobby Hutcherson - San Francisco (2023 Blue Note Classic Vinyl 180g LP)","description":"\u003cp\u003eA landmark recording in Bobby Hutcherson's distinguished Blue Note discography, \u003cem\u003eSan Francisco\u003c\/em\u003e captures the vibraphonist at a transitional moment in jazz history, bridging adventurous post-bop with the emerging jazz-funk aesthetic of the early 1970s. Recorded on 15 July 1970 at UA Studios in Los Angeles with tenor saxophonist Harold Land, pianist Joe Sample (of The Crusaders), bassist John Williams, and drummer Mickey Roker, this album demonstrates how sophisticated musicians navigated the stylistic shifts toward electric instruments and funk grooves without compromising harmonic depth or improvisational integrity. Producer Duke Pearson's guidance ensures the six compositions balance accessibility with artistic substance, from the opening \"Goin' Down South\" through the evocative closer \"A Night In Barcelona\".\u003c\/p\u003e\n\u003cp\u003eJoe Sample's presence is crucial, his electric piano work adding contemporary texture while his acoustic piano maintains connection to hard bop tradition. Harold Land's tenor saxophone, warm and melodically inventive, provides perfect frontline partnership with Hutcherson's shimmering vibraphone, marimba, and percussion. John Williams' use of both acoustic and electric bass reflects the era's instrumental evolution, while Mickey Roker's drumming moves effortlessly between swing and funk as each composition requires. Land's rare use of oboe on \"Procession\" adds distinctive colour rarely heard in jazz-funk contexts.\u003c\/p\u003e\n\u003cp\u003eThis 20 January 2023 reissue represents state-of-the-art contemporary vinyl production. Kevin Gray, working at Cohearent Audio, has remastered and cut lacquers from the original tapes, while Optimal Media in Germany has pressed this on 180-gram vinyl. This combination of Gray's audiophile expertise and Optimal's pressing quality (consistently ranked among the world's finest plants) ensures this is likely the best-sounding edition of \u003cem\u003eSan Francisco\u003c\/em\u003e ever available, superior to the original 1970 pressing in clarity and dynamics while maintaining tonal accuracy. Part of Blue Note's Classic Vinyl Series, this reissue offers collectors and audiophiles a premium presentation of an essential jazz-funk recording.\u003c\/p\u003e","brand":"Blue Note","offers":[{"title":"Default Title","offer_id":43083371610171,"sku":null,"price":60.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/BobbyHutcherson-SanFrancisco_LP-Cvr_1024x_c8074a54-0443-40c2-b052-aec15a70cda5.jpg?v=1766111733"},{"product_id":"shabaka-and-the-ancestors-wisdom-of-elders-2016-uk-brownswood-2lp-gatefold","title":"Shabaka And The Ancestors - Wisdom Of Elders (2016 UK Brownswood 2LP Gatefold)","description":"\u003cp\u003eShabaka Hutchings' collaboration with South African jazz musicians resulted in one of the most compelling albums in his diverse discography. Recorded in Johannesburg at Sumo Sounds Studio in 2016 and released on Gilles Peterson's Brownswood Recordings, \u003cem\u003eWisdom Of Elders\u003c\/em\u003e unites Hutchings with pianist Nduduzo Makhathini, drummer Tumi Mogorosi, vocalist Siyabonga Mthembu, and other exceptional South African players to create music that honours spiritual jazz traditions while engaging with South African musical heritage. The double LP format allows these extended compositions proper space to develop, capturing the group's blend of avant-garde jazz, African traditions, and spiritual searching across a gatefold presentation pressed by Optimal Media.\u003c\/p\u003e\n\u003cp\u003eThe ensemble's approach draws from South African jazz history (Dollar Brand\/Abdullah Ibrahim, Hugh Masekela), spiritual jazz pioneers (Coltrane, Sanders, Alice Coltrane), and contemporary concerns about identity, ancestry, and liberation. Hutchings' tenor saxophone leads with his characteristic intensity and technical command, while Makhathini's piano and Rhodes work provides harmonic foundation infused with South African musical sensibilities. Vocalist Siyabonga Mthembu's wordless vocals and occasional lyrics add human voice to the instrumental textures, connecting to African vocal traditions and spiritual jazz's use of voice as pure expression. The rhythm section of Ariel Zamonsky on bass, Tumi Mogorosi on drums, and Gontse Makhene on percussion creates polyrhythmic complexity that honours both jazz tradition and African drumming practices.\u003c\/p\u003e\n\u003cp\u003eMixed at The Crush in London and mastered at Calyx Mastering with lacquers cut at the same facility, this UK pressing by Optimal Media offers excellent sound quality that captures both the music's spiritual intimacy and explosive intensity. The gatefold sleeve provides visual presentation befitting the music's cultural and spiritual ambitions. \u003cem\u003eWisdom Of Elders\u003c\/em\u003e established Shabaka And The Ancestors as a crucial project in Hutchings' portfolio, distinct from his UK-based groups Sons of Kemet and The Comet Is Coming through its direct engagement with South African jazz lineages and its Johannesburg recording base.\u003c\/p\u003e","brand":"Brownswood","offers":[{"title":"Default Title","offer_id":43083386978363,"sku":null,"price":75.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/a0042658699_10_8f55cbb1-7474-48df-8cc9-cc7d0fd22891.jpg?v=1766113538"},{"product_id":"stanley-turrentine-with-milt-jackson-cherry-1978-japanese-cti-limited-edition-lp","title":"Stanley Turrentine With Milt Jackson - Cherry (1978 Japanese CTI Limited Edition LP)","description":"\u003cp data-start=\"1061\" data-end=\"1214\"\u003e\u003cb\u003eVinyl\u003c\/b\u003e\u003cspan\u003e: EX\u003c\/span\u003e\u003cbr\u003e\u003cb\u003eSleeve\u003c\/b\u003e\u003cspan\u003e: EX\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eObi:\u003c\/strong\u003e\u003cspan\u003e None\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eOur grading system explained \u003c\/span\u003e\u003ca href=\"https:\/\/dpbg4u-d1.myshopify.com\/pages\/secondhand-grading-guide\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003ehere\u003c\/b\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003ePhoto is of the actual item.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eStanley Turrentine With Milt Jackson - \u003cem\u003eCherry\u003c\/em\u003e\u003c\/strong\u003e \u003cstrong\u003eVinyl LP - 1978 Japanese CTI Original 1500 Series Limited Edition\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe pairing of tenor saxophonist Stanley Turrentine with vibraphonist Milt Jackson resulted in one of CTI's most satisfying jazz-funk sessions. Recorded in May 1972 at Van Gelder Studios with producer Creed Taylor's signature all-star rhythm section (Ron Carter on bass, Billy Cobham on drums, Cornell Dupree on guitar, and Bob James on piano and electric piano), \u003cem\u003eCherry\u003c\/em\u003e balances groove-oriented material like \"Speedball\" and \"Sister Sanctified\" with more contemplative ballad work on \"I Remember You\" and the title track. This 1978 Japanese limited edition, part of CTI's Original 1500 Series and manufactured by King Record Co. Ltd., offers this essential CTI session in premium Japanese pressing quality.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eTurrentine's warm, blues-drenched tenor sound finds perfect complement in Jackson's shimmering vibraphone, their frontline creating sophisticated yet accessible melodies over the rhythm section's tight grooves. Bob James' electric piano and acoustic piano work bridges the soul-jazz and sophisticated hard bop elements, while Cornell Dupree's guitar adds funk credentials and Ron Carter's bass provides both melodic invention and rhythmic foundation. Billy Cobham's drumming, just before his fusion stardom, demonstrates the power and precision that made him CTI's go-to drummer for jazz-funk sessions.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eEngineered by Rudy Van Gelder and produced by Creed Taylor, Cherry exemplifies CTI's aesthetic at its peak: sophisticated musicianship meeting contemporary grooves, audiophile recording quality serving accessible material, and all-star personnel collaborating at the highest level.\u003c\/p\u003e","brand":"CTI","offers":[{"title":"Default Title","offer_id":43137975550011,"sku":null,"price":45.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/IMG_5771.jpg?v=1768719914"},{"product_id":"deodato-prelude-1973-japanese-cti-gatefold-lp-with-obi","title":"Deodato - Prelude (1973 Japanese CTI Gatefold LP with Obi)","description":"\u003cp data-start=\"1061\" data-end=\"1214\"\u003e\u003cb\u003eVinyl\u003c\/b\u003e\u003cspan\u003e: EX\u003c\/span\u003e\u003cbr\u003e\u003cb\u003eSleeve\u003c\/b\u003e\u003cspan\u003e: EX\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eObi:\u003c\/strong\u003e\u003cspan\u003e VG+\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eOur grading system explained \u003c\/span\u003e\u003ca href=\"https:\/\/dpbg4u-d1.myshopify.com\/pages\/secondhand-grading-guide\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003ehere\u003c\/b\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003ePhoto is of the actual item.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDeodato - \u003cem\u003ePrelude\u003c\/em\u003e\u003c\/strong\u003e \u003cstrong\u003eVinyl LP - 1973 Japanese CTI Gatefold with Obi and Japanese Liner Notes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBrazilian keyboardist and arranger Eumir Deodato's fusion landmark \u003cem\u003ePrelude\u003c\/em\u003e achieved both critical acclaim and commercial success through its audacious reinterpretation of classical themes within jazz-funk frameworks. The album's centrepiece, \"Also Sprach Zarathustra (2001)\", transforms Richard Strauss' orchestral tone poem into a funky, electric groove featuring Deodato's electric piano, Billy Cobham's explosive drumming, and a full orchestra arranged with CTI's signature lush sophistication. Recorded at Van Gelder Studios in September 1972 with producer Creed Taylor assembling an all-star cast including Ron Carter, Stanley Clarke, Airto, Ray Barretto, and Hubert Laws, \u003cem\u003ePrelude\u003c\/em\u003e exemplifies early 1970s fusion at its most ambitious and accessible. This 1973 Japanese pressing by King Record Co. Ltd. includes gatefold sleeve, obi strip, and Japanese liner notes.\u003c\/p\u003e\n\u003cp\u003eBeyond the hit single \"Also Sprach Zarathustra\", the album demonstrates Deodato's arranging gifts across diverse material. \"Spirit Of Summer\" and \"Carly \u0026amp; Carole\" showcase his original compositions, while \"Baubles, Bangles And Beads\" and Debussy's \"Prelude To Afternoon Of A Faun\" receive jazz-funk transformations that balance respect for the source material with contemporary reimagining. The personnel represents fusion's finest: Cobham's drumming provides both power and precision, Carter and Clarke's bass work (acoustic and electric) anchors the grooves, while the horn and string arrangements add CTI's characteristic orchestral richness without overwhelming the jazz core.\u003c\/p\u003e\n\u003cp\u003eEngineered by Rudy Van Gelder and produced by Creed Taylor, \u003cem\u003ePrelude\u003c\/em\u003e captures the precise sonic balance that made CTI releases audiophile favourites. King Record's Japanese manufacturing includes complete gatefold packaging, obi strip, and Japanese liner notes that add context for the local market. The album's commercial success (the single reached #2 on Billboard) proved that sophisticated fusion could find mainstream audiences without compromising artistic ambition.\u003c\/p\u003e","brand":"CTI","offers":[{"title":"Default Title","offer_id":43165726867515,"sku":null,"price":55.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/IMG_6074.jpg?v=1770416526"},{"product_id":"herbie-hancock-head-hunters-1973-japanese-cbs-sony-vinyl-lp","title":"Herbie Hancock - Head Hunters (1973 Japanese CBS\/Sony Vinyl LP)","description":"\u003cp data-start=\"1061\" data-end=\"1214\"\u003e\u003cb\u003eVinyl\u003c\/b\u003e\u003cspan\u003e: EX\u003c\/span\u003e\u003cbr\u003e\u003cb\u003eSleeve\u003c\/b\u003e\u003cspan\u003e: EX\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eObi:\u003c\/strong\u003e\u003cspan\u003e None\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eOur grading system explained \u003c\/span\u003e\u003ca href=\"https:\/\/dpbg4u-d1.myshopify.com\/pages\/secondhand-grading-guide\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003ehere\u003c\/b\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003ePhoto is of the actual item.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHerbie Hancock - \u003cem\u003eHead Hunters\u003c\/em\u003e\u003c\/strong\u003e \u003cstrong\u003eVinyl LP - 1973 Japanese CBS\/Sony Release\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHerbie Hancock's commercial and artistic breakthrough, \u003cem\u003eHead Hunters\u003c\/em\u003e became the best-selling jazz album of all time upon its 1973 release, proving that sophisticated musicianship and funk grooves could coexist without compromise. Recorded at San Francisco's Wally Heider Studios and Different Fur Trading Co., the album features Hancock's quartet—saxophonist Bennie Maupin, bassist Paul Jackson, drummer Harvey Mason, and percussionist Bill Summers, creating four extended compositions that blend African rhythms, funk basslines, synthesizer textures, and jazz improvisation into something unprecedented.\u003c\/p\u003e\n\u003cp\u003eReleased in Japan by CBS\/Sony in 1973, this pressing captures the album that redefined jazz's possibilities and influenced funk, hip-hop, and electronic music for decades to come.\u003c\/p\u003e\n\u003cp\u003eThe 15-minute \"Chameleon\" opens with one of funk's most recognisable basslines, Jackson's electric bass groove anchoring Hancock's synthesiser work, Mason's precise drumming, and Maupin's saxophone explorations. Hancock's reimagining of his own \"Watermelon Man\" (originally recorded in 1962) transforms the hard bop standard into Afro-funk through Summers' beer bottle percussion and the group's collective groove. \"Sly\" pays homage to Sly and the Family Stone's funk innovations, while \"Vein Melter\" closes the album with atmospheric textures built from Hancock's synthesizers and electric piano, Maupin's bass clarinet and alto flute creating meditative soundscapes.\u003c\/p\u003e\n\u003cp\u003eHancock's use of synthesisers (ARP Odyssey and Soloist), electric piano, and clavinet alongside acoustic instruments created sonic textures that sounded simultaneously futuristic and rooted in African-American musical traditions. Summers' percussion arsenal, including African instruments like balafon, agogô, and gankoqui alongside beer bottle and hindewho whistle, added rhythmic complexity and timbral variety.\u003c\/p\u003e","brand":"CBS","offers":[{"title":"Default Title","offer_id":43166495342651,"sku":null,"price":180.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/IMG_6903.jpg?v=1778469723"},{"product_id":"elvin-jones-and-richard-davis-heavy-sounds-1976-japanese-impulse-gatefold-lp","title":"Elvin Jones And Richard Davis - Heavy Sounds (1976 Japanese Impulse! Gatefold LP)","description":"\u003cp data-start=\"1061\" data-end=\"1214\"\u003e\u003cb\u003eVinyl\u003c\/b\u003e\u003cspan\u003e: EX\u003c\/span\u003e\u003cbr\u003e\u003cb\u003eSleeve\u003c\/b\u003e\u003cspan\u003e: EX\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eObi:\u003c\/strong\u003e\u003cspan\u003e None\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eOur grading system explained \u003c\/span\u003e\u003ca href=\"https:\/\/dpbg4u-d1.myshopify.com\/pages\/secondhand-grading-guide\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003ehere\u003c\/b\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003ePhoto is of the actual item.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eElvin Jones And Richard Davis - \u003cem\u003eHeavy Sounds\u003c\/em\u003e\u003c\/strong\u003e \u003cstrong\u003eVinyl LP - 1976 Japanese ABC Impulse! Stereo Gatefold Reissue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDrummer Elvin Jones and bassist Richard Davis co-lead this 1967 session exploring the boundary between soul-jazz and post-bop, their rhythmic partnership driving six tracks recorded over two days (19 and 20 June) in New York. Tenor saxophonist Frank Foster and pianist Billy Greene appear on four tracks, while Jones and Davis perform two duets including an extended reading of \"Summertime\". Originally released in 1967 as A-9160, this session captures Jones between his legendary work with the John Coltrane Quartet (which had recently dissolved) and his own long-running group. Released in Japan in 1976 as part of Impulse's Best Collection series and manufactured by Nippon Columbia, this gatefold stereo pressing showcases the rhythmic mastery of two of jazz's most powerful rhythm section players.\u003c\/p\u003e\n\u003cp\u003eThe quartet tracks feature Foster's robust tenor saxophone and Greene's bluesy piano over the formidable foundation of Jones and Davis, whose interaction demonstrates telepathic rhythmic understanding. Jones' drumming, famous for its polyrhythmic complexity and explosive power in the Coltrane context, here shows equal mastery of soul-jazz grooves and swinging post-bop. Davis' bass work provides both harmonic grounding and melodic invention, his instrument functioning as equal voice rather than mere timekeeper. The Count Basie classic \"Shiny Stockings\" receives modern treatment, while originals like \"Raunchy Rita\" and \"M.E.\" showcase the group's ability to balance groove with sophisticated improvisation.\u003c\/p\u003e\n\u003cp\u003eThe two duets reveal the core Jones-Davis partnership stripped to essentials. \"Summertime\" becomes a vehicle for extended exploration, the familiar Gershwin theme serving as launching point for bass-drums dialogue that demonstrates how rhythm section players can sustain interest without harmonic instruments. \"Elvin's Guitar Blues\" (despite the title, no guitar appears) further showcases their rhythmic rapport. Manufactured by Nippon Columbia in gatefold format as part of the Impulse Best Collection series, this pressing captures Jones and Davis at a transitional moment, bridging Coltrane-era intensity with soul-jazz accessibility.\u003c\/p\u003e","brand":"Impulse!","offers":[{"title":"Default Title","offer_id":43200634585147,"sku":null,"price":110.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/IMG_6065.jpg?v=1770508074"},{"product_id":"kamasi-washington-the-epic-2015-brainfeeder-3lp-180g-box-set","title":"Kamasi Washington - The Epic (2015 Brainfeeder 3LP 180g Box Set)","description":"\u003cp\u003e\u003cstrong\u003eKamasi Washington - \u003cem\u003eThe Epic\u003c\/em\u003e\u003c\/strong\u003e \u003cstrong\u003eTriple Vinyl LP Box Set - 2015 Brainfeeder 180g with Posters and Download\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTenor saxophonist Kamasi Washington's triple album redefined contemporary jazz's commercial and artistic possibilities, the Los Angeles musician's ambitious vision combining spiritual jazz traditions with funk, soul, classical orchestration, and psychedelic elements across nearly three hours of music. Organised into three volumes (\"The Plan\", \"The Glorious Tale\", \"The Historic Repetition\"), the 17 tracks feature Washington leading an ensemble including bassist Thundercat, pianists Brandon Coleman and Cameron Graves, drummers Ronald Bruner and Tony Austin, acoustic bassist Miles Mosley, plus strings, choir, and additional horns. Released on 2 October 2015 by Flying Lotus' Brainfeeder label, this triple LP box set pressed at MPO includes half-speed lacquer cutting by Matt Colton at Alchemy Mastering, two poster inserts with artwork by KC Woolf Haxton and calligraphy by Kenturah Davis, and download code.\u003c\/p\u003e\n\u003cp\u003eWashington's compositional approach draws from multiple jazz traditions while creating something distinctly contemporary: Coltrane's spiritual searching, Pharoah Sanders' ecstatic explorations, and West Coast jazz's sophisticated arrangements merge with hip-hop generation production sensibilities and R\u0026amp;B influences. His tenor saxophone playing demonstrates both technical command and emotional directness, his solos building intensity through patient development rather than rapid-fire displays. The ensemble's interaction reflects the Los Angeles creative music community's collaborative spirit, with Thundercat's electric bass adding funk foundation, the Bruner brothers and Coleman providing rhythmic and harmonic complexity, and strings plus choir creating orchestral depth.\u003c\/p\u003e\n\u003cp\u003eThe album's scale allows extended compositional development across multiple movements, pieces like \"The Rhythm Changes\" and \"The Magnificent 7\" stretching beyond ten minutes to explore themes thoroughly. Washington's arrangements balance written precision with improvised exploration, the ensemble navigating complex structures while maintaining emotional immediacy. Recorded at Kingsize Soundlabs and mastered at Marcussen Mastering, the production captures both intimate small group interplay and full ensemble power. Pressed at MPO on three black 180g LPs with half-speed cutting, housed in artwork sleeves within rigid board slipcase with two poster inserts, this box set offers Washington's breakthrough statement in premium format.\u003c\/p\u003e","brand":"Brainfeeder","offers":[{"title":"Default Title","offer_id":43212885983291,"sku":null,"price":100.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/TheEpic_KamasiWashington.jpg?v=1770981944"},{"product_id":"don-glori-paper-cant-wrap-fire-2025-mr-bongo-vinyl-lp","title":"Don Glori - Paper Can't Wrap Fire (2025 Mr Bongo Vinyl LP)","description":"\u003cp\u003e\u003cstrong\u003eDon Glori - \u003cem\u003ePaper Can't Wrap Fire\u003c\/em\u003e\u003c\/strong\u003e \u003cstrong\u003eVinyl LP - 2025 Mr Bongo Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eFresh contemporary Australian jazz voice\u003c\/strong\u003e - blending jazz-funk, soul-jazz, and neo soul\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003e2025 Mr Bongo release\u003c\/strong\u003e - label known for championing essential contemporary jazz and funk\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eModern fusion of R\u0026amp;B and improvisation\u003c\/strong\u003e - bridging genres for today's jazz listeners\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eMelbourne's Don Glori presents nine tracks on this third album, blending jazz-funk, soul-jazz, neo soul, contemporary R\u0026amp;B, and fusion into a cohesive statement that reflects contemporary jazz's increasing dialogue with R\u0026amp;B, hip-hop, and electronic music production. Released in 2025 by Mr Bongo Records, the album demonstrates how younger musicians are synthesising jazz tradition with contemporary urban music aesthetics, creating music that speaks to audiences raised on J Dilla, Robert Glasper, and Thundercat as much as Herbie Hancock and Miles Davis. The album's production sensibility and sonic palette reflect post-2000s approaches to jazz recording while maintaining improvisational core and compositional sophistication.\u003c\/p\u003e\n\u003cp\u003eThe nine compositions showcase Glori's approach to contemporary fusion, tracks like \"Disaster\", \"Power\", and \"Saturn's Return\" building grooves that could function in R\u0026amp;B or hip-hop contexts while incorporating jazz harmonic movement and improvisational exploration. The album's sound reflects contemporary production techniques—close-miked instruments, electronic textures, hip-hop influenced rhythmic feels—that distinguish it from acoustic jazz traditions while maintaining connection to jazz's improvisational essence. This approach positions the music within contemporary urban music landscapes rather than purely jazz contexts.\u003c\/p\u003e","brand":"Mr Bongo","offers":[{"title":"Default Title","offer_id":43216844554299,"sku":null,"price":75.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/a0655827298_10_88cde4dd-5373-4279-a60f-d11f58001d2f.jpg?v=1771110072"},{"product_id":"james-brandon-lewis-trio-apple-cores-2025-anti-vinyl-lp","title":"James Brandon Lewis Trio - Apple Cores (2025 Anti- Vinyl LP)","description":"\u003cp\u003e\u003cstrong\u003eJames Brandon Lewis Trio - \u003cem\u003eApple Cores\u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003e \u003c\/em\u003e\u003cstrong\u003eVinyl LP - 2025 Anti- Records\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eOne of contemporary jazz's most vital saxophonists\u003c\/strong\u003e - Lewis continues pushing creative boundaries\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDon Cherry tribute\u003c\/strong\u003e - each track title references the legendary trumpeter's life and music\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEntirely improvised sessions\u003c\/strong\u003e - hip-hop and funk textures meet spontaneous jazz creation\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eTenor saxophonist James Brandon Lewis presents his trio's latest statement, eleven tracks captured across two entirely improvised recording sessions at Orange Sound with bassist\/guitarist Josh Werner and drummer\/mbira player Chad Taylor. Taking its name and conceptual framework from Amiri Baraka's 1960s DownBeat column, the album pays tribute to trumpeter Don Cherry through cryptographic track titles that make subtle references to Cherry's life and music. Augmented by guitarist Guilherme Monteiro on five tracks and percussionist Stephane San Juan on four, the trio's collective compositional process draws from hip-hop and funk rhythms and textures while remaining rooted in jazz improvisation. Released on 7 February 2025 by Anti- Records and pressed at GZ Media, this European pressing captures the spontaneity and collective creativity of two intense studio sessions.\u003c\/p\u003e\n\u003cp\u003eThe album's improvisational approach reflects Lewis' commitment to spontaneous creation rather than predetermined compositions, the trio developing material collectively in real time. Werner's dual role on bass and guitar creates timbral variety essential to this approach, his bass providing foundation while his guitar adds harmonic and textural dimensions. Taylor's drums and mbira (African thumb piano) bring polyrhythmic complexity influenced by both jazz traditions and global percussion practices, his playing incorporating the rhythmic feels of hip-hop and funk without abandoning jazz swing. Lewis' tenor saxophone, robust and emotionally direct, leads the explorations while remaining responsive to his collaborators' contributions.\u003c\/p\u003e\n\u003cp\u003eThe cryptogram concept adds intellectual dimension to the improvisational process, each track title encoding references to Don Cherry's biography and musical legacy. Cherry's influence on free jazz and world music fusion resonates throughout the album's approach, the trio's willingness to incorporate diverse rhythmic and textural sources echoing Cherry's own eclecticism. The inclusion of Ornette Coleman's \"Broken Shadows\" further acknowledges the free jazz lineage informing Lewis' work, Coleman and Cherry's collaborations providing historical foundation for contemporary exploration.\u003c\/p\u003e","brand":"Anti-","offers":[{"title":"Default Title","offer_id":43216891183163,"sku":null,"price":75.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/a1975346151_10.jpg?v=1771111934"},{"product_id":"lakecia-benjamin-phoenix-2023-whirlwind-gold-marble-2lp-limited-edition","title":"Lakecia Benjamin - Phoenix (2023 Whirlwind Gold Marble 2LP Limited Edition)","description":"\u003cp\u003e\u003cstrong\u003eLakecia Benjamin - Phoenix\u003c\/strong\u003e \u003cstrong\u003eDouble Vinyl LP - 2023 Whirlwind\/Second Records Limited Edition Gold Marble\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eLimited to 500 copies worldwide\u003c\/strong\u003e - 180g gold marble vinyl in gatefold sleeve\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRising alto saxophone star\u003c\/strong\u003e - Benjamin's powerful voice in contemporary modal jazz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecorded at legendary Sear Sound\u003c\/strong\u003e - plus The Bunker Brooklyn sessions\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAlto saxophonist, vocalist, and synthesizer player Lakecia Benjamin presents her expansive vision across twelve compositions recorded at Brooklyn's The Bunker and New York's Sear Sound, the double album exploring modal jazz, post bop, and contemporary approaches with her ensemble featuring pianists Victor Gould and Anastassiya Petrova, bassist Ivan Taylor (doubling on electric bass), drummer E.J. Strickland, and percussionist Nêgah Santos. Released on 8 December 2023 as a worldwide limited edition by Whirlwind Recordings and Second Records, this 180g gold marble vinyl pressing (limited to 500 units) captures Benjamin's multifaceted artistry, her alto saxophone work rooted in tradition while incorporating contemporary sensibilities, her vocals and synthesizer adding dimensions beyond conventional jazz saxophone albums.\u003c\/p\u003e\n\u003cp\u003eBenjamin's alto saxophone playing draws from modal jazz traditions established by Coltrane and extended by contemporary players, her tone powerful and expressive, her improvisations building intensity through patient development. Her incorporation of vocals and synthesizer alongside saxophone creates textural variety across the album's twelve tracks, the extended double LP format allowing exploration of different moods and approaches. The dual keyboard setup of Gould and Petrova (both playing piano, organ, and Rhodes) creates rich harmonic textures, while Taylor's acoustic and electric bass work bridges traditional jazz and more contemporary funk-influenced grooves. Strickland's drumming and Santos' percussion provide polyrhythmic foundation and dynamic range.\u003c\/p\u003e\n\u003cp\u003eThe compositions span from modal explorations to post bop structures to contemporary jazz approaches, track titles suggesting both personal narratives (\"Phoenix\", \"Rebirth\") and tributes to artistic influences (\"Trane\", \"Basquiat\"). Benjamin's multi-instrumentalist approach and willingness to incorporate vocals reflects contemporary jazz's increasing comfort with genre fluidity, her music speaking to audiences raised on multiple Black music traditions simultaneously. Recorded at two prestigious New York area studios and pressed on limited edition 180g gold marble vinyl in gatefold sleeve, this Whirlwind\/Second Records release documents Benjamin's artistic vision at full scale.\u003c\/p\u003e","brand":"Whirlwind Recordings","offers":[{"title":"Default Title","offer_id":43218926567483,"sku":null,"price":100.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/LakeciaBenjamin-Phoenix1.jpg?v=1771200950"},{"product_id":"grant-green-feelin-the-spirit-1979-japanese-blue-note-masterpiece-selection-lp","title":"Grant Green - Feelin' The Spirit (1979 Japanese Blue Note Masterpiece Selection LP)","description":"\u003cp data-start=\"1061\" data-end=\"1214\"\u003e\u003cb\u003eVinyl\u003c\/b\u003e\u003cspan\u003e: NM\u003c\/span\u003e\u003cbr\u003e\u003cb\u003eSleeve\u003c\/b\u003e\u003cspan\u003e: NM\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eObi:\u003c\/strong\u003e\u003cspan\u003e None\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eOur grading system explained \u003c\/span\u003e\u003ca href=\"https:\/\/dpbg4u-d1.myshopify.com\/pages\/secondhand-grading-guide\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003ehere\u003c\/b\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003ePhoto is of the actual item.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGrant Green - \u003cem\u003eFeelin' The Spirit\u003c\/em\u003e\u003c\/strong\u003e \u003cstrong\u003eVinyl LP - 1979 Japanese Blue Note Masterpiece Selection 150 Stereo Reissue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eUnique spiritual jazz concept\u003c\/strong\u003e - Grant Green transforms African-American spirituals into soul-jazz\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eClassic quartet with young Herbie Hancock\u003c\/strong\u003e - Billy Higgins, Butch Warren complete legendary lineup\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eJapanese Blue Note Masterpiece Selection 150\u003c\/strong\u003e - prestigious 1979 King Records pressing\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eGuitarist Grant Green's 1962 Blue Note session presents a unique concept: reimagining traditional African-American spirituals as hard bop and soul-jazz instrumentals. Recorded on 21 December 1962 at Rudy Van Gelder's Englewood Cliffs studio with a quartet featuring 22-year-old pianist Herbie Hancock, bassist Butch Warren, drummer Billy Higgins, and tambourine player Garvin Masseaux, the album transforms \"Just A Closer Walk With Thee\", \"Joshua Fit De Battle Ob Jericho\", \"Nobody Knows The Trouble I've Seen\", \"Go Down Moses\", and \"Sometimes I Feel Like A Motherless Child\" into swinging jazz statements. Released in Japan in 1979 as part of Blue Note's Masterpiece Selection 150 series and manufactured by King Record Co. Ltd., this stereo pressing captures Green's bluesy single-note lines meeting the spiritual power of material rooted in slavery and emancipation.\u003c\/p\u003e\n\u003cp\u003eGreen's guitar approach, influenced by Charlie Christian and rooted in blues tradition, proves ideal for this material. His single-note melodic lines state the familiar melodies before developing them through improvisation, his phrasing maintaining connection to the spirituals' emotional core while transforming them into modern jazz. Hancock's piano work, recorded early in his Blue Note tenure (before joining Miles Davis' quintet), demonstrates the harmonic sophistication and blues feeling that would characterize his career. Warren's bass and Higgins' drums provide foundation that swings effortlessly, while Masseaux's tambourine on selected tracks adds rhythmic colour suggesting gospel church services.\u003c\/p\u003e\n\u003cp\u003eThe album's conceptual strength lies in Green's respectful yet transformative approach to sacred material. Rather than merely using spirituals as jazz vehicles, he honours their spiritual dimension while demonstrating their musical sophistication and emotional power. The five tracks span approximately 36 minutes, each spiritual receiving patient development that respects the source material's gravity. Van Gelder's recording captures Green's warm guitar tone and the quartet's interaction with characteristic clarity.\u003c\/p\u003e","brand":"Blue Note","offers":[{"title":"Default Title","offer_id":43226596409403,"sku":null,"price":170.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/IMG_6148.jpg?v=1771587682"},{"product_id":"bob-james-two-1978-japanese-cti-original-1500-series-lp","title":"Bob James - Two (1978 Japanese CTI Original 1500 Series LP)","description":"\u003cp\u003e\u003cb\u003eVinyl\u003c\/b\u003e: EX\u003cbr\u003e\u003cb\u003eSleeve\u003c\/b\u003e:\u003cspan\u003e \u003c\/span\u003eEX\u003cbr\u003e\u003cstrong\u003eObi:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eNone\u003c\/p\u003e\n\u003cp\u003eOur grading system explained \u003ca href=\"https:\/\/dpbg4u-d1.myshopify.com\/pages\/secondhand-grading-guide\"\u003e\u003cb\u003ehere\u003c\/b\u003e\u003c\/a\u003e.\u003cbr\u003ePhoto is of the actual item.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBob James - \u003cem\u003eTwo\u003c\/em\u003e Vinyl LP - 1978 Japanese CTI Original 1500 Series Limited Edition Stereo Reissue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eContains \"Take Me to the Mardi Gras\"\u003c\/strong\u003e, one of the most sampled breakbeats in hip-hop history, alongside five further tracks ranging from Bizet to soul\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eRecorded at Van Gelder Studios\u003c\/strong\u003e December 1974 and January 1975, produced by Creed Taylor for CTI\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003e1978 Japanese CTI Original 1500 Series limited edition\u003c\/strong\u003e reissue manufactured by King Record Co. Ltd.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eRecorded at Van Gelder Studios in December 1974 and January 1975 and released on CTI in 1975, \u003cem\u003eTwo\u003c\/em\u003e is the second album Bob James made for producer Creed Taylor and the record that established his reputation beyond the jazz world entirely. James arranged and conducted the session himself, playing electric piano, clavinet, ARP Odyssey synthesiser and Yamaha YC30 organ across six tracks that move comfortably between jazz-funk groove, orchestral arrangement, and something approaching lush cinematic mood music. The most celebrated track, \"Take Me to the Mardi Gras\", is a cover of the Paul Simon song from \u003cem\u003eThere Goes Rhymin' Simon\u003c\/em\u003e (1973), transformed here into a Latin-inflected jazz-funk instrumental whose opening bars, a cowbell montuno pattern from Ralph MacDonald laid over Andrew Smith's drum break, became one of the most sampled four measures in hip-hop history, appearing in recordings by Run-D.M.C., LL Cool J, the Beastie Boys, and Missy Elliott among hundreds of others. The rest of the album is equally considered: \"Farandole\", drawn from Bizet's L'Arlésienne Suite No. 2, receives an eight-minute jazz orchestration; \"You're As Right As Rain\", written by Linda Creed and Thom Bell, is delivered with a lush, soulful restraint; and the closing \"Dream Journey\" demonstrates James's instinct for atmosphere over tempo. Eric Gale plays both guitar and bass across most of the record, with Steve Gadd replacing Andrew Smith on drums for \"The Golden Apple\" and Gary King taking the bass chair on the same track. The trumpet section of Randy Brecker, Lew Soloff, Marvin Stamm, John Frosk and Victor Paz, Hubert Laws on flute, and Eddie Daniels on solo clarinet give the arrangements a richness that sets these CTI recordings apart from the leaner fusion of the same period.\u003c\/p\u003e\n\u003cp\u003eReleased in Japan in 1978 on King Record Co. Ltd. as part of the CTI Original 1500 Series, a limited edition reissue run of the label's catalogue. King Record pressings of CTI material from this period are consistently sought by collectors, the combination of Van Gelder's mastering and King's quality control making them among the better ways to hear this music on vinyl.\u003c\/p\u003e","brand":"CTI","offers":[{"title":"Default Title","offer_id":43240099479611,"sku":null,"price":45.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/IMG_6241.jpg?v=1772063335"},{"product_id":"sven-wunder-wabi-sabi-2020-swedish-piano-piano-vinyl-lp","title":"Sven Wunder - Wabi Sabi (2020 Swedish Piano Piano Vinyl LP)","description":"\u003cp\u003e\u003cstrong\u003eSven Wunder - \u003cem\u003eWabi Sabi\u003c\/em\u003e | Vinyl LP - 2020 Swedish Piano Piano Records Repress (PP1002)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eSven Wunder's second album\u003c\/strong\u003e, following the Anatolian-influenced debut \u003cem\u003eEastern Flowers\u003c\/em\u003e (2019): eleven instrumentals built around Japanese aesthetics, using Western concert flute to evoke the shakuhachi, guzheng (Chinese zither), Moog synthesizer, Wurlitzer electric piano and electric bass\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eOne of the standout contemporary jazz records of 2020\u003c\/strong\u003e, crossing library music, jazz-funk and East Asian folk sounds in a way that draws comparisons to Hozan Yamamoto, Dorothy Ashby, David Axelrod and Italian library music of the 1970s\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003e\"Hanami\" from this album was reworked by Detroit rapper Danny Brown\u003c\/strong\u003e on his 2023 Warp Records album \u003cem\u003eQuaranta\u003c\/em\u003e, one marker of how widely this record circulated through both jazz and hip-hop collector circles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eJoel Danell is a Stockholm-based composer of film and TV scores, son of Swedish jazz drummer Nils Danell, and the person behind the Sven Wunder project, which he runs with label partner John Henriksson on their Piano Piano Records imprint. When \u003cem\u003eWabi Sabi\u003c\/em\u003e was released in June 2020 his identity was not publicly known; the record sold through word of mouth and through the support of Mr Bongo in the UK, who had already championed the Turkish and Anatolian-influenced debut \u003cem\u003eEastern Flowers\u003c\/em\u003e (2019) and co-released 7\"s from both records. \u003cem\u003eWabi Sabi\u003c\/em\u003e extends the same methodology into Japanese aesthetics and East Asian sound: Danell uses the Western concert flute throughout to invoke the shakuhachi, the Japanese bamboo flute associated with the Edo period, alongside the guzheng (a Chinese zither with over two thousand years of history), Moog synthesizer, Wurlitzer electric piano, strings and electric bass. The reference points cited by Mr Bongo and critics include shakuhachi jazz masters Hozan Yamamoto and the koto players Tadao and Kazue Sawai, as well as Dorothy Ashby and David Axelrod for the string and harp arrangements on the more languid tracks.\u003c\/p\u003e\n\u003cp\u003eThe eleven pieces across the two sides take their titles from Japanese concepts and natural phenomena: \u003cem\u003eyūgen\u003c\/em\u003e (a sense of profound, mysterious beauty), \u003cem\u003eshinrin-yoku\u003c\/em\u003e (forest bathing), \u003cem\u003ehanami\u003c\/em\u003e (cherry blossom viewing), \u003cem\u003ekomorebi\u003c\/em\u003e (the quality of sunlight filtering through leaves), \u003cem\u003ekachōfūgetsu\u003c\/em\u003e (the appreciation of nature through flowers, birds, wind and moon), \u003cem\u003eonsen\u003c\/em\u003e (hot spring). The framework, as the label describes it, is wabi-sabi itself: the Japanese aesthetic of imperfection, transience and incompleteness, applied here to texture, arrangement and the deliberate quality of the recording. The visual reference is Ukiyo-e, the Japanese woodblock print tradition of the Edo period. Whether you come to this from jazz, library music, crate-digging hip-hop or Japanese folk music, the record holds together as a unified statement. \"Hanami\" was reworked by Detroit rapper Danny Brown for his 2023 Warp Records album \u003cem\u003eQuaranta\u003c\/em\u003e, placing it in a different context without diminishing it in the original. This is the second edition repress on PP1002, identifiable by the Swedish Arts Council credit on the rear sleeve.\u003c\/p\u003e","brand":"Piano Piano","offers":[{"title":"Default Title","offer_id":43262731911227,"sku":null,"price":75.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/a1825365956_10.jpg?v=1772852436"},{"product_id":"sven-wunder-eastern-flowers-2020-swedish-piano-piano-vinyl-lp","title":"Sven Wunder - Eastern Flowers (2020 Swedish Piano Piano Vinyl LP)","description":"\u003cp\u003e\u003cstrong\u003eSven Wunder - \u003cem\u003eEastern Flowers\u003c\/em\u003e (Doğu Çiçekleri) | Vinyl LP - 2020 Swedish Piano Piano Records Repress (PP1001)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eSven Wunder's debut album\u003c\/strong\u003e, originally released in 2019 in Stockholm as \u003cem\u003eDoğu Çiçekleri\u003c\/em\u003e: thirteen instrumental pieces drawing on Anatolian rock, Levantine folk music and European jazz-funk, built around the Saz, organs, synthesizers and electric bass\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eThe record that established Piano Piano as a label\u003c\/strong\u003e, selling out on word of mouth through a single Stockholm record shop before international represses reached wider distribution through Mr Bongo\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003e\"Lotus\" was sampled by Czarface\u003c\/strong\u003e (Wu-Tang Clan's Inspectah Deck with 7L \u0026amp; Esoteric) on \"The Czarlaac Pit\" from their 2022 album \u003cem\u003eCzarmageddon\u003c\/em\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eJoel Danell is a Stockholm-based composer and double-bass player who grew up around jazz, spent his teens listening to Anatolian and Eastern European music, and built a career writing for television and film under his own name. In 2018, between soundtrack commissions, he sat down and recorded what would become \u003cem\u003eDoğu Çiçekleri\u003c\/em\u003e, a Turkish word meaning \"Eastern Flowers,\" under the alias Sven Wunder. The record was pressed in a small run and placed in a single Stockholm record shop, Record Mania, with no promotional campaign. It sold through on word of mouth. Danell and partner John Henriksson founded Piano Piano Records around it. The international repress renamed it \u003cem\u003eEastern Flowers\u003c\/em\u003e and gave it the wider reach it had already earned, distributed through Mr Bongo in the UK and Light in the Attic in the United States.\u003c\/p\u003e\n\u003cp\u003eThe album takes its subject from the flora of the Levantine coast and the wider eastern Mediterranean, thirteen tracks named after flowers — tulip, magnolia, lotus, hibiscus, chamomile, the Gilboa Iris of the mountains straddling Israel and Jordan — and built from instruments that place the music geographically: the Saz, the long-necked Turkish lute central to Anatolian folk and rock traditions, moving over groovy organs, far-out synthesizers and a locked-down electric bass. The frame of reference is library music and 1960s and 1970s jazz-funk, but the Saz pulls the whole thing eastward, and Danell's instinct for groove keeps it from becoming pastiche. The music sits in a similar territory to Ananda Shankar's East-West fusions and the loopier end of Madlib's globetrotting library investigations. \"Lotus\" was sampled by Czarface — the group formed by underground hip-hop duo 7L \u0026amp; Esoteric and Wu-Tang Clan's Inspectah Deck — on \"The Czarlaac Pit\" from their 2022 album \u003cem\u003eCzarmageddon\u003c\/em\u003e, a track that also featured Tom Hardy.\u003c\/p\u003e\n\u003cp\u003eThis is the second edition repress on PP1001, released in Sweden on 19 June 2020, one week after the international release of \u003cem\u003eWabi Sabi\u003c\/em\u003e.\u003c\/p\u003e","brand":"Piano Piano","offers":[{"title":"Default Title","offer_id":43263142559803,"sku":null,"price":75.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/a3811029397_10.jpg?v=1772861647"},{"product_id":"teaspoon-and-the-waves-teaspoon-and-the-waves-2021-mr-bongo-reissue-vinyl-lp","title":"Teaspoon and The Waves - Teaspoon and The Waves (2021 Mr Bongo Reissue Vinyl LP)","description":"\u003cp\u003e\u003cstrong\u003eTeaspoon and The Waves - \u003cem\u003eTeaspoon and The Waves\u003c\/em\u003e | Vinyl LP - 2021 Mr Bongo Reissue (MRBLP225)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eFive tracks of South African jazz-funk from 1977\u003c\/strong\u003e, produced by West Nkosi on Soul Jazz Pop (a Mavuthela Music Company \/ Gallo subsidiary); all compositions by saxophonist Teaspoon Ndelu, recorded in Johannesburg\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003e\"Oh Yeh Soweto\"\u003c\/strong\u003e adapts Lamont Dozier's \"Going Back to My Roots\" four years before the Odyssey version made the song internationally famous, and has become a staple of DJ sets from Gilles Peterson to Floating Points\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eTeaspoon Ndelu went on to play saxophone on Paul Simon's \"Gumboots\"\u003c\/strong\u003e from \u003cem\u003eGraceland\u003c\/em\u003e (1986); he also collaborated with Stimela and Sipho Gumede and wrote for other South African artists throughout a long career\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eOfficial replica reissue\u003c\/strong\u003e, licensed from Gallo, mastered at Finyl Tweek and pressed at Optimal Media GmbH; released by Mr Bongo on 26 February 2021\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eTeaspoon Ndelu was a South African saxophonist and studio veteran who recorded under various configurations — Teaspoon and His 'T' Boys, Teaspoon and The Waves — and collaborated extensively with fellow saxophonist and producer West Nkosi, including on the \"Mabone\" singles of the early 1970s. This self-titled album was recorded in 1977 for Soul Jazz Pop, a subsidiary of Mavuthela Music Company under the Gallo umbrella, engineered by Nino Rivera and produced by West Nkosi. All five tracks are Ndelu originals.\u003c\/p\u003e\n\u003cp\u003eThe album is built around jazz-funk grooves with a palette that pulls in Afro-synths, reggae-inflected guitar and disco rhythm, all of it anchored by Ndelu's saxophone. \"Oh Yeh Soweto\" adapts the harmonic and melodic framework of Lamont Dozier's \"Going Back to My Roots\" — a song Dozier had recorded with Richie Havens in 1971 but which most listeners outside South Africa would not encounter until the Odyssey hit version of 1981. Ndelu got there first. The track circulated through DJ culture for years and is now a legitimate dancefloor classic. The remaining four tracks are not filler. \"Friday Night\" opens with a reggae-tinged tropical groove; \"Wind and Fire\" runs on spacey synths and loose, rhythmic guitar; \"Saturday Express\" is a straight-up disco stomper; \"Got Me Tight\" closes the record with a playful, funk-led workout. Ndelu later brought his saxophone to Paul Simon's \u003cem\u003eGraceland\u003c\/em\u003e sessions, appearing on \"Gumboots\" (1986). This Mr Bongo reissue, licensed from Gallo, is pressed at Optimal Media GmbH with replica original artwork.\u003c\/p\u003e","brand":"Mr Bongo","offers":[{"title":"Default Title","offer_id":43264072679483,"sku":null,"price":60.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/a1779475805_10.jpg?v=1772917594"},{"product_id":"asha-puthli-asha-puthli-2020-mr-bongo-rsd-blue-vinyl-reissue-vinyl-lp","title":"Asha Puthli - Asha Puthli (2020 Mr Bongo RSD Blue Vinyl Reissue Vinyl LP)","description":"\u003cp\u003e\u003cstrong\u003eAsha Puthli - \u003cem\u003eAsha Puthli\u003c\/em\u003e | Vinyl LP - 2020 Mr Bongo RSD Reissue, Blue Vinyl (MRBLP221)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eAsha Puthli's 1973 CBS debut\u003c\/strong\u003e, produced by Del Newman (Elton John collaborator), signed by John Hammond at Columbia after her vocal appearances on Ornette Coleman's \u003cem\u003eScience Fiction\u003c\/em\u003e (1972) won her the DownBeat Critics' Poll for Best Female Jazz Vocalist\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eNine tracks crossing jazz, soul, funk and proto-disco\u003c\/strong\u003e, including cover versions of George Harrison's \"I Dig Love,\" Gladys Knight's \"Neither One Of Us,\" and Neil Sedaka's \"I Am A Song\"; cover shot by Mick Rock with makeup by Pierre LaRoche\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003e\"Let Me In Your Life\"\u003c\/strong\u003e was sampled by Action Bronson for \"Terry\" (2015) and by Chris Brown for \"Loyal\" (2014)\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eAsha Puthli was born in Bombay in 1945, trained in Indian classical music and opera, arrived in New York on a Martha Graham dance scholarship in 1969, and was signed to CBS Records by John Hammond — the Columbia A\u0026amp;R director who had discovered Billie Holiday, Bob Dylan and Bruce Springsteen — after he read about her singing in Ved Mehta's \u003cem\u003ePortrait of India\u003c\/em\u003e. Hammond sent her to record with Ornette Coleman, and her performances on \u003cem\u003eScience Fiction\u003c\/em\u003e (1972) won her the DownBeat Critics' Poll award for Best Female Jazz Vocalist. When the commercial climate for avant-garde jazz contracted, she moved to London and recorded this debut with Del Newman, best known as Elton John's arranger and producer, for CBS in 1973.\u003c\/p\u003e\n\u003cp\u003eThe album moves across jazz, soul, blues and early disco with a voice that is genuinely unusual: supple, improvisational, capable of intimacy and abandon in the same phrase. Del Newman's production sits it squarely in the early 1970s glam-funk world without losing Puthli's jazz instincts. The track selection ranges from originals to covers: George Harrison's \"I Dig Love\" — which Puthli has described as stripping the Beatles' spiritual reading and bringing out its sexuality — sits alongside Jim Weatherly's \"Neither One Of Us (Wants to Be the First to Say Goodbye)\" (the Gladys Knight and the Pips hit), Bill Withers and Isaac Hayes's \"Let Me In Your Life,\" and Neil Sedaka's \"I Am A Song.\" The cover was shot by Mick Rock with makeup by Pierre LaRoche, who also worked with Bowie and Mercury. This pressing is the Mr Bongo Record Store Day 2020 reissue on blue vinyl, licensed from Puthli directly.\u003c\/p\u003e","brand":"Mr Bongo","offers":[{"title":"Default Title","offer_id":43264097353787,"sku":null,"price":60.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/a1627263207_10.jpg?v=1772921710"},{"product_id":"lonnie-smith-afro-desia-2024-mr-bongo-groove-merchant-reissue-lp-gatefold","title":"Lonnie Smith - Afro-Desia (2024 Mr Bongo Groove Merchant Reissue LP Gatefold)","description":"\u003cp\u003e\u003cstrong\u003eLonnie Smith - \u003cem\u003eAfro-Desia\u003c\/em\u003e | Vinyl LP - 2024 Mr Bongo Gatefold Reissue (MRBLP297)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eLonnie Smith's 1975 Hammond B3 jazz-funk landmark\u003c\/strong\u003e for Groove Merchant, produced by label owner Sonny Lester, with an uncredited George Benson on guitar, Joe Lovano on saxophone and Ron Carter on bass\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eFive tracks\u003c\/strong\u003e ranging from the 15-minute free-wheeling \"Spirits Free\" to the Latin-inflected \"Straight to the Point,\" covering Smith's full range from cosmic organ exploration to locked-in soul-jazz groove\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eAmong the earliest recordings of Joe Lovano\u003c\/strong\u003e, who went on to become one of the most important tenor saxophonists of the following four decades\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eGatefold reissue\u003c\/strong\u003e pressed at Optimal Media GmbH; the second release in Mr Bongo's Groove Merchant catalogue series\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eLonnie Smith had been a central figure in soul-jazz and hard bop since the late 1960s, recording for Blue Note alongside Lee Morgan, George Benson and others, and building a reputation as one of the most inventive Hammond B3 players in jazz. By 1975, recording for Sonny Lester's Groove Merchant label, he assembled a lineup of Ron Carter on bass, Ben Riley on drums, a young Joe Lovano on tenor and soprano saxophone, and a mysterious guitarist who does not appear on the sleeve under his own name. \"Compliments of a Friend\" is widely understood to be George Benson, who had worked closely with Smith in the 1960s and could not be credited for contractual reasons. His guitar is present on the title track, \"Favors\" and \"The Awakening.\"\u003c\/p\u003e\n\u003cp\u003eThe five tracks span the full range of Smith's idiom. \"Afrodesia\" opens the record with a nine-minute piece that moves from electric funk to open improvisation, Hopkins and Lovano trading on trumpet and saxophone over Armstrong's bass and a layered rhythm section. \"Spirits Free\" runs to fifteen minutes, rising and falling across free sections, spacey organ passages and funky grooves. Side B brings a sharper, more direct feel: \"Straight to the Point\" kicks off with a carnival pulse, and \"Favors\" — a reworking of Coltrane's \"Impressions,\" though uncredited on the original sleeve — extends into a ten-minute trio improvisation with Benson and Lovano. \"The Awakening\" closes the record in the same territory. Smith had not yet adopted the \"Dr.\" prefix in 1975; that came later in his career. \u003c\/p\u003e","brand":"Mr Bongo","offers":[{"title":"Default Title","offer_id":43264173408315,"sku":null,"price":60.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/a0099247125_10.jpg?v=1772928691"},{"product_id":"arthur-verocai-arthur-verocai-2024-mr-bongo-reissue-vinyl-lp-gatefold","title":"Arthur Verocai - Arthur Verocai (2024 Mr Bongo Reissue Vinyl LP Gatefold)","description":"\u003cp\u003e\u003cstrong\u003eArthur Verocai - \u003cem\u003eArthur Verocai\u003c\/em\u003e | Vinyl LP - 2024 Mr Bongo Reissue (MRBLP133PN)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eArthur Verocai's 1972 debut on Continental Records\u003c\/strong\u003e, recorded at Studio Somil in Rio de Janeiro, produced and arranged entirely by Verocai himself; a 29-minute orchestral fusion of samba, bossa nova, jazz, soul and funk that sold almost nothing on release and now commands around $2,000 for an original copy\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eSampled by MF Doom, Ludacris, Action Bronson, Little Brother and others\u003c\/strong\u003e; 9th Wonder's production for Ludacris drew from \"Na Boca Do Sol\" — one of several tracks that seeded the album's rediscovery through hip-hop in the early 2000s\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eReissued from the original Continental master tapes\u003c\/strong\u003e, transferred under Arthur Verocai's supervision; replica gatefold artwork\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eWhen Arthur Verocai released his debut album on Continental Records in 1972, it sold almost nothing. The label withdrew it quickly, and Verocai spent the following decades arranging jingles and writing for television rather than recording as a leader. By the time the album was rediscovered — first through hip-hop producers in the early 2000s and then through a CD reissue on Luv N' Haight in 2003 — the original vinyl had become one of the most sought-after Brazilian records of the era. \u003cmeta charset=\"utf-8\"\u003eMadlib is quoted as saying: \"I could listen to the album everyday for the rest of my life.\"\u003c\/p\u003e\n\u003cp\u003eVerocai had arranged for Jorge Ben, Gal Costa, Ivan Lins, Elis Regina and others before making this album; the self-titled record is where that accumulated skill turned entirely inward. He produced, arranged, conducted and played guitar across all ten tracks, drawing on a large cast of Rio session musicians including Oberdan Magalhães on saxophone and flute, Paulo Moura on soprano saxophone, Pedro dos Santos on percussion, and a string and brass section that gives the record much of its orchestral weight. Vocalists include Célia on \"Seriado\" and a young Toninho Horta, then early in a career that would make him one of Brazil's most important guitarist-composers.\u003c\/p\u003e\n\u003cp\u003e\"Caboclo\" opens with a breakbeat groove and strings simultaneously; \"Pelas Sombras\" is denser and more cinematic, with Oberdan's flute over a deep low end; \"Seriado\" and \"Na Boca Do Sol\" carry the rhythm-section weight that made the record a target for sample-based producers. \"Dedicada A Ela\" (A5) is the sole track with an external lyric credit, written by Paulinho Tapajós.\u003c\/p\u003e\n\u003cp\u003eThis 2024 pressing (MRBLP133PN) is taken from the original Continental master tapes, transferred under Verocai's supervision, in a replica gatefold sleeve.\u003c\/p\u003e","brand":"Mr Bongo","offers":[{"title":"Default Title","offer_id":43264217645115,"sku":null,"price":60.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/a2363968462_10.jpg?v=1772930813"},{"product_id":"the-crusaders-street-life-1979-japanese-mca-vinyl-lp","title":"The Crusaders - Street Life (1979 Japanese MCA Vinyl LP)","description":"\u003cp data-start=\"1061\" data-end=\"1214\"\u003e\u003cb\u003eVinyl\u003c\/b\u003e\u003cspan\u003e: EX\u003c\/span\u003e\u003cbr\u003e\u003cb\u003eSleeve\u003c\/b\u003e\u003cspan\u003e: EX\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eObi:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eNone\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eOur grading system explained \u003c\/span\u003e\u003ca href=\"https:\/\/dpbg4u-d1.myshopify.com\/pages\/secondhand-grading-guide\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003ehere\u003c\/b\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003ePhoto is of the actual item.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Crusaders - \u003cem\u003eStreet Life\u003c\/em\u003e | Vinyl LP - 1979 Japanese MCA Stereo Pressing (VIM 6195, Victor Musical Industries)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eThe Crusaders' commercial and creative peak\u003c\/strong\u003e, anchored by the eleven-minute title track featuring vocalist Randy Crawford\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003e\"Street Life\" reached No. 36 on the Billboard Hot 100 \u003c\/strong\u003eand No. 5 on the UK Singles Chart, with the album hitting the Top 20 on three Billboard charts\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eSelf-produced by the trio \u003c\/strong\u003eof Stix Hooper, Joe Sample and Wilton Felder, recorded at Hollywood Sound Recorders and mastered at A\u0026amp;M Studios\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003e1979 Japanese pressing on MCA Records\u003c\/strong\u003e (VIM 6195), manufactured by Victor Musical Industries, Inc., Tokyo\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eRecorded at Hollywood Sound Recorders in Hollywood and mastered at A\u0026amp;M Studios, \u003cem\u003eStreet Life\u003c\/em\u003e was self-produced by the Crusaders' core trio of drummer Stix Hooper, pianist Joe Sample and Wilton Felder, who plays electric bass, tenor and alto saxophone across the album. The title track, featuring vocalist Randy Crawford, runs to eleven minutes on the LP and became the group's most commercially successful recording, reaching No. 36 on the Billboard Hot 100 and No. 5 on the UK Singles Chart. Sample's horn and string arrangements provide the harmonic framework throughout, his Fender Rhodes work interlocking with Felder's bass and Hooper's drumming across six tracks that move between funk workouts like \"Rodeo Drive (High Steppin')\" and more atmospheric pieces such as \"Carnival of the Night\" and \"Night Faces.\" The album represents the Crusaders at the intersection of jazz improvisation and late-1970s soul and funk, the rhythm section providing the kind of clean, spacious groove that had made the band fixtures in Los Angeles studios for two decades.\u003c\/p\u003e\n\u003cp\u003eThe title track's staying power has been confirmed repeatedly: a re-recorded version featuring Crawford appeared in the Burt Reynolds film \u003cem\u003eSharky's Machine\u003c\/em\u003e in 1981, and the original was used on the 1997 Quentin Tarantino soundtrack \u003cem\u003eJackie Brown\u003c\/em\u003e. The remaining tracks demonstrate that the album functions well beyond a single, Felder's saxophone work on \"The Hustler\" and \"My Lady\" showcasing the improvisational instincts the band never abandoned even as their commercial reach expanded. Released in Japan in 1979 on MCA Records (VIM 6195) and manufactured by Victor Musical Industries, Inc., Tokyo.\u003c\/p\u003e","brand":"MCA Records","offers":[{"title":"Default Title","offer_id":43283559448635,"sku":null,"price":45.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/IMG_6391.jpg?v=1773528732"}],"url":"https:\/\/lushliferecords.com.au\/collections\/soul-funk.oembed?page=4","provider":"Lush Life Records","version":"1.0","type":"link"}