{"title":"Max Roach","description":"\u003cp data-start=\"176\" data-end=\"814\"\u003eMax Roach was a pioneering drummer and composer whose innovations helped shape bebop, hard bop and beyond. Known for his melodic approach to rhythm and groundbreaking use of the drum kit as a solo instrument, Roach played alongside legends like Charlie Parker, Dizzy Gillespie and Clifford Brown while also leading his own boundary-pushing ensembles. His vinyl catalogue spans bebop classics, politically charged works such as \u003cem data-start=\"603\" data-end=\"633\"\u003eWe Insist! Freedom Now Suite\u003c\/em\u003e, and timeless collaborations. Explore our curated selection of Max Roach records — rare pressings, essential reissues and landmark albums that chart the evolution of modern jazz.\u003c\/p\u003e","products":[{"product_id":"the-quintet-jazz-at-massey-hall","title":"The Quintet – Jazz at Massey Hall (1976 Debut Records Japan Reissue LP Vinyl)","description":"\u003cp class=\"p1\"\u003e\u003cb\u003eVinyl\u003c\/b\u003e: VG+\u003cbr\u003e\u003cb\u003eSleeve\u003c\/b\u003e: VG+\u003cbr\u003e\u003cstrong\u003eObi:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eNone\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eOur grading system explained \u003c\/span\u003e\u003ca href=\"https:\/\/dpbg4u-d1.myshopify.com\/pages\/secondhand-grading-guide\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003ehere\u003c\/b\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003ePhoto is of the actual item.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp data-start=\"196\" data-end=\"519\"\u003e\u003cmeta charset=\"utf-8\"\u003eRecorded live in Toronto in May 1953, \u003cem data-start=\"319\" data-end=\"340\"\u003eJazz at Massey Hall\u003c\/em\u003e is one of the most legendary concerts in jazz history. Billed as “The Quintet,” it brought together five giants of bebop: \u003cstrong data-start=\"463\" data-end=\"482\"\u003eDizzy Gillespie\u003c\/strong\u003e (trumpet), \u003cstrong data-start=\"494\" data-end=\"508\"\u003eBud Powell\u003c\/strong\u003e (piano), \u003cstrong data-start=\"518\" data-end=\"536\"\u003eCharles Mingus\u003c\/strong\u003e (bass), \u003cstrong data-start=\"545\" data-end=\"558\"\u003eMax Roach\u003c\/strong\u003e (drums), and \u003cstrong data-start=\"572\" data-end=\"590\"\u003eCharlie Parker\u003c\/strong\u003e — credited under the alias \u003cem data-start=\"618\" data-end=\"632\"\u003eCharlie Chan\u003c\/em\u003e for contractual reasons — on alto saxophone.\u003c\/p\u003e\n\u003cp data-start=\"521\" data-end=\"844\"\u003eDespite a modest audience turnout on the night, the music captured was anything but small — fiery, inventive, and full of interplay between the era’s most influential voices. Parker and Gillespie trade dazzling lines, Powell drives with intensity, and Mingus and Roach lock down the rhythm section with unshakable energy.\u003cstrong data-start=\"846\" data-end=\"867\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"964\" data-end=\"1093\"\u003eAn essential live recording, \u003cem data-start=\"993\" data-end=\"1014\"\u003eJazz at Massey Hall\u003c\/em\u003e is a rare document of the bebop revolution performed by its true architects.\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e","brand":"Debut Records","offers":[{"title":"Default Title","offer_id":42475237343291,"sku":null,"price":40.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/IMG_4115.jpg?v=1758406813"},{"product_id":"clifford-brown-and-max-roach-at-basin-street-japanese-emarcy-vinyl-lp","title":"Clifford Brown And Max Roach - At Basin Street (Japanese EmArcy Vinyl LP)","description":"\u003cp class=\"whitespace-normal break-words\"\u003eOne of the most celebrated groups in jazz history captured at their peak, the Clifford Brown\/Max Roach Quintet's \u003cem\u003eAt Basin Street\u003c\/em\u003e stands as a landmark recording of 1950s hard bop. This 1974 Japanese mono pressing on EmArcy, manufactured by Nippon Phonogram, preserves a tragically brief but brilliant moment when five exceptional musicians created music of enduring power and grace.\u003c\/p\u003e\n\u003cp class=\"whitespace-normal break-words\"\u003eThe quintet's lineup reads like a hall of fame roster: Clifford Brown on trumpet, already recognised as one of the instrument's greatest voices before his death at just 25; Max Roach, the drummer who redefined what was possible on his instrument; Sonny Rollins on tenor saxophone, in the midst of becoming jazz's most formidable improviser; pianist Richie Powell, brother of Bud Powell and a talent in his own right; and bassist George Morrow, providing solid foundation throughout.\u003c\/p\u003e\n\u003cp class=\"whitespace-normal break-words\"\u003eThe seven tracks showcase the group's remarkable range. Standards like \"What Is This Thing Called Love?\" and \"I'll Remember April\" receive definitive treatments, with Brown's luminous trumpet tone and flawless technique matched by Rollins' muscular tenor work. The ballad \"Love Is A Many Splendored Thing\" highlights Brown's gift for melody and his ability to invest even pop material with genuine feeling. Original compositions including Powell's \"Powell's Prances\" and Roach's \"Time\" demonstrate the group's compositional ambitions and their ability to swing relentlessly while maintaining musical sophistication.\u003c\/p\u003e\n\u003cp class=\"whitespace-normal break-words\"\u003eTragically, both Clifford Brown and Richie Powell would die in a car accident just months after these recordings, making this album not just a musical triumph but a poignant document of what was lost. This Japanese mono pressing captures the warmth and presence of the original recordings with excellent fidelity.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cb\u003eVinyl\u003c\/b\u003e: EX\u003cbr\u003e\u003cb\u003eSleeve\u003c\/b\u003e: EX\u003cbr\u003e\u003cstrong\u003eObi:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eNone\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eOur grading system explained \u003c\/span\u003e\u003ca href=\"https:\/\/dpbg4u-d1.myshopify.com\/pages\/secondhand-grading-guide\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003ehere\u003c\/b\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003ePhoto is of the actual item.\u003c\/span\u003e\u003c\/p\u003e","brand":"EmArcy","offers":[{"title":"Default Title","offer_id":42590605967419,"sku":null,"price":45.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/IMG_4915.jpg?v=1762131740"},{"product_id":"clifford-brown-and-max-roach-study-in-brown-japanese-emarcy-vinyl-lp","title":"Clifford Brown And Max Roach - Study In Brown (Japanese EmArcy Vinyl LP)","description":"\u003cp class=\"p1\"\u003e\u003cb\u003eVinyl\u003c\/b\u003e: VG+\u003cbr\u003e\u003cb\u003eSleeve\u003c\/b\u003e: VG+\u003cbr\u003e\u003cstrong\u003eObi:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eNone\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eOur grading system explained \u003c\/span\u003e\u003ca href=\"https:\/\/dpbg4u-d1.myshopify.com\/pages\/secondhand-grading-guide\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003ehere\u003c\/b\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003ePhoto is of the actual item.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body whitespace-normal break-words\"\u003e\u003cstrong\u003eClifford Brown And Max Roach - Study In Brown\u003c\/strong\u003e \u003cstrong\u003eVinyl LP - Japanese EmArcy Reissue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body whitespace-normal break-words\"\u003eOne of the most celebrated albums in the entire hard bop canon, \u003cem\u003eStudy In Brown\u003c\/em\u003e captures the Clifford Brown\/Max Roach Quintet at their absolute peak across three days of recording in February 1955. This 1974 Japanese mono reissue on EmArcy, manufactured by Nippon Phonogram, preserves a landmark recording that demonstrated how modern jazz could be both sophisticated and swinging, complex and deeply accessible.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body whitespace-normal break-words\"\u003eThe quintet's lineup represents hard bop royalty: Clifford Brown's trumpet, already recognised as possessing flawless technique and a gloriously warm tone; Max Roach, the drummer who redefined what was possible on his instrument; Harold Land on tenor saxophone, contributing muscular solos and tight ensemble work; Richie Powell on piano, brother of Bud Powell and a talent in his own right; and George Morrow on bass, providing rock-solid foundation throughout.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body whitespace-normal break-words\"\u003eThe nine tracks showcase the band's remarkable range. Charlie Parker's \"Cherokee\" opens at breakneck tempo, with Brown and Land navigating the changes with breathtaking fluidity. Original compositions including Brown's \"Swingin'\" and \"Sandu\", Roach's \"George's Dilemma\", and Land's \"Lands End\" demonstrate the group's compositional strength alongside their improvisational prowess. The album balances uptempo burners with more lyrical material like \"If I Love Again\", where Brown's melodic gift and expressive warmth shine through. The quintet's take on Strayhorn's \"Take The A Train\" closes the album with both respect for tradition and fresh interpretation.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body whitespace-normal break-words\"\u003eWhat made this group so special was the combination of virtuosity and emotional depth. Brown never used his technical facility as an end in itself but rather as a means to express genuine feeling. Roach's drumming was both intellectually sophisticated and viscerally exciting. Together with Powell, Land, and Morrow, they created music that was harmonically advanced, rhythmically inventive, and utterly compelling.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body whitespace-normal break-words\"\u003eTragically, both Clifford Brown and Richie Powell would die in a car accident just over a year after these sessions, making \u003cem\u003eStudy In Brown\u003c\/em\u003e both a triumph and a heartbreaking reminder of what was lost. This Japanese pressing preserves their legacy with excellent mono sound that captures the warmth and presence of the original recordings.\u003c\/p\u003e","brand":"EmArcy","offers":[{"title":"Default Title","offer_id":42702103806011,"sku":null,"price":40.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/IMG_5093_7c174370-c50d-4ba0-bfa1-45888cf15245.jpg?v=1763003522"},{"product_id":"max-roach-we-insist-freedom-now-suite-1970-japanese-candid-vinyl-lp","title":"Max Roach - We Insist! Freedom Now Suite (1970 Japanese Candid Vinyl LP)","description":"\u003cp data-start=\"1061\" data-end=\"1214\"\u003e\u003cb\u003eVinyl\u003c\/b\u003e\u003cspan\u003e: EX\u003c\/span\u003e\u003cbr\u003e\u003cb\u003eSleeve\u003c\/b\u003e\u003cspan\u003e: VG+\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eObi:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eNone\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eOur grading system explained \u003c\/span\u003e\u003ca href=\"https:\/\/dpbg4u-d1.myshopify.com\/pages\/secondhand-grading-guide\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003ehere\u003c\/b\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003ePhoto is of the actual item.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMax Roach - \u003cem\u003eWe Insist! Max Roach's Freedom Now Suite\u003c\/em\u003e \u003c\/strong\u003e\u003cstrong\u003eVinyl LP - Japanese Candid Reissue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOne of the most powerful and politically urgent jazz recordings ever made, \u003cem\u003eWe Insist! Max Roach's Freedom Now Suite \u003c\/em\u003estands as a landmark document of jazz as protest music and social commentary. Recorded in August and September 1960 at Nola Penthouse Studios in New York City, this suite was conceived as a musical response to the civil rights movement and the struggle for African liberation worldwide. This rare 1970 Japanese pressing, the first Japanese issue manufactured and distributed by Victor Company of Japan with insert, and textured cover replicating the original design, presents this essential recording with exceptional care and quality.\u003c\/p\u003e\n\u003cp\u003eThe album opens with \"Tears For Johannesburg\", a mournful reflection on the brutal realities of apartheid in South Africa. Coleman Hawkins, the father of the tenor saxophone, appears on this track in one of his final significant recordings, his warm tone adding gravitas and historical weight. Vocalist Abbey Lincoln's wordless cries convey anguish and rage more powerfully than any lyric could, while Max Roach's drums provide both rhythmic foundation and emotional commentary.\u003c\/p\u003e\n\u003cp\u003e\"Driva' Man\" addresses the brutal history of slavery in America, with Lincoln's vocals depicting the relentless cruelty of enslavement and forced labour. Oscar Brown Jr.'s lyrics paint vivid, painful pictures, and Lincoln's performance is both harrowing and defiant. The young trumpeter Booker Little, just 21 years old and tragically less than a year from his death from uraemia, provides searing solos that match the material's intensity.\u003c\/p\u003e\n\u003cp\u003eThe centrepiece \"Triptych: Prayer, Protest, Peace\" is a three-part exploration of the emotional and spiritual journey from oppression through resistance to hope for liberation. This extended piece, featuring only Abbey Lincoln's voice and Max Roach's drums in stark dialogue, represents one of the most daring and emotionally raw performances in jazz history. Lincoln's screams, moans, and wordless vocalisations convey rage, pain, and determination with devastating directness.\u003c\/p\u003e\n\u003cp\u003eSide two presents \"All Africa\", featuring Olatunji on conga drums along with additional percussionists Raymond Mantillo and Tomas du Vall, creating a celebration of African musical traditions and pan-African solidarity. The album concludes with \"Freedom Day\", an optimistic vision of liberation featuring Lincoln's vocals and the full ensemble. Despite the suite's confrontation with brutal realities, it ends with hope and affirmation.\u003c\/p\u003e\n\u003cp\u003eNotably, this Japanese issue features modified track positions from the original US release, done specifically at Roach's request for this Japanese edition, as explained in the liner notes. The ensemble throughout features exceptional musicianship: Booker Little's brilliant trumpet, Julian Priester's powerful trombone, Walter Benton's tenor saxophone, and James Schenck's bass provide sophisticated harmonic and rhythmic support for the suite's powerful messages.\u003c\/p\u003e\n\u003cp\u003eThis first Japanese pressing, manufactured and lacquer cut by Victor Company of Japan, offers audiophile quality that honours the recording's sonic and emotional power. The textured cover replicates the original Candid design (including the replica cover number 8002), while the Japanese insert adds valuable context about the recording's significance and Roach's intentions for the Japanese presentation.\u003c\/p\u003e","brand":"Candid","offers":[{"title":"Default Title","offer_id":43071149408315,"sku":null,"price":50.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/IMG_6774.jpg?v=1777585825"},{"product_id":"duke-ellington-charlie-mingus-max-roach-money-jungle-1976-japanese-ua-lp","title":"Duke Ellington, Charlie Mingus, Max Roach - Money Jungle (1976 Japanese UA LP)","description":"\u003cp class=\"p1\"\u003e\u003cb\u003eVinyl\u003c\/b\u003e: EX\u003cbr\u003e\u003cb\u003eSleeve\u003c\/b\u003e: EX\u003cbr\u003e\u003cstrong\u003eObi:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eEX\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eOur grading system explained \u003c\/span\u003e\u003ca href=\"https:\/\/dpbg4u-d1.myshopify.com\/pages\/secondhand-grading-guide\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003ehere\u003c\/b\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003ePhoto is of the actual item.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eDuke Ellington, Charlie Mingus, Max Roach - \u003cem\u003eMoney Jungle\u003c\/em\u003e\u003c\/strong\u003e \u003cstrong\u003eVinyl LP - 1976 Japanese United Artists Jazz 1500 Series Limited Edition Stereo Reissue with Insert\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe 17 September 1962 meeting of three jazz masters from different generations and approaches resulted in one of the piano trio format's most celebrated recordings. Duke Ellington, the elder statesman of jazz composition and orchestra leading, joins forces with bassist Charlie Mingus and drummer Max Roach, both innovators of modern jazz's post-bop and hard bop movements. The seven tracks, all Ellington compositions, showcase the creative tension and mutual respect between musicians whose approaches might seem incompatible: Ellington's elegant sophistication meets Mingus' intense, searching bass work and Roach's precise yet explosive drumming. Released in Japan on 5 December 1976 as part of United Artists' Jazz 1500 Series and manufactured by King Record Co. Ltd., this limited edition stereo pressing includes Japanese liner notes insert.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe title track \"Money Jungle\" sets the album's tone: Ellington's piano introduces the theme before Mingus and Roach engage in forceful, almost combative interaction, the elder Ellington maintaining poise while the rhythm section pushes and challenges. This dynamic continues across the programme, Ellington standards like \"Caravan\" and \"Solitude\" receiving treatments that honour their melodic beauty while incorporating modern harmonic and rhythmic approaches. \"Le Fleurs Africaines (African Flower)\" demonstrates how the three musicians could find common ground, Ellington's harmonic sophistication meeting Mingus' interest in African-influenced rhythms and Roach's polyrhythmic drumming.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe session reportedly included tensions (Mingus briefly walked out during recording), yet the final music transcends any personal friction, creating dialogue between jazz tradition and modern innovation. Mingus' bass work provides both harmonic foundation and aggressive melodic commentary, while Roach's drumming demonstrates restraint when supporting and explosive power when soloing. Manufactured by King Record Co. Ltd. with Japanese liner notes insert, this stereo pressing captures the intimate yet intense interaction between three giants. Note: The label incorrectly credits \"Wig Wise\" to Ellington, DeLange, and Mills; DeLange and Mills are actually lyricists for \"Solitude\".\u003c\/p\u003e","brand":"United Artists","offers":[{"title":"Default Title","offer_id":43186603524155,"sku":null,"price":50.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/IMG_5955.jpg?v=1769931031"},{"product_id":"clifford-brown-and-max-roach-1974-japanese-mercury-mono-lp","title":"Clifford Brown and Max Roach (1974 Japanese Mercury Mono LP)","description":"\u003cp class=\"p1\"\u003e\u003cb\u003eVinyl\u003c\/b\u003e: VG+\u003cbr\u003e\u003cb\u003eSleeve\u003c\/b\u003e: VG+\u003cbr\u003e\u003cstrong\u003eObi:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eVG+\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eOur grading system explained \u003c\/span\u003e\u003ca href=\"https:\/\/dpbg4u-d1.myshopify.com\/pages\/secondhand-grading-guide\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003ehere\u003c\/b\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003ePhoto is of the actual item.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cstrong\u003eClifford Brown and Max Roach - \u003cem\u003eClifford Brown and Max Roach\u003c\/em\u003e | Vinyl LP - 1974 Japanese Mercury Mono Reissue (BT-1331, Nippon Phonogram Co. Ltd.)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMax Roach formed this quintet by inviting Clifford Brown to join him in New York in 1954. They selected the remaining musicians together. Harold Land on tenor, Richie Powell on piano and George Morrow on bass completed the group. They recorded the core of this album across three days in Los Angeles in August 1954, with two further tracks added at a New York session in February 1955 before EmArcy released the 12-inch LP that brought all seven pieces together.\u003c\/p\u003e\n\u003cp\u003eVictor Young's \"Delilah\" was an unlikely choice. The theme from a Cecil B. DeMille biblical epic had no obvious jazz pedigree. Brown plays it at eight and a half minutes without losing the melody's character, the exotic minor-key writing a natural fit for his warm, mid-range tone. Bud Powell's \"Parisian Thoroughfare\" follows, Brown and Land pushing against Roach's tempo changes with the ease of a group that had already developed genuine collective thinking in the few months since its formation.\u003c\/p\u003e\n\u003cp\u003e\"Daahoud\" and \"Joy Spring\" became standards. Both are built on chord sequences with mid-progression key changes that challenge soloists; both have been recorded many hundreds of times since Brown made them here. \"Joy Spring\" was written for his wife, whom Roach had introduced to Brown when she was working on a thesis arguing that jazz was inferior to classical music. Brown spent time convincing her otherwise. \"Jordu,\" Duke Jordan's blues-based piece, closes Side B with a version that Gary Giddins later called among the finest performances on the record. \"The Blues Walk\" and \"What Am I Here For\" complete the programme.\u003c\/p\u003e\n\u003cp\u003eThis is the 1974 Japanese Mercury mono reissue (BT-1331), manufactured by Nippon Phonogram Co. Ltd.\u003c\/p\u003e","brand":"Mercury","offers":[{"title":"Default Title","offer_id":43514655670331,"sku":null,"price":45.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/IMG_6932.jpg?v=1778806673"}],"url":"https:\/\/lushliferecords.com.au\/collections\/max-roach.oembed","provider":"Lush Life Records","version":"1.0","type":"link"}