{"title":"New Vinyl","description":"\u003cp data-start=\"207\" data-end=\"594\"\u003eOur New Vinyl collection showcases the latest pressings, reissues and must-have contemporary releases. From brand-new albums by today’s artists to faithfully remastered classics, every record is sourced for sound quality and collector appeal. Explore a wide range of genres — from jazz and soul to rock and electronic — and build your collection with titles that are made to be played.\u003c\/p\u003e\n\u003cp data-start=\"878\" data-end=\"999\"\u003eEvery order is carefully packed, and \u003cstrong data-start=\"915\" data-end=\"964\"\u003efree shipping is available on eligible orders\u003c\/strong\u003e so you can shop with confidence.\u003c\/p\u003e\n\u003cp data-start=\"1001\" data-end=\"1250\"\u003eCan’t find what you’re looking for? Reach out and we’ll help you track down new vinyl releases or rare titles. And if you’re after vintage treasures, check out our collection of \u003ca href=\"\/collections\/vintage-finds\"\u003e\u003cstrong data-start=\"1179\" data-end=\"1208\"\u003esecond-hand vinyl records\u003c\/strong\u003e\u003c\/a\u003e — each one graded and chosen with care.\u003c\/p\u003e\n\u003cp data-start=\"1252\" data-end=\"1351\"\u003eAt \u003cstrong data-start=\"1255\" data-end=\"1276\"\u003eLush Life Records\u003c\/strong\u003e, we believe every spin should feel special. Start your next listen here.\u003c\/p\u003e","products":[{"product_id":"nubya-garcia-source","title":"Nubya Garcia – Source (2020 Concord Jazz 2LP Vinyl)","description":"\u003cp data-start=\"173\" data-end=\"458\"\u003eReleased in 2020 on Concord Jazz, \u003cem data-start=\"207\" data-end=\"215\"\u003eSource\u003c\/em\u003e is the powerful debut album from London-based saxophonist and composer \u003cstrong data-start=\"287\" data-end=\"303\"\u003eNubya Garcia\u003c\/strong\u003e. 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The \u003cstrong data-start=\"1422\" data-end=\"1458\"\u003eStoughton tip-on gatefold sleeve\u003c\/strong\u003e and session photos complete a reissue worthy of the label’s legacy.\u003c\/p\u003e\n\u003cp data-start=\"1530\" data-end=\"1775\"\u003eFor collectors and newcomers alike, \u003cem data-start=\"1566\" data-end=\"1578\"\u003eThe Cooker\u003c\/em\u003e is one of those records that justifies the fuss around the \u003cstrong data-start=\"1638\" data-end=\"1668\"\u003eBlue Note Tone Poet Series\u003c\/strong\u003e — immaculate presentation, timeless sound, and Morgan burning bright before his twenties had even begun.\u003c\/p\u003e","brand":"Blue Note","offers":[{"title":"Default Title","offer_id":42554714423355,"sku":null,"price":85.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/the_cooker_art.webp?v=1761372366"},{"product_id":"stanley-turrentine-comin-your-way-2020-blue-note-tone-poet-vinyl-lp","title":"Stanley Turrentine – Comin’ Your Way (2020 Blue Note Tone Poet Vinyl LP)","description":"\u003cp data-start=\"346\" data-end=\"758\"\u003eRecorded on \u003cstrong data-start=\"358\" data-end=\"378\"\u003eJanuary 20, 1961\u003c\/strong\u003e at \u003cstrong data-start=\"382\" data-end=\"403\"\u003eVan Gelder Studio\u003c\/strong\u003e in Englewood Cliffs, New Jersey, \u003cem data-start=\"437\" data-end=\"454\"\u003eComin’ Your Way\u003c\/em\u003e captures \u003cstrong data-start=\"464\" data-end=\"486\"\u003eStanley Turrentine\u003c\/strong\u003e at his most soulful and confident. 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The album's title serves as an invitation to let go, to dance without inhibition and to embrace the pure joy of being present in the moment.\u003c\/p\u003e\n\u003cp class=\"whitespace-normal break-words\"\u003eReleased in September 2024 on Partisan Records, this double vinyl edition presents the album in its full glory, with warm analogue sound that captures every nuance of the band's dynamic interplay. \u003c\/p\u003e","brand":"Partisan Records","offers":[{"title":"Default Title","offer_id":42555541585979,"sku":null,"price":75.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/a4249844765_10.jpg?v=1761470862"},{"product_id":"rob-luft-dahab-days-limited-edition-vinyl-lp","title":"Rob Luft - Dahab Days (Limited Edition Vinyl LP)","description":"\u003cp class=\"whitespace-normal break-words\"\u003eBritish guitarist Rob Luft transports listeners to sun-drenched horizons with Dahab Days, a sublime collection of contemporary jazz that captures the warmth and wonder of the Egyptian coastal town that inspired it. Pressed on beautiful marble cream vinyl and limited to just 500 copies worldwide, this Edition Records release is a treasure for collectors and jazz enthusiasts alike.\u003c\/p\u003e\n\u003cp class=\"whitespace-normal break-words\"\u003eLuft's virtuosic guitar work weaves through ten carefully crafted compositions, supported by an exceptional ensemble including Tom McCredie on bass, Corrie Dick on drums and percussion, and Joe Webb on organ and piano. The album is elevated by stunning guest appearances from vocalist and violinist Alice Zawadzki, whose ethereal voice graces three tracks, trumpet master Byron Wallen, and saxophonists Steve Buckley and Joe Wright. 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Originally released in 2023 on Brownswood Recordings, this reissue offers a chance to experience one of the decade's most important jazz albums in its full vinyl glory.\u003c\/p\u003e","brand":"Brownswood","offers":[{"title":"Default Title","offer_id":42575362195515,"sku":null,"price":80.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/a0393988977_10.webp?v=1762312739"},{"product_id":"joe-armon-jones-all-the-quiet-part-ii-limited-edition-2lp-blue-vinyl","title":"Joe Armon-Jones - All The Quiet Part II (Limited Edition 2LP Blue Vinyl)","description":"\u003cp class=\"whitespace-normal break-words\"\u003eKeyboardist and composer Joe Armon-Jones returns with All The Quiet Part II, a mesmerising exploration of dub, jazz and electronics that pushes his sound into deeper, more experimental territory. 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From the contemplative opening \"Acknowledgement Is Key\" through the hypnotic grooves of \"Lavender\" and \"Westmoreland\", the album creates an immersive sonic landscape where keyboards, rhythm and space exist in perfect balance.\u003c\/p\u003e\n\u003cp class=\"whitespace-normal break-words\"\u003eTracks like \"PSR Orchestra\" and \"War Transmission\" demonstrate Armon-Jones' skill in crafting atmospheric compositions that feel both futuristic and rooted in reggae tradition, while pieces such as \"Another Place\" and \"Journey South\" offer moments of introspection and beauty. The album's fusion of hip hop influence, funk rhythms and dub production creates something genuinely distinctive within the contemporary UK jazz scene.\u003c\/p\u003e\n\u003cp class=\"whitespace-normal break-words\"\u003eReleased in June 2025, this is essential listening for fans of Armon-Jones' work with Ezra Collective and his acclaimed solo output. The blue transparent pressing is a fitting presentation for an album that explores transparency of sound and the spaces between notes.\u003c\/p\u003e","brand":"Aquarii Records","offers":[{"title":"Default Title","offer_id":42575539208251,"sku":null,"price":125.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/a0610926232_10.webp?v=1762312692"},{"product_id":"various-artists-we-out-here-limited-edition-orange-vinyl-2lp","title":"Various Artists - We Out Here (Limited Edition Orange Vinyl 2LP)","description":"\u003cp\u003eA defining document of London's explosive jazz renaissance, \u003cem\u003eWe Out Here\u003c\/em\u003e captures a pivotal moment when a new generation of musicians rewrote the rules. Originally released in 2018 by Brownswood Recordings and now reissued on striking orange vinyl, this compilation remains essential listening for understanding the movement that reshaped contemporary jazz.\u003c\/p\u003e\n\u003cp\u003eRecorded over just three days in August 2017, the album features nine tracks from the artists who would go on to dominate the UK jazz scene. Ezra Collective's infectious \"Pure Shade\" sits alongside Shabaka Hutchings' powerful \"Black Skin, Black Masks\", while contributions from Nubya Garcia, Moses Boyd, Theon Cross, Maisha, Triforce, Joe Armon-Jones and Kokoroko showcase the breadth and depth of talent emerging from London at that time.\u003c\/p\u003e\n\u003cp\u003eWhat makes \u003cem\u003eWe Out Here\u003c\/em\u003e so compelling is its collaborative spirit. These aren't isolated studio recordings but rather snapshots of a community creating together, blending jazz with Afrobeat, grime, soul and electronic music. From the meditative beauty of Nubya Garcia's \"Once\" to the tuba-led groove of Theon Cross' \"Brockley\" and the irresistible energy of Kokoroko's \"Abusey Junction\", each track reveals different facets of this groundbreaking scene.\u003c\/p\u003e\n\u003cp\u003eMore than just a compilation, \u003cem\u003eWe Out Here\u003c\/em\u003e is a time capsule that captures the excitement, innovation and fearless creativity of a movement that would influence jazz globally. This limited edition orange vinyl pressing offers collectors a chance to own a piece of modern jazz history in a format that matches the music's vibrancy.\u003c\/p\u003e\n\u003ciframe data-testid=\"embed-iframe\" style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/album\/0H6nfrkNnV5m67o6qVOGT3?utm_source=generator\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e","brand":"Brownswood","offers":[{"title":"Default Title","offer_id":42578149834811,"sku":null,"price":80.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/a0617162581_10.jpg?v=1761616845"},{"product_id":"venna-malik-vinyl-lp","title":"Venna - Malik (Vinyl LP)","description":"\u003cp\u003eRising saxophonist and composer Venna (real name Malik Venner) announces his arrival with this accomplished self-titled debut, a 13-track statement that establishes him as a distinctive voice in contemporary UK jazz. Released on Cashmere Thoughts, the label co-founded by Yussef Dayes, the album benefits from the acclaimed drummer's presence across much of the record alongside the multitalented Marco Bernardis.\u003c\/p\u003e\n\u003cp\u003eVenner's alto saxophone leads throughout, but what sets this album apart is his willingness to explore beyond instrumental jazz. His vocals appear on seven tracks, adding an intimate, personal dimension to compositions that range from the energetic opener \"Numero Uno\" to the contemplative \"My Way\" and the groove-driven \"Alchemy\". This isn't a vocalist dabbling in jazz or a jazz musician awkwardly singing, rather it's a seamless integration that serves the music's emotional core.\u003c\/p\u003e\n\u003cp\u003eThe interplay between Venner's saxophone, Bernardis' versatile contributions on piano, Rhodes, guitar, tenor saxophone and synthesiser, and Dayes' dynamic drumming creates a rich sonic palette. Tracks like \"Prophet\" and \"Twisting\" showcase the trio's chemistry, while pieces such as \"Veranda\" and \"Indigo\" reveal Venner's compositional range and his ability to craft melodies that linger long after the record ends.\u003c\/p\u003e\n\u003cp\u003eReleased in 2025, \u003cem\u003eMalik\u003c\/em\u003e captures a young artist confident enough to follow his own path while drawing from the collaborative spirit that defines London's jazz community. 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Released on 17 October 2025 through International Anthem Recording Company and XL Recordings, this collection showcases McCraven's unique \"organic beat music\" concept: recording live performances, then extensively editing, overdubbing, and recomposing the material in his Chicago studio into something entirely new. The result bridges acoustic jazz tradition with electronic production techniques, creating a sound that feels simultaneously spontaneous and meticulously crafted.\u003c\/p\u003e\n\u003cp\u003eEach of the four sides represents a different performance context and ensemble configuration. Side A, \"PopUp Shop\", captures a 2015 Venice, California performance at the Del Monte Speakeasy featuring vibraphonist Justefan, bassist Benjamin J. Shepherd, and guitarist Jeff Parker. Recorded as part of the RAWS:LA series presented by Kingo Hippo and Grown Kids Radio, these tracks were then edited and overdubbed the very next day in an alley behind Townhouse on Windward Avenue, demonstrating McCraven's ability to work anywhere inspiration strikes.\u003c\/p\u003e\n\u003cp\u003eSide B, \"Hidden Out!\", documents a 2017 performance at Chicago's intimate Hideout venue featuring bassist Junius Paul and guitarist Jeff Parker. These tracks underwent an extraordinary transformation, with editing, additional composition, and overdubs completed between 2017 and 2025 at McCraven's own MakayaMusic Studios. 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Edited throughout 2025, these tracks are the freshest on the album, capturing McCraven's current ensemble sound while benefiting from his increasingly sophisticated production techniques.\u003c\/p\u003e\n\u003cp\u003eThroughout all 22 tracks, McCraven's drumming anchors the music with both propulsive energy and subtle detail. But his role extends far beyond traditional drumming - as producer, editor, and overdub artist adding keyboards, synth, percussion, guitar, and vibraphone, he functions as auteur, shaping live performances into finished compositions that honour improvisation's spontaneity while achieving studio production's polish.\u003c\/p\u003e\n\u003cp\u003eThe personnel across these sessions reads like a who's who of contemporary jazz innovation: guitarist Jeff Parker (of Tortoise and The Chicago Underground), vibraphonists Joel Ross and Justefan, tubist Theon Cross (Sons of Kemet), multi-instrumentalist Ben LaMar Gay, bassist Junius Paul, trumpeter Marquis Hill, and synthesist Jeremiah Chiu. 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This performance exemplifies her ability to find profound meaning in popular material through interpretive genius rather than vocal pyrotechnics.\u003c\/p\u003e\n\u003cp\u003e\"Love Me Or Leave Me\" swings with authority, while \"My Baby Just Cares For Me\" - which became an unexpected international hit decades later when used in a 1987 Chanel commercial - demonstrates Simone's playful side and impeccable sense of rhythm. Her piano accompaniment throughout is never merely supportive; it's an equal partner in expression, drawing on her classical technique while swinging with jazz feeling.\u003c\/p\u003e\n\u003cp\u003eBacked by the understated yet expert rhythm section of bassist Jimmy Bond and drummer Al Heath, Simone explores a diverse programme. \"Good Bait\" showcases her bebop chops, \"Plain Gold Ring\" delves into blues feeling, while \"You'll Never Walk Alone\" transforms the Rodgers and Hammerstein show tune into something approaching a spiritual affirmation. The album's emotional centrepiece, \"I Loves You Porgy\" from Gershwin's Porgy and Bess, receives a reading of such tenderness and longing that it became Simone's first chart success. The album closes with \"Central Park Blues\", an original composition that demonstrates Simone's gifts extended to writing as well as interpretation.\u003c\/p\u003e\n\u003cp\u003eThis 65th Anniversary Edition has been remastered by Kevin Gray, one of the most respected mastering engineers in the world, known for his meticulous work on audiophile reissues. Gray's remastering brings new clarity to Simone's voice and piano while honouring the intimacy of the original 1957 recording. The limited edition pink vinyl pressing adds visual appeal while maintaining sonic integrity.\u003c\/p\u003e\n\u003cp\u003eThe package includes liner notes by Daphne A. Brooks and Joe Muranyi, providing historical context about Simone's early career and this album's significance. Released through Dark Horse Records and BMG, this reissue represents the care contemporary labels are taking to preserve and present classic jazz recordings for new generations.\u003c\/p\u003e","brand":"Bethlehem Records","offers":[{"title":"Default Title","offer_id":43075651502139,"sku":null,"price":75.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/nina-simone-little-girl-blue-pink-vinyl-65th-anniversary-edition-sealed-uk-vinyl-lp-album-record-dh0024xus-844086_1200x696copy.jpg?v=1765698034"},{"product_id":"thelonious-monk-thelonious-himself-2025-craft-recordings-180g-mono-vinyl-lp","title":"Thelonious Monk - Thelonious Himself (2025 Craft Recordings 180g Mono Vinyl LP)","description":"\u003cp\u003eOne of the most intimate and revealing recordings in Thelonious Monk's discography, \u003cem\u003eThelonious Himself\u003c\/em\u003e presents the legendary pianist entirely solo across eight performances that showcase his unique harmonic vision, rhythmic genius, and deeply personal approach to melody. Recorded in New York on 12 and 16 April 1957 at Reeves Sound Studios, this album strips away any accompaniment to reveal Monk's pianistic essence in its purest form. This 2025 Craft Recordings reissue, part of the Original Jazz Classics and Riverside Contemporary Series, offers audiophile quality through Kevin Gray's all-analogue mastering, Record Technology Incorporated's 180-gram pressing, and premium packaging including an obi strip.\u003c\/p\u003e\n\u003cp\u003eThe album opens with \"April In Paris\", and immediately Monk's utterly distinctive approach is evident. His angular phrasing, unexpected harmonic substitutions, and deliberate use of space transform this standard into something simultaneously familiar and strange. Monk's touch, often described as percussive, creates a distinctive tone and attack that's instantly recognisable. His time feel, seemingly hesitant yet perfectly intentional, creates tension and release unlike any other pianist.\u003c\/p\u003e\n\u003cp\u003e\"Ghost Of A Chance\" receives a tender reading that reveals Monk's gift for melodic interpretation beneath his reputation for harmonic complexity. \"Functional\", a Monk original, demonstrates his compositional approach: deceptively simple melodies that contain sophisticated harmonic implications. \"I'm Getting Sentimental Over You\" swings with Monk's characteristic rhythmic displacement, his left hand creating unexpected accents and spaces.\u003c\/p\u003e\n\u003cp\u003eSide two opens with \"I Should Care\", another standard transformed through Monk's harmonic reimagining and rhythmic approach. The album's centerpiece, \"'Round Midnight\", is Monk's most famous composition, and hearing him perform it solo reveals details often obscured in ensemble versions. His rubato approach, the way he lingers on certain notes while rushing through others, creates a performance that feels both studied and spontaneous.\u003c\/p\u003e\n\u003cp\u003e\"All Alone\" showcases Monk's ability to find the blues in unlikely material, while the album closes with \"Monk's Mood\", an original that perfectly captures his melancholic yet hopeful spirit. Throughout these solo performances, what becomes clear is Monk's complete originality - his approach to the piano, to harmony, to rhythm, to melody, is entirely his own, fully formed and uncompromising.\u003c\/p\u003e\n\u003cp\u003eThis Craft Recordings reissue represents the current state of the art in audiophile vinyl production. Kevin Gray, working at Cohearent Audio, has remastered and cut the lacquers using an all-analogue chain (AAA designation on the obi) from the original tapes. Record Technology Incorporated in Camarillo, California, universally regarded as America's finest pressing plant, has pressed this on 180-gram virgin vinyl. Stoughton Printing Co. has produced the packaging, maintaining the original Paul Bacon cover design and Paul Weller photography while adding contemporary quality standards.\u003c\/p\u003e\n\u003cp\u003eThe package includes the original liner notes by producer Orrin Keepnews and, remarkably, liner notes by John Coltrane. Coltrane and Monk had a profound musical relationship, with Coltrane learning from Monk during their 1957 collaboration. Coltrane's insights into Monk's genius add invaluable perspective from a fellow master.\u003c\/p\u003e","brand":"Craft Recordings","offers":[{"title":"Default Title","offer_id":43076403363899,"sku":null,"price":90.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/thelonioushimselffront.webp?v=1765761591"},{"product_id":"pharoah-sanders-thembi-2024-verve-by-request-180g-vinyl-lp-gatefold","title":"Pharoah Sanders - Thembi (2024 Verve By Request 180g Vinyl LP Gatefold)","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eRecorded across two sessions in late 1970 and early 1971, \u003cem\u003eThembi\u003c\/em\u003e captures Pharoah Sanders transitioning from his most intense free jazz explorations toward a more spiritual, accessible sound that would define his 1970s masterpieces. This 9 August 2024 reissue, part of Universal Music's Verve By Request series and pressed by Third Man Pressing on 180-gram vinyl in a gatefold sleeve, offers this landmark Impulse! recording in premium contemporary presentation.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe album's first side, recorded on 25 November 1970 at The Record Plant in Los Angeles, features Sanders leading a sextet through three extended explorations. \"Astral Traveling\" opens with the hypnotic, trance-inducing quality that would become Sanders' signature, layering his tenor saxophone over Lonnie Liston Smith's Fender Rhodes, Cecil McBee's bass, Clifford Jarvis' percussion-heavy drumming, and Michael White's violin. Sanders adds bells and percussion himself, creating dense rhythmic textures that support his increasingly ecstatic saxophone flights.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\"Red, Black \u0026amp; Green\" addresses Pan-African consciousness through its title (referencing the Black liberation flag colours) and music, Sanders' tenor alternating between screaming intensity and tender melodicism. \"Thembi\", the title track dedicated to Sanders' wife at the time, closes the first side with a performance that balances spiritual searching with accessible beauty, pointing toward the approach Sanders would perfect on albums like Karma and Journey to the Source.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eSide two, recorded on 12 January 1971 at The Record Plant in New York City, presents a different trio configuration featuring Sanders on saxophone, Lonnie Liston Smith on acoustic piano, and Cecil McBee on bass. The absence of drums creates a more spacious, contemplative atmosphere. \"Love\" is a brief meditation, while \"Morning Prayer\" and \"Bailophone Dance\" showcase Sanders' ability to create spiritual music that honours African traditions while remaining distinctly jazz-based.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eSanders' tenor saxophone playing throughout moves between extraordinary technical control and ecstatic abandon. His tone, enormous and sometimes harsh, conveys spiritual yearning and transcendent joy. The extended technique he employs, including overtones, multiphonics, and extreme register explorations, serves emotional and spiritual expression rather than mere display.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eLonnie Liston Smith's presence is crucial, his modal piano and electric piano work providing harmonic foundation while allowing space for collective improvisation. Smith would continue working with Sanders before forming his own successful Cosmic Echoes group. Cecil McBee's bass anchors both sessions with melodic invention and rhythmic solidity, while Clifford Jarvis' drumming on the first side adds propulsive energy and African-influenced polyrhythms. Michael White's violin adds another voice to the collective, his playing influenced by both jazz and Indian classical music. \u003c\/p\u003e","brand":"Impulse!","offers":[{"title":"Default Title","offer_id":43076407394363,"sku":null,"price":70.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/PharoahSanders-Thembi_1LP_Cvr.webp?v=1765762735"},{"product_id":"shabaka-afrikan-culture-2023-us-impulse-vinyl-12-mini-album","title":"Shabaka - Afrikan Culture (2023 US Impulse! Vinyl 12\" Mini-Album)","description":"\u003cp\u003eA bold artistic statement from one of contemporary jazz's most visionary voices, \u003cem\u003eAfrikan Culture\u003c\/em\u003e marks Shabaka Hutchings' first release under his given name alone, stepping away from his celebrated groups Sons of Kemet, The Comet Is Coming, and Shabaka and the Ancestors. Released March 2023 on the legendary Impulse! label, this mini-album presents eight compositions that blend spiritual searching, political consciousness, and sonic innovation into a deeply personal meditation on Black culture, identity, and liberation.\u003c\/p\u003e\n\u003cp\u003eRecorded across multiple London studios including Snap Studios, The Neve Church Studios, and mixed at The Crush by Dilip Harris (who also co-produced and recorded portions), \u003cem\u003eAfrikan Culture\u003c\/em\u003e showcases Hutchings' evolving musical vision. While best known as a saxophonist, clarinetist, and bass clarinetist, Hutchings arranged and composed all eight pieces here, creating sonic landscapes that range from meditative minimalism to explosive collective improvisation.\u003c\/p\u003e\n\u003cp\u003eThe album opens with \"Black Meditation\", immediately establishing the album's spiritual and political dimensions. Hutchings' concern with consciousness, interiority, and liberation through meditation aligns with a long tradition in Black music from Alice Coltrane to Sun Ra. \"Call It A European Paradox\" addresses the contradictions of European culture claiming universalism while perpetuating colonialism and racism, its title alone a provocative challenge.\u003c\/p\u003e\n\u003cp\u003e\"Ital Is Vital\" references Rastafarian concepts of natural living and rejection of Babylon's systems, continuing the album's engagement with African diasporic spirituality and resistance. \"Memories Don't Live Like People Do\" takes its title from a Prince lyric, exploring how memory, history, and cultural transmission function differently than individual lives, carrying collective experience across generations.\u003c\/p\u003e\n\u003cp\u003eSide two opens with \"Ritual Awakening\", suggesting music as ceremonial practice rather than mere performance. \"Explore Inner Space\" turns attention inward, the title evoking both meditation and the cosmic explorations of spiritual jazz pioneers. \"The Dimension Of Subtle Awareness\" continues this contemplative trajectory before the album closes with \"Rebirth\", offering hope and renewal after the journey through consciousness, critique, and searching.\u003c\/p\u003e\n\u003cp\u003eThroughout, Hutchings demonstrates his gifts as arranger and conceptualist, not merely saxophonist. The personnel and specific instrumentation aren't detailed in the standard credits, but the album's sound suggests varied ensemble configurations and potentially overdubbed layers, with Hutchings' arranging vision tying disparate elements into coherent wholes.\u003c\/p\u003e\n\u003cp\u003eThis US pressing, manufactured by UMG Commercial Services and distributed through UMG, features lacquer cutting by JN-H at the renowned Sterling Sound facility. The standard black vinyl edition includes a 12-inch square insert with a portrait photograph by Gareth Jarvis on one side and full credits on the reverse. Ana Pryor's creative direction and design present the album with the visual sophistication befitting Impulse!'s legacy and Hutchings' artistic ambitions.\u003c\/p\u003e\n\u003cp\u003eThe release on Impulse!, the label of John Coltrane, Alice Coltrane, Pharoah Sanders, and other spiritual jazz giants, carries symbolic weight. Hutchings explicitly positions himself within this lineage while addressing contemporary concerns about race, consciousness, and liberation in a global context marked by ongoing struggles against racism, colonialism, and capitalism.\u003c\/p\u003e","brand":"Impulse!","offers":[{"title":"Default Title","offer_id":43076585947195,"sku":null,"price":45.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/19984104f83d61ac6b9d1c567cbb3129_608x608_b22f5837-0975-451c-8d8f-e7099fe7eabf.webp?v=1765769729"},{"product_id":"makaya-mccraven-in-the-moment-2025-international-anthem-2lp-reissue","title":"Makaya McCraven - In The Moment (2025 International Anthem 2LP Reissue)","description":"\u003cp\u003eThe album that established Makaya McCraven's revolutionary \"organic beat music\" concept, \u003cem\u003eIn The Moment\u003c\/em\u003e captures the Chicago drummer and producer transforming live jazz performances into meticulously crafted compositions through editing, looping, and overdubbing. Originally released in 2015 as McCraven's breakthrough statement and now reissued in 2025 as part of International Anthem Recording Company's IA11 Edition series, this double album showcases the process that would define his career: recording spontaneous group improvisation, then reimagining it through studio production techniques borrowed from hip-hop, creating music that honours jazz tradition while sounding utterly contemporary.\u003c\/p\u003e\n\u003cp\u003eRecorded live at various Chicago venues and then extensively reworked at McCraven's studio, In The Moment features an exceptional cast of Chicago jazz musicians including guitarist Jeff Parker (Tortoise, The Chicago Underground), vibraphonist Justefan, trumpeter Marquis Hill, tenor saxophonists De'Sean Jones and Tony Barba (the latter adding electronics), and a rotating bass section of Junius Paul, Matt Ulery, and Joshua Abrams. McCraven's process involves recording these musicians improvising live, then deconstructing the performances, isolating compelling moments, creating loops, adding beats and overdubs, and reassembling the material into new compositions that maintain improvisation's energy while achieving studio production's precision.\u003c\/p\u003e\n\u003cp\u003eThe album opens with \"Exploration Intro\", immediately establishing the aesthetic: acoustic instruments rendered with beatmaker's sensibility, loops creating hypnotic repetition, yet retaining jazz's swing and spontaneity. \"The Jaunt\" and \"Slightest Right\" demonstrate how McCraven can take extended improvisations and distill them into focused, groove-oriented pieces that work both as jazz compositions and as instrumental hip-hop beats.\u003c\/p\u003e\n\u003cp\u003e\"Lonely\" and \"Gnawa\" (the latter referencing North African trance music traditions) showcase McCraven's interest in global rhythmic traditions and their intersection with jazz and hip-hop. \"On The Spot\", \"Butterscotch\", and \"TomTom\" maintain the album's momentum through the first disc, each track offering distinctive textures and grooves while cohering into a continuous listening experience.\u003c\/p\u003e\n\u003cp\u003e\"Three Fifths A Man\", referencing the US Constitution's horrific calculation of enslaved people as three-fifths of a person for representation purposes, brings political consciousness to the proceedings. McCraven, like many in Chicago's contemporary jazz scene, views music as inseparable from social justice and Black liberation struggles.\u003c\/p\u003e\n\u003cp\u003eThe second disc's title track \"In The Moment\" encapsulates McCraven's philosophy: capturing the fleeting magic of live improvisation while using studio techniques to frame and enhance those moments. \"Quartz\", \"Just Stay Right There\", and the pointedly titled \"Untitled\" continue exploring the intersection of composition and improvisation, structure and spontaneity.\u003c\/p\u003e\n\u003cp\u003e\"Time Travel\" and \"The Encore\" near the album's close before \"The Drop\" and \"Finances\" conclude with characteristic McCraven grooves that blur boundaries between jazz, hip-hop, electronic music, and experimental production. Throughout all 18 tracks, McCraven's drumming anchors the music with both technical sophistication and deep pocket, his production adding layers of sounds, beats, loops, and overdubbed elements that transform the source material.\u003c\/p\u003e\n\u003cp\u003eThis 2025 reissue, part of International Anthem's IA11 Edition series, brings McCraven's breakthrough album back into circulation for listeners who've discovered him through later releases like \u003cem\u003eUniversal Beings\u003c\/em\u003e, \u003cem\u003eWe're New Again\u003c\/em\u003e, or \u003cem\u003eIn These Times\u003c\/em\u003e. The double LP format allows proper space for these compositions to breathe, maintaining the album's original sequencing and flow.\u003c\/p\u003e","brand":"International Anthem","offers":[{"title":"Default Title","offer_id":43076922310715,"sku":null,"price":55.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/click_2ad2b681_thumbnail_4096.webp?v=1765796621"},{"product_id":"the-comet-is-coming-imminent-2020-record-store-day-12-vinyl","title":"The Comet Is Coming - Imminent (2020 Record Store Day 12\" Vinyl)","description":"\u003cp\u003eA collaboration between three of London's most forward-thinking musicians, The Comet Is Coming brings together saxophonist Shabaka Hutchings (Sons of Kemet, Shabaka and the Ancestors), keyboardist Dan Leavers (known as Danalogue), and drummer Maxwell Hallett (known as Betamax) to create a cosmic blend of jazz, electronic music, and psychedelic intensity. This Record Store Day 2020 12-inch single, released on Impulse! and pressed by GZ Media, presents \"Imminent\" on the A-side with a Noss DJ remix of \"Super Zodiac\" on the flip.\u003c\/p\u003e\n\u003cp\u003e\"Imminent\" captures The Comet Is Coming's distinctive sound: Hutchings' urgent, sometimes screaming saxophone over Danalogue's swirling synthesizers and Betamax's propulsive drumming. The track title suggests something approaching, building tension and anticipation, the music's intensity evoking both cosmic spectacle and earthly urgency. Recorded at London's legendary Total Refreshment Centre, a crucial hub for the UK jazz explosion of the 2010s, the track captures the energy and experimentalism of that scene.\u003c\/p\u003e\n\u003cp\u003eThe B-side presents Noss DJ's remix of \"Super Zodiac\", transforming The Comet Is Coming's cosmic jazz into dancefloor-oriented electronic music. Noss DJ, known for experimental electronic productions, deconstructs the original track and rebuilds it with club sensibilities while maintaining the source material's otherworldly character. This remix demonstrates the permeability of boundaries between jazz, electronic music, and club culture that defines much contemporary experimental music.\u003c\/p\u003e\n\u003cp\u003eThe Comet Is Coming's music draws as much from Afrofuturism, Sun Ra's cosmic philosophy, and electronic music as from conventional jazz. Hutchings, the most recognisable member through his work in multiple acclaimed groups, brings spiritual intensity and technical mastery. Danalogue's synthesizers create dense, psychedelic textures that function as both harmonic foundation and sonic assault. Betamax's drumming combines jazz technique with electronic music's rhythmic insistence, bridging acoustic and electronic approaches.\u003c\/p\u003e\n\u003cp\u003eMixed and produced by Betamax and Danalogue, mastered by Daddy Kev (known for his work with Flying Lotus and the Brainfeeder roster), and lacquer cut by Ian Sefchick, this 12-inch represents professional production befitting the group's vision. The Impulse! label release connects The Comet Is Coming to that legendary label's spiritual jazz legacy while acknowledging their electronic and experimental elements.\u003c\/p\u003e\n\u003cp\u003eAs a Record Store Day 2020 release, this 12-inch had limited pressing and was available only through participating independent record shops on the designated day (though RSD 2020 was postponed and spread across multiple dates due to COVID-19 pandemic). This limited availability and event-specific release creates inherent scarcity and collector interest.\u003c\/p\u003e","brand":"Impulse!","offers":[{"title":"Default Title","offer_id":43083051728955,"sku":null,"price":30.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/the-comet-is-coming-imminent-1607532097.webp?v=1766102360"},{"product_id":"the-comet-is-coming-channel-the-spirits-2019-uk-leaf-vinyl-lp-repress","title":"The Comet Is Coming - Channel The Spirits (2019 UK Leaf Vinyl LP Repress)","description":"\u003cp\u003eThe Comet Is Coming's debut album \u003cem\u003eChannel The Spirits\u003c\/em\u003e announced the arrival of one of the UK's most thrilling and uncompromising new groups. Released originally in 2016 and repressed in April 2019 on the Leaf label, this album captures saxophonist Shabaka Hutchings, keyboardist Danalogue (Dan Leavers), and drummer Betamax (Maxwell Hallett) creating cosmic, apocalyptic jazz that draws equally from Sun Ra's interstellar explorations, punk's raw energy, and electronic music's textural possibilities. The result is music that honours jazz tradition while sounding utterly contemporary and unhinged, propulsive and psychedelic in equal measure.\u003c\/p\u003e\n\u003cp\u003eThe album opens with \"The Prophecy\", immediately establishing the group's cosmic narrative framework. Throughout Channel The Spirits, track titles reference space travel, cosmic phenomena, and apocalyptic scenarios, creating a loose conceptual thread about humanity's relationship to the cosmos and our planet's precarious future. \"Space Carnival\" delivers exactly what its title promises: a whirling, dizzying journey through weightless sound, Hutchings' saxophone alternately screaming and singing over Danalogue's swirling synthesizers and Betamax's relentless drumming.\u003c\/p\u003e\n\u003cp\u003e\"Journey Through The Asteroid Belt\" and \"Nano\" demonstrate the group's gift for creating tracks that function both as extended improvisations and as tightly focused compositions. The production, handled by the group members themselves, maintains rawness and immediacy while achieving sonic clarity. This isn't smooth, polished jazz but something more urgent and confrontational.\u003c\/p\u003e\n\u003cp\u003e\"New Age\" offers brief respite before \"Slam Dunk In A Black Hole\" lives up to its wonderfully absurd title with one of the album's most intense moments. Side one's cosmic journey sets up the album's second half as an exploration of deep space and existential confrontation.\u003c\/p\u003e\n\u003cp\u003eSide two opens with \"Cosmic Dust\", a moment of relative calm before \"Star Furnace\" explodes with white-hot intensity. The title track \"Channel The Spirits\" sits at the album's heart, suggesting that the group's music functions as spiritual practice, invoking forces beyond the rational and corporeal. This connection to spiritual jazz pioneers like Alice Coltrane and Sun Ra is explicit, though The Comet Is Coming updates that tradition with electronic textures and contemporary production aesthetics.\u003c\/p\u003e\n\u003cp\u003e\"Deep Within The Engine Deck\" and \"Lightyears\" maintain the album's momentum before \"End Of Earth\" closes with apocalyptic grandeur. Throughout, Hutchings' saxophone ranges from tender melodicism to violent screaming, his technique encompassing bebop fluency, free jazz intensity, and contemporary extended techniques. Danalogue's synthesisers create everything from cosmic ambience to grinding industrial noise, while Betamax's drumming bridges jazz tradition and electronic music's insistent pulse.\u003c\/p\u003e\n\u003cp\u003eThe 12 tracks function both as individual statements and as a continuous journey, the album rewarding both careful track-by-track listening and immersive front-to-back experience. The group's live performances, which gained them a fervent following in London's jazz clubs and eventually worldwide, are characterised by intense volume, visual spectacle, and communal energy that recordings can only partially capture, but Channel The Spirits successfully translates their vision to recorded format.\u003c\/p\u003e\n\u003cp\u003eThis 2019 repress on Leaf, the label that originally released the album, makes this important debut available to the audience The Comet Is Coming built through subsequent releases and Hutchings' work with Sons of Kemet and other projects. The UK pressing maintains the original package design, likely including the album's distinctive cosmic artwork that visually represents the music's otherworldly ambitions.\u003c\/p\u003e","brand":"Leaf","offers":[{"title":"Default Title","offer_id":43083068145723,"sku":null,"price":60.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/a1117541435_10_6d989a95-bef4-4468-9a01-7f9a748c50a7.jpg?v=1766104288"},{"product_id":"bobby-hutcherson-san-francisco-2023-blue-note-classic-vinyl-180g-lp","title":"Bobby Hutcherson - San Francisco (2023 Blue Note Classic Vinyl 180g LP)","description":"\u003cp\u003eA landmark recording in Bobby Hutcherson's distinguished Blue Note discography, \u003cem\u003eSan Francisco\u003c\/em\u003e captures the vibraphonist at a transitional moment in jazz history, bridging adventurous post-bop with the emerging jazz-funk aesthetic of the early 1970s. Recorded on 15 July 1970 at UA Studios in Los Angeles with tenor saxophonist Harold Land, pianist Joe Sample (of The Crusaders), bassist John Williams, and drummer Mickey Roker, this album demonstrates how sophisticated musicians navigated the stylistic shifts toward electric instruments and funk grooves without compromising harmonic depth or improvisational integrity. Producer Duke Pearson's guidance ensures the six compositions balance accessibility with artistic substance, from the opening \"Goin' Down South\" through the evocative closer \"A Night In Barcelona\".\u003c\/p\u003e\n\u003cp\u003eJoe Sample's presence is crucial, his electric piano work adding contemporary texture while his acoustic piano maintains connection to hard bop tradition. Harold Land's tenor saxophone, warm and melodically inventive, provides perfect frontline partnership with Hutcherson's shimmering vibraphone, marimba, and percussion. John Williams' use of both acoustic and electric bass reflects the era's instrumental evolution, while Mickey Roker's drumming moves effortlessly between swing and funk as each composition requires. Land's rare use of oboe on \"Procession\" adds distinctive colour rarely heard in jazz-funk contexts.\u003c\/p\u003e\n\u003cp\u003eThis 20 January 2023 reissue represents state-of-the-art contemporary vinyl production. Kevin Gray, working at Cohearent Audio, has remastered and cut lacquers from the original tapes, while Optimal Media in Germany has pressed this on 180-gram vinyl. This combination of Gray's audiophile expertise and Optimal's pressing quality (consistently ranked among the world's finest plants) ensures this is likely the best-sounding edition of \u003cem\u003eSan Francisco\u003c\/em\u003e ever available, superior to the original 1970 pressing in clarity and dynamics while maintaining tonal accuracy. 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The album includes some of Mingus' most famous works: the gospel-infused \"Better Git It In Your Soul\", the elegiac \"Goodbye Pork Pie Hat\" (his tribute to Lester Young), and \"Fables Of Faubus\" (protesting Arkansas governor Orval Faubus' opposition to school integration). Featuring an exceptional lineup including saxophonists John Handy, Booker Ervin, and Shafi Hadi, trombonists Jimmy Knepper and Willie Dennis, pianist Horace Parlan, and drummer Dannie Richmond, the session demonstrates Mingus' genius for composing music that demands both technical excellence and emotional commitment. Released in 2015 by Music On Vinyl and distributed by Columbia\/Legacy, this European remastered reissue was pressed at Record Industry on 180g vinyl.\u003c\/p\u003e\n\u003cp\u003eMingus' compositional approach creates frameworks that balance written precision with collective improvisation, his arrangements incorporating elements from gospel, blues, classical music, and jazz traditions. His bass playing anchors the ensemble while functioning as melodic voice, his instrument leading as much as supporting. Dannie Richmond's drumming, developed through years of collaboration with Mingus, provides both propulsive swing and sensitive accompaniment, while the horn arrangements create textures ranging from intimate small group interplay to full ensemble passages.\u003c\/p\u003e\n\u003cp\u003eThe album's emotional range spans the joyous exuberance of \"Better Git It In Your Soul\" through the melancholy beauty of \"Goodbye Pork Pie Hat\" to the political anger of \"Fables Of Faubus\", each composition revealing different facets of Mingus' musical and personal vision. His willingness to address social issues through instrumental jazz was unusual for 1959, the album combining artistic achievement with political consciousness. \u003c\/p\u003e","brand":"Columbia","offers":[{"title":"Default Title","offer_id":43212771688507,"sku":null,"price":75.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/CharlesMingusMingusAhUm.webp?v=1770979166"},{"product_id":"kamasi-washington-the-epic-2015-brainfeeder-3lp-180g-box-set","title":"Kamasi Washington - The Epic (2015 Brainfeeder 3LP 180g Box Set)","description":"\u003cp\u003e\u003cstrong\u003eKamasi Washington - \u003cem\u003eThe Epic\u003c\/em\u003e\u003c\/strong\u003e \u003cstrong\u003eTriple Vinyl LP Box Set - 2015 Brainfeeder 180g with Posters and Download\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTenor saxophonist Kamasi Washington's triple album redefined contemporary jazz's commercial and artistic possibilities, the Los Angeles musician's ambitious vision combining spiritual jazz traditions with funk, soul, classical orchestration, and psychedelic elements across nearly three hours of music. Organised into three volumes (\"The Plan\", \"The Glorious Tale\", \"The Historic Repetition\"), the 17 tracks feature Washington leading an ensemble including bassist Thundercat, pianists Brandon Coleman and Cameron Graves, drummers Ronald Bruner and Tony Austin, acoustic bassist Miles Mosley, plus strings, choir, and additional horns. Released on 2 October 2015 by Flying Lotus' Brainfeeder label, this triple LP box set pressed at MPO includes half-speed lacquer cutting by Matt Colton at Alchemy Mastering, two poster inserts with artwork by KC Woolf Haxton and calligraphy by Kenturah Davis, and download code.\u003c\/p\u003e\n\u003cp\u003eWashington's compositional approach draws from multiple jazz traditions while creating something distinctly contemporary: Coltrane's spiritual searching, Pharoah Sanders' ecstatic explorations, and West Coast jazz's sophisticated arrangements merge with hip-hop generation production sensibilities and R\u0026amp;B influences. His tenor saxophone playing demonstrates both technical command and emotional directness, his solos building intensity through patient development rather than rapid-fire displays. The ensemble's interaction reflects the Los Angeles creative music community's collaborative spirit, with Thundercat's electric bass adding funk foundation, the Bruner brothers and Coleman providing rhythmic and harmonic complexity, and strings plus choir creating orchestral depth.\u003c\/p\u003e\n\u003cp\u003eThe album's scale allows extended compositional development across multiple movements, pieces like \"The Rhythm Changes\" and \"The Magnificent 7\" stretching beyond ten minutes to explore themes thoroughly. Washington's arrangements balance written precision with improvised exploration, the ensemble navigating complex structures while maintaining emotional immediacy. Recorded at Kingsize Soundlabs and mastered at Marcussen Mastering, the production captures both intimate small group interplay and full ensemble power. Pressed at MPO on three black 180g LPs with half-speed cutting, housed in artwork sleeves within rigid board slipcase with two poster inserts, this box set offers Washington's breakthrough statement in premium format.\u003c\/p\u003e","brand":"Brainfeeder","offers":[{"title":"Default Title","offer_id":43212885983291,"sku":null,"price":100.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/TheEpic_KamasiWashington.jpg?v=1770981944"},{"product_id":"kamasi-washington-harmony-of-difference-2017-young-turks-12-ep","title":"Kamasi Washington - Harmony Of Difference (2017 Young Turks 12\" EP)","description":"\u003cp\u003e\u003cstrong\u003eKamasi Washington - \u003cem\u003eHarmony Of Difference\u003c\/em\u003e\u003c\/strong\u003e \u003cstrong\u003eVinyl 12\" EP - 2017 Young Turks with Booklet and Download\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eKamasi Washington's conceptual EP presents six movements exploring unity through diversity, the suite originally commissioned for the 2017 Whitney Biennial art exhibition. Recorded at Electro-Vox Recording Studios and structured in two sections, the first side features five shorter pieces (\"Desire\", \"Humility\", \"Knowledge\", \"Perspective\", \"Integrity\") representing individual perspectives, while the B-side's 13-minute \"Truth\" unifies all five themes into a single composition demonstrating how disparate elements can create harmonious whole. Released on 29 September 2017 by Young Turks and pressed at Germany's Optimal Media, this 12\" EP includes booklet containing paintings and photographs from the project alongside release credits and digital download code.\u003c\/p\u003e\n\u003cp\u003eThe EP's compositional approach reflects Washington's interest in music as metaphor for social unity, each of the five initial movements exploring different emotional or philosophical territory before the closing \"Truth\" weaves all themes together. This structural concept mirrors the project's core message: individual voices maintaining distinct identities while contributing to collective harmony. Washington's tenor saxophone leads the ensemble through arrangements that balance written precision with improvised exploration, his playing demonstrating the emotional directness and spiritual searching that characterised \u003cem\u003eThe Epic\u003c\/em\u003e.\u003c\/p\u003e","brand":"Young Turks","offers":[{"title":"Default Title","offer_id":43212960235579,"sku":null,"price":45.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/a3907160379_10.jpg?v=1770983461"},{"product_id":"hank-mobley-soul-station-2024-blue-note-85-anniversary-blue-vinyl-lp","title":"Hank Mobley - Soul Station (2024 Blue Note 85 Anniversary Blue Vinyl LP)","description":"\u003cp\u003e\u003cstrong\u003eHank Mobley - \u003cem\u003eSoul Station\u003c\/em\u003e\u003c\/strong\u003e \u003cstrong\u003eVinyl LP - 2024 Blue Note 85th Anniversary Limited Edition Blue Vinyl with Obi\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eOne of hard bop's most perfect recordings\u003c\/strong\u003e - regularly cited among Blue Note's greatest albums\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLimited edition blue vinyl\u003c\/strong\u003e - Blue Note 85th Anniversary pressing with obi strip\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAll-star quartet\u003c\/strong\u003e - Miles Davis' rhythm section at their absolute peak\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eTenor saxophonist Hank Mobley's 1960 Blue Note session stands as one of hard bop's most perfect recordings, the quartet featuring pianist Wynton Kelly, bassist Paul Chambers, and drummer Art Blakey performing six tracks that balance blues feeling with sophisticated harmonic invention. Mobley's \"round sound\" tenor approach—less aggressive than Coltrane, warmer than Rollins—finds ideal setting in this quartet, his playing demonstrating melodic clarity and rhythmic subtlety often overlooked in favour of more explosive contemporaries. The rhythm section, all from Miles Davis' groups of the period, swings effortlessly throughout, Kelly's bluesy piano work, Chambers' melodic bass lines, and Blakey's driving yet supportive drums creating perfect foundation for Mobley's explorations. Released on 11 October 2024 as part of Blue Note's 85th Anniversary Collection and pressed at Germany's Optimal Media on limited edition blue vinyl with obi strip, this worldwide reissue honours one of hard bop's essential albums.\u003c\/p\u003e\n\u003cp\u003eThe six tracks showcase Mobley's compositional gifts alongside his interpretive skills. 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A member of Chicago's AACM (Association for the Advancement of Creative Musicians) since the 1960s and collaborator with artists including Lester Bowie, Muhal Richard Abrams, and Archie Shepp, Myers performs nine tracks on solo piano and one (\"Ode To My Ancestors\") on organ with wordless vocals, her playing demonstrating the deep connection between African-American sacred music traditions and contemporary creative improvisation. Released in 2025 by Red Hook Records on limited edition 180g translucent vinyl, this European pressing captures Myers at age 83, her artistry undiminished and her musical vision as powerful as ever.\u003c\/p\u003e\n\u003cp\u003eMyers' piano playing draws equally from gospel church traditions, blues feeling, and free jazz exploration, her touch ranging from delicate to percussive, her harmonic language moving fluidly between tonal beauty and dissonant clusters. Tracks like \"African Blues\" and \"Hymn For John Lee Hooker\" acknowledge blues traditions while transforming them through improvisational freedom, while pieces like \"Sensuous\" and \"Twilight\" reveal Myers' gift for creating atmospheric moods. Her interpretation of the spiritual \"Steal Away\" connects contemporary creative music with its deepest roots in African-American sacred traditions.\u003c\/p\u003e\n\u003cp\u003eThe sole organ track \"Ode To My Ancestors\" features Myers' wordless vocals alongside her organ playing, the combination evoking both church services and avant-garde exploration. Her voice, like her instrumental work, bridges tradition and innovation without diminishing either. Recorded by Chris Allen and Rick Kwan at Sear Sound (with home organ recording by Kwan) and mastered by Alex Bonney, the album captures Myers' performances with clarity and warmth. 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Her guitar playing, instantly recognizable through her use of effects, unusual fingerings, and distinctive phrasing, functions as both lead voice and textural element. The octet format allows fuller orchestration than her smaller groups while maintaining the intimacy and flexibility essential to creative improvisation. Wilkins' alto saxophone and Settles' tenor provide contrasting approaches to the frontline, while Brennan's vibraphone adds harmonic and melodic colours rarely heard in contemporary jazz contexts.\u003c\/p\u003e\n\u003cp\u003eThe rhythm section of Dunston and Fujiwara, both leaders in their own right, provides foundation that supports without constraining, their interaction creating rhythmic complexity and dynamic range. O'Farrill's trumpet and Garchik's trombone complete the horn section, their contributions adding both ensemble weight and solo possibilities. 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