{"title":"Genres","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eEvery record tells a story, and genres are the threads that connect them. At Lush Life Records, we organise our catalogue by genre so you can dive straight into the sounds that move you. Explore timeless \u003cstrong data-start=\"430\" data-end=\"447\"\u003ejazz classics\u003c\/strong\u003e, hard-to-find \u003cstrong data-start=\"462\" data-end=\"484\"\u003esoul and funk gems\u003c\/strong\u003e, influential \u003cstrong data-start=\"498\" data-end=\"514\"\u003erock and pop\u003c\/strong\u003e albums, and modern \u003cstrong data-start=\"534\" data-end=\"565\"\u003eelectronic and experimental\u003c\/strong\u003e releases. Whether you’re a seasoned collector or discovering vinyl for the first time, our genre collections make it easy to find records that match your taste — and inspire you to explore something new.\u003c\/p\u003e","products":[{"product_id":"arooj-aftab-vulture-prince","title":"Arooj Aftab - Vulture Prince (2022 Verve Deluxe Edition 2LP Vinyl)","description":"\u003cp\u003eVulture Prince is Arooj Aftab’s critically acclaimed third studio album. A deeply meditative work of grief and longing, the album is dedicated to the memory of her younger brother, Maher. Featuring a haunting blend of jazz, minimalism, folk, and neo-Sufi sensibilities, the record became her breakthrough, earning a Grammy for “Mohabbat” (Best Global Music Performance), a placement on Barack Obama’s 2021 Summer Playlist, and widespread acclaim from publications like \u003cem\u003ePitchfork\u003c\/em\u003e, \u003cem\u003eThe Guardian\u003c\/em\u003e, \u003cem\u003eTime\u003c\/em\u003e, and \u003cem\u003eThe New York Times.\u003c\/em\u003e\u003c\/p\u003e","brand":"Verve Records","offers":[{"title":"Default Title","offer_id":42447009349691,"sku":null,"price":110.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/ab67616d0000b273fd247739c6b3bb01aec1c689__82008.jpg?v=1757295454"},{"product_id":"alice-coltrane-a-monastic-trio","title":"Alice Coltrane – A Monastic Trio (2024 Verve Reissue LP Vinyl)","description":"\u003cp data-start=\"789\" data-end=\"1160\"\u003eThis stunning reissue brings back to life \u003cem data-start=\"831\" data-end=\"848\"\u003eA Monastic Trio\u003c\/em\u003e, Alice Coltrane’s debut solo album originally recorded in 1968. Pressed on heavy 180-gram vinyl and issued as part of the \u003cem data-start=\"971\" data-end=\"989\"\u003eVerve by Request\u003c\/em\u003e series, this gatefold LP captures the spiritual intensity and musical exploration that mark Coltrane’s early post-John Coltrane era.\u003c\/p\u003e","brand":"Verve Records","offers":[{"title":"Default Title","offer_id":42458803208251,"sku":null,"price":90.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/602458948134.jpg?v=1757725043"},{"product_id":"cannonball-adderley-somethin-else","title":"Cannonball Adderley - Somethin' Else (2019 Jazz Images Reissue LP Vinyl)","description":"\u003cp data-start=\"250\" data-end=\"546\"\u003eFew records embody the magic of hard bop like \u003cem data-start=\"296\" data-end=\"312\"\u003eSomethin’ Else\u003c\/em\u003e. Released in 1958 on Blue Note, this is alto saxophonist Cannonball Adderley’s finest hour — joined by an all-star lineup: Miles Davis on trumpet, Hank Jones on piano, Sam Jones on bass, and Art Blakey on drums.\u003c\/p\u003e\n\u003cp data-start=\"548\" data-end=\"844\"\u003eThe interplay between Adderley and Davis is electric, from the shimmering opening of \u003cem data-start=\"633\" data-end=\"648\"\u003eAutumn Leaves\u003c\/em\u003e to the soulful swing of \u003cem data-start=\"673\" data-end=\"690\"\u003eOne for Daddy-O\u003c\/em\u003e. Each track blends lyricism, groove, and improvisational fire, with Adderley’s blues-inflected tone perfectly complemented by Davis’s understated cool.\u003c\/p\u003e\n\u003cp data-start=\"548\" data-end=\"844\"\u003eIncludes bonus track not included on original release - A3 Fran-Dance.\u003c\/p\u003e","brand":"Jazz Images","offers":[{"title":"Default Title","offer_id":42460308373563,"sku":null,"price":45.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/qqujgbwcc1xmpy11cfnj.jpg?v=1757829312"},{"product_id":"miles-davis-kind-of-blue","title":"Miles Davis - Kind Of Blue (2015 Columbia Reissue LP Vinyl)","description":"\u003cp data-start=\"255\" data-end=\"583\"\u003e\u003cem data-start=\"255\" data-end=\"269\"\u003eKind of Blue\u003c\/em\u003e isn’t just Miles Davis’s most famous album — it’s the most celebrated jazz record of all time. Recorded in 1959 with a dream lineup — \u003cstrong data-start=\"404\" data-end=\"421\"\u003eJohn Coltrane\u003c\/strong\u003e, \u003cstrong data-start=\"423\" data-end=\"446\"\u003eCannonball Adderley\u003c\/strong\u003e, \u003cstrong data-start=\"448\" data-end=\"462\"\u003eBill Evans\u003c\/strong\u003e, \u003cstrong data-start=\"464\" data-end=\"481\"\u003ePaul Chambers\u003c\/strong\u003e, and \u003cstrong data-start=\"487\" data-end=\"501\"\u003eJimmy Cobb\u003c\/strong\u003e — it redefined modern jazz with its modal approach and spacious, lyrical sound.\u003c\/p\u003e\n\u003cp data-start=\"585\" data-end=\"865\"\u003eFrom the cool sway of \u003cem data-start=\"607\" data-end=\"616\"\u003eSo What\u003c\/em\u003e to the haunting beauty of \u003cem data-start=\"643\" data-end=\"658\"\u003eBlue in Green\u003c\/em\u003e and the graceful flow of \u003cem data-start=\"684\" data-end=\"695\"\u003eAll Blues\u003c\/em\u003e, every note feels timeless. The interplay between Davis, Coltrane, and Evans remains unmatched, making this an album that rewards both casual listening and deep study.\u003cstrong data-start=\"867\" data-end=\"888\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"981\" data-end=\"1093\"\u003eUniversally regarded as a masterpiece, \u003cem data-start=\"1020\" data-end=\"1034\"\u003eKind of Blue\u003c\/em\u003e belongs in every collection — the definitive jazz album.\u003c\/p\u003e","brand":"Columbia","offers":[{"title":"Default Title","offer_id":42460431614011,"sku":null,"price":50.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/888751119215.jpg?v=1757853398"},{"product_id":"eric-dolphy-out-to-lunch","title":"Eric Dolphy - Out To Lunch! 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Featuring \u003cstrong data-end=\"328\" data-start=\"309\"\u003eFreddie Hubbard\u003c\/strong\u003e (trumpet), \u003cstrong data-end=\"360\" data-start=\"340\"\u003eBobby Hutcherson\u003c\/strong\u003e (vibraphone), \u003cstrong data-end=\"392\" data-start=\"375\"\u003eRichard Davis\u003c\/strong\u003e (bass), and \u003cstrong data-end=\"422\" data-start=\"405\"\u003eTony Williams\u003c\/strong\u003e (drums — at just 18 years old), the album balances free-form exploration with swinging energy.\u003c\/p\u003e\n\u003cp data-end=\"848\" data-start=\"521\"\u003eDolphy’s compositions are daring yet accessible: the playful chaos of \u003cem data-end=\"606\" data-start=\"591\"\u003eHat and Beard\u003c\/em\u003e (a nod to Thelonious Monk), the off-kilter grooves of \u003cem data-end=\"696\" data-start=\"661\"\u003eSomething Sweet, Something Tender\u003c\/em\u003e, and the angular drive of the title track. Hutcherson’s vibes and Williams’s restless drumming create a soundscape that still feels fresh and modern.\u003c\/p\u003e\n\u003cp data-end=\"848\" data-start=\"521\"\u003e\u003cmeta charset=\"utf-8\"\u003eA true landmark in avant-garde jazz, \u003cem data-end=\"1040\" data-start=\"1025\"\u003eOut to Lunch!\u003c\/em\u003e is both adventurous and essential — the record that cemented Dolphy’s genius. \u003c\/p\u003e","brand":"Blue Note","offers":[{"title":"Default Title","offer_id":42461513089083,"sku":null,"price":60.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/2unilp87502__87259.jpg?v=1757899336"},{"product_id":"grant-green-idle-moments-blue-note-classic-vinyl-series-lp","title":"Grant Green - Idle Moments (Blue Note Classic Vinyl Series LP)","description":"\u003cp\u003e\u003cstrong\u003eGrant Green - \u003cem\u003eIdle Moments\u003c\/em\u003e | Vinyl LP - Blue Note Classic Vinyl Series Reissue (BST 84154, all-analogue, mastered by Kevin Gray)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eGrant Green was 28 when he recorded \u003cem\u003eIdle Moments\u003c\/em\u003e across two days in November 1963. He'd been a Blue Note artist for two years, brought to the label by Lou Donaldson after teaching himself guitar growing up in St. Louis, and by this point he'd recorded more sessions for Alfred Lion than almost anyone else on the roster. This one is different from the soul-jazz and organ-trio dates Green is best known for. The sextet has Joe Henderson on tenor saxophone and Bobby Hutcherson, who was 22, on vibraphone, and the combination of Green's single-note lines with Hutcherson's crystalline chords and Henderson's warm, slightly oblique phrasing gives the music a quality closer to chamber jazz than hard bop. Duke Pearson plays piano, Bob Cranshaw plays bass and Al Harewood plays drums.\u003c\/p\u003e\n\u003cp\u003ePearson wrote the title track and \"Nomad\" and wrote the liner notes. The title track was supposed to be shorter. Because the melody repeats, the musicians confused whether a chorus lasted 16 or 32 bars, and Green ended up soloing for 64 bars instead of 32. Henderson, Hutcherson and Pearson followed, and the result was a nearly 15-minute piece that unfolds with a patience the Blue Note catalogue rarely allowed. John Lewis's \"Django,\" the Modern Jazz Quartet standard, takes up most of side B's opening and gets a bluesy reading that pulls the tune away from its usual classical poise. Green's own \"Jean De Fleur\" is the most conventional hard bop piece on the record and the only track where the pace picks up.\u003c\/p\u003e\n\u003cp\u003eThis is the Blue Note Classic Vinyl Series reissue (BST 84154 \/ 3579910), mastered by Kevin Gray at Cohearent Audio from the original master tapes and pressed at Optimal Media on 180g vinyl. \u003c\/p\u003e","brand":"Blue Note","offers":[{"title":"Default Title","offer_id":42461521575995,"sku":null,"price":60.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/602435799100.jpg?v=1757901058"},{"product_id":"herbie-hancock-maiden-voyage-2021-blue-note-classic-vinyl-180g-lp","title":"Herbie Hancock - Maiden Voyage (2021 Blue Note Classic Vinyl 180g LP)","description":"\u003cp\u003e\u003cstrong\u003eHerbie Hancock - \u003cem\u003eMaiden Voyage\u003c\/em\u003e\u003c\/strong\u003e \u003cstrong\u003eVinyl LP - 2021 Blue Note Classic Vinyl Series 180g Audiophile Reissue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHerbie Hancock's 1965 masterpiece stands as one of Blue Note's most celebrated albums, the pianist\/composer leading an all-star quintet featuring trumpeter Freddie Hubbard, tenor saxophonist George Coleman, bassist Ron Carter, and drummer Tony Williams through five Hancock compositions exploring modal jazz with nautical themes. The title track has become a jazz standard, its evocative melody and sophisticated harmonic movement capturing the feeling of oceanic voyage, while tracks like \"Dolphin Dance\" and \"The Eye Of The Hurricane\" demonstrate Hancock's gift for memorable themes and adventurous improvisation. Released on 24 September 2021 as part of Blue Note's Classic Vinyl Series, this worldwide audiophile reissue was mastered by Kevin Gray at Cohearent Audio from the original analog tapes and manufactured at Germany's Optimal plant on 180g vinyl.\u003c\/p\u003e\n\u003cp\u003eThe quintet represents mid-1960s jazz at its peak: Hubbard's powerful, lyrical trumpet, Coleman's robust tenor saxophone, and the rhythm section of Carter and Williams (both from Miles Davis' second great quintet alongside Hancock) create ideal conditions for exploring Hancock's modal compositions. His piano work balances harmonic sophistication with rhythmic invention, comping creating textures as interesting as his solo statements. The modal approach allows freer improvisation than bebop's rapid chord changes while maintaining more structure than complete free jazz, Hancock's compositions providing memorable melodies and rich harmonic colours.\u003c\/p\u003e\n\u003cp\u003eBeyond the famous title track, \"Dolphin Dance\" showcases Hancock's gift for writing complex yet singable melodies, while \"Survival Of The Fittest\" and \"Little One\" explore different facets of modal jazz. \"The Eye Of The Hurricane\" creates atmospheric calm before returning to intensity, demonstrating the nautical theme's conceptual coherence. Mastered by renowned engineer Kevin Gray at Cohearent Audio directly from the original analog tapes and pressed at Optimal on 180g vinyl, this Blue Note Classic Vinyl Series edition offers this essential hard bop\/modal landmark in optimal sound quality.\u003c\/p\u003e","brand":"Blue Note","offers":[{"title":"Default Title","offer_id":42461523673147,"sku":null,"price":65.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/71AOkbmj4HL._AC_SL1400.jpg?v=1757901856"},{"product_id":"john-coltrane-a-love-supreme","title":"John Coltrane - A Love Supreme (2022 Impulse! 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From the fervent opening fanfare of \u003cem data-start=\"655\" data-end=\"672\"\u003eAcknowledgement\u003c\/em\u003e to the cascading rhythms of \u003cem data-start=\"701\" data-end=\"713\"\u003eResolution\u003c\/em\u003e and the meditative close of \u003cem data-start=\"742\" data-end=\"749\"\u003ePsalm\u003c\/em\u003e, the album is both deeply personal and universally resonant.\u003cstrong data-start=\"814\" data-end=\"835\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"898\" data-end=\"1037\"\u003e\u003cem data-start=\"898\" data-end=\"914\"\u003eA Love Supreme\u003c\/em\u003e is not just an album but a spiritual statement — timeless, essential, and one of the greatest jazz recordings ever made.\u003c\/p\u003e","brand":"Impulse!","offers":[{"title":"Default Title","offer_id":42461610180667,"sku":null,"price":70.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/A_Love_Supreme_7e99366a_thumbnail_4096.webp?v=1757902856"},{"product_id":"john-coltrane-blue-train","title":"John Coltrane - Blue train (2022 Blue Note Tone Poet Reissue LP Vinyl)","description":"\u003cp data-start=\"178\" data-end=\"545\"\u003e\u003cem data-start=\"178\" data-end=\"190\"\u003eBlue Train\u003c\/em\u003e (1957) is \u003cstrong data-start=\"201\" data-end=\"220\"\u003eJohn Coltrane’s\u003c\/strong\u003e only session as a leader for Blue Note — and one of the greatest hard bop albums ever recorded. With an all-star lineup featuring \u003cstrong data-start=\"351\" data-end=\"365\"\u003eLee Morgan\u003c\/strong\u003e (trumpet), \u003cstrong data-start=\"377\" data-end=\"394\"\u003eCurtis Fuller\u003c\/strong\u003e (trombone), \u003cstrong data-start=\"407\" data-end=\"421\"\u003eKenny Drew\u003c\/strong\u003e (piano), \u003cstrong data-start=\"431\" data-end=\"448\"\u003ePaul Chambers\u003c\/strong\u003e (bass), and \u003cstrong data-start=\"461\" data-end=\"481\"\u003ePhilly Joe Jones\u003c\/strong\u003e (drums), the album captures Coltrane in full creative flight.\u003c\/p\u003e\n\u003cp data-start=\"547\" data-end=\"839\"\u003eFrom the moody, unforgettable title track to the blistering swing of \u003cem data-start=\"616\" data-end=\"628\"\u003eLocomotion\u003c\/em\u003e and the lyrical ballad \u003cem data-start=\"652\" data-end=\"671\"\u003eI’m Old Fashioned\u003c\/em\u003e, every tune is a showcase of Coltrane’s evolving mastery. The blend of bold solos and tight ensemble work makes \u003cem data-start=\"784\" data-end=\"796\"\u003eBlue Train\u003c\/em\u003e both accessible and endlessly rewarding.\u003cstrong data-start=\"841\" data-end=\"862\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"952\" data-end=\"1061\"\u003eA cornerstone of any jazz collection, \u003cem data-start=\"990\" data-end=\"1002\"\u003eBlue Train\u003c\/em\u003e is Coltrane at his most powerful, lyrical, and inspired.\u003c\/p\u003e\n\u003cp data-start=\"952\" data-end=\"1061\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTone Poet Vinyl Edition was produced by \u003c\/span\u003e\u003cstrong\u003eJoe Harley,\u003c\/strong\u003e\u003cspan\u003e mastered by \u003c\/span\u003e\u003cstrong\u003eKevin Gray\u003c\/strong\u003e\u003cspan\u003e from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket.\u003c\/span\u003e\u003c\/p\u003e","brand":"Blue Note","offers":[{"title":"Default Title","offer_id":42461681614907,"sku":null,"price":115.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/1.JC_BLUETRAIN_MONO_COVER_1000X1000_f15a93f7-357f-4d3e-8630-dad238d24104.webp?v=1757905949"},{"product_id":"miles-davis-round-about-midnight-180g-vinyl-lp","title":"Miles Davis - 'Round About Midnight (2025 Number One Reissue LP Vinyl)","description":"\u003cp data-start=\"195\" data-end=\"545\"\u003eReleased in 1957, \u003cem data-start=\"213\" data-end=\"236\"\u003e’Round About Midnight\u003c\/em\u003e was \u003cstrong data-start=\"241\" data-end=\"258\"\u003eMiles Davis’s\u003c\/strong\u003e first album for Columbia Records and a pivotal moment in his career. Backed by the “first great quintet” — \u003cstrong data-start=\"366\" data-end=\"383\"\u003eJohn Coltrane\u003c\/strong\u003e (tenor sax), \u003cstrong data-start=\"397\" data-end=\"412\"\u003eRed Garland\u003c\/strong\u003e (piano), \u003cstrong data-start=\"422\" data-end=\"439\"\u003ePaul Chambers\u003c\/strong\u003e (bass), and \u003cstrong data-start=\"452\" data-end=\"472\"\u003ePhilly Joe Jones\u003c\/strong\u003e (drums) — the record balances lyrical ballads with hard-driving swing.\u003c\/p\u003e\n\u003cp data-start=\"547\" data-end=\"859\"\u003eFrom the haunting title track, Davis’s signature interpretation of Thelonious Monk’s classic, to the fiery \u003cem data-start=\"654\" data-end=\"666\"\u003eAh-Leu-Cha\u003c\/em\u003e and soulful \u003cem data-start=\"679\" data-end=\"698\"\u003eBye Bye Blackbird\u003c\/em\u003e, this album showcases the telepathic interplay that made the quintet legendary. 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The album includes her definitive version of the title track (originally by Screamin' Jay Hawkins), the anthemic \"Feeling Good\" from the musical The Roar Of The Greasepaint, and Jacques Brel's \"Ne Me Quitte Pas\" sung in French, demonstrating Simone's ability to transform any material into deeply personal statements. Originally released on Philips and reissued in 2016 as part of the Back To Black series on 180g vinyl, this European stereo pressing captures one of Simone's most successful albums both artistically and commercially.\u003c\/p\u003e\n\u003cp\u003eSimone's approach to interpreting material made every song uniquely hers through her commanding vocal delivery, sophisticated piano work, and willingness to reshape arrangements to serve emotional truth rather than commercial expectations. Her version of \"I Put A Spell On You\" strips away the original's novelty elements to reveal genuine romantic obsession, while \"Feeling Good\" becomes a declaration of personal liberation rather than mere show tune. The album balances well-known material with Simone originals and lesser-known songs, each receiving treatment that reveals new emotional depths.\u003c\/p\u003e\n\u003cp\u003eThe programme's diversity demonstrates Simone's refusal to be confined by genre boundaries, moving from blues to French chanson to musical theatre to original compositions without sacrificing coherence. Her piano playing, classically trained yet informed by jazz and gospel, provides both accompaniment and commentary throughout. Released as part of the Back To Black reissue series on 180g vinyl with original Philips artwork, this European pressing offers this essential Simone album in quality format.\u003c\/p\u003e","brand":"Philips","offers":[{"title":"Default Title","offer_id":42461864198203,"sku":null,"price":70.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/R-21758989-1719078150-6433.jpg?v=1770951851"},{"product_id":"sun-ra_the-magic-city-180g-vinyl-lp-reissue","title":"Sun Ra - The Magic City (2024 Jazz Wax Reissue LP Vinyl)","description":"\u003cp data-start=\"176\" data-end=\"513\"\u003eRecorded in 1965 and released on his own Saturn label the following year, \u003cem data-start=\"250\" data-end=\"266\"\u003eThe Magic City\u003c\/em\u003e is one of \u003cstrong data-start=\"277\" data-end=\"289\"\u003eSun Ra’s\u003c\/strong\u003e boldest and most exploratory works. Named after his hometown of Birmingham, Alabama, the album captures the Arkestra in full experimental flight — blurring the lines between free jazz, avant-garde, and cosmic soundscapes.\u003c\/p\u003e\n\u003cp data-start=\"515\" data-end=\"810\"\u003eThe sprawling 27-minute title track is a suite of shifting textures, percussive storms, and ensemble improvisation, while shorter pieces like \u003cem data-start=\"657\" data-end=\"675\"\u003eThe Shadow World\u003c\/em\u003e and \u003cem data-start=\"680\" data-end=\"694\"\u003eAbstract Eye\u003c\/em\u003e showcase Ra’s adventurous use of rhythm and space. This is not background music — it’s a portal to another world.\u003cstrong data-start=\"812\" data-end=\"833\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"911\" data-end=\"1056\"\u003eDense, challenging, and visionary, \u003cem data-start=\"946\" data-end=\"962\"\u003eThe Magic City\u003c\/em\u003e is a landmark in free jazz and a must-own for collectors of avant-garde and spiritual jazz.\u003c\/p\u003e","brand":"Jazz Wax Records","offers":[{"title":"Default Title","offer_id":42461892739131,"sku":null,"price":45.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/CS1041446-01A-BIG_2048x_e6bf4c54-b335-4517-9079-27f2283ea545.webp?v=1757918745"},{"product_id":"thelonious-monk-brilliant-corners","title":"Thelonious Monk - Brilliant Corners (2025 Ermitage Reissue LP Coloured Vinyl)","description":"\u003cp data-start=\"196\" data-end=\"641\"\u003eReleased in 1957 on Riverside, \u003cem data-start=\"227\" data-end=\"246\"\u003eBrilliant Corners\u003c\/em\u003e is one of \u003cstrong data-start=\"257\" data-end=\"278\"\u003eThelonious Monk’s\u003c\/strong\u003e most important albums — a daring, inventive session that pushed the boundaries of modern jazz composition. With a stellar lineup featuring \u003cstrong data-start=\"418\" data-end=\"435\"\u003eSonny Rollins\u003c\/strong\u003e (tenor sax), \u003cstrong data-start=\"449\" data-end=\"464\"\u003eErnie Henry\u003c\/strong\u003e (alto sax), \u003cstrong data-start=\"477\" data-end=\"496\"\u003eOscar Pettiford\u003c\/strong\u003e (bass), \u003cstrong data-start=\"505\" data-end=\"518\"\u003eMax Roach\u003c\/strong\u003e (drums), and guest appearances from \u003cstrong data-start=\"555\" data-end=\"572\"\u003ePaul Chambers\u003c\/strong\u003e and \u003cstrong data-start=\"577\" data-end=\"592\"\u003eClark Terry\u003c\/strong\u003e, the album captures Monk at his most creative.\u003c\/p\u003e\n\u003cp data-start=\"643\" data-end=\"908\"\u003eThe title track’s jagged rhythms and unusual structure set the tone, while pieces like \u003cem data-start=\"730\" data-end=\"741\"\u003ePannonica\u003c\/em\u003e and \u003cem data-start=\"746\" data-end=\"760\"\u003eBemsha Swing\u003c\/em\u003e reveal Monk’s lyrical side. Max Roach’s timpani on \u003cem data-start=\"812\" data-end=\"826\"\u003eBemsha Swing\u003c\/em\u003e and Rollins’s bold improvisations make the record a true collaborative triumph.\u003cstrong data-start=\"910\" data-end=\"931\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1041\" data-end=\"1188\"\u003eInnovative, challenging, and deeply rewarding, \u003cem data-start=\"1088\" data-end=\"1107\"\u003eBrilliant Corners\u003c\/em\u003e is a landmark in jazz history and an essential part of any serious collection.\u003c\/p\u003e","brand":"Ermitage","offers":[{"title":"Default Title","offer_id":42461972135995,"sku":null,"price":45.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/test_8ad30ff0_thumbnail_4096.webp?v=1757934032"},{"product_id":"jeff-parker-eta-ivtet-the-way-out-of-easy-2024-international-anthem-2lp-gatefold","title":"Jeff Parker ETA IVtet - The Way Out Of Easy (2024 International Anthem 2LP Gatefold)","description":"\u003cp\u003e\u003cstrong\u003eJeff Parker ETA IVtet - \u003cem\u003eThe Way Out Of Easy\u003c\/em\u003e\u003c\/strong\u003e \u003cstrong\u003eDouble Vinyl LP - 2024 International Anthem\/Nonesuch Gatefold with Obi\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eGuitarist Jeff Parker's latest project captures his quartet live at ETA in Highland Park, Los Angeles on 2 January 2023, the four extended improvisations showcasing Parker's distinctive approach to contemporary jazz. Featuring alto saxophonist Josh Johnson (amplified with electronics), bassist Anna Butterss (amplified double bass), and drummer Jay Bellerose, the quartet explores the intersection of avant-garde jazz, free improvisation, and experimental music through Parker's processed guitar and sampling alongside acoustic instruments treated electronically. Released on 22 November 2024 by International Anthem Recording Company and Nonesuch, this double LP pressed at Pallas in Germany with lacquers cut by Daniel K at SST includes gatefold jacket, IARC obi strip, and poly-lined printed inner sleeves.\u003c\/p\u003e\n\u003cp\u003eParker's approach synthesises his background in Chicago's experimental jazz scene (Tortoise, Chicago Underground) with contemporary electronic processing and West Coast creative music. His electric guitar, filtered through electronics and samplers, creates textures that blur boundaries between composition and improvisation, while Johnson's amplified alto saxophone with electronics adds complementary processed sounds. Butterss' amplified double bass and Bellerose's drums and percussion provide both foundation and colour, the quartet's interaction demonstrating collective improvisation at its most contemporary.\u003c\/p\u003e\n\u003cp\u003eThe four tracks across two LPs allow extended exploration, each piece developing organically through the quartet's interaction rather than predetermined structures. Parker's use of sampling and live processing creates layered textures that reference hip-hop production techniques while maintaining jazz's improvisational core. Recorded live by Bryce Gonzales, the session captures the quartet's chemistry in real time. Pressed at Germany's prestigious Pallas plant on classic black 140g vinyl with Daniel K's SST lacquer cutting, this gatefold edition includes International Anthem's signature obi strip and poly-lined inner sleeves.\u003c\/p\u003e","brand":"International Anthem","offers":[{"title":"Default Title","offer_id":42469250695227,"sku":null,"price":85.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/260973-1.jpg?v=1758199812"},{"product_id":"kamasi-washington-fearless-movement","title":"Kamasi Washington – Fearless Movement (2024 Young \/ XL Recordings 2LP Vinyl)","description":"\u003cp data-start=\"214\" data-end=\"568\"\u003eReleased in 2024, \u003cem data-start=\"232\" data-end=\"251\"\u003eFearless Movement\u003c\/em\u003e is the long-awaited new album from saxophonist and composer \u003cstrong data-start=\"312\" data-end=\"333\"\u003eKamasi Washington\u003c\/strong\u003e, his first full-length since \u003cem data-start=\"363\" data-end=\"381\"\u003eHeaven and Earth\u003c\/em\u003e (2018). Expansive, soulful, and rhythmically charged, the album showcases Washington’s ability to fuse spiritual jazz with funk, hip-hop, orchestral elements, and groove-driven energy.\u003c\/p\u003e\n\u003cp data-start=\"570\" data-end=\"941\"\u003eAcross two LPs, Washington is joined by longtime collaborators from his West Coast Get Down collective, along with guest appearances that stretch the album’s sound beyond genre boundaries. From soaring saxophone solos to lush choral arrangements and deep rhythmic foundations, \u003cem data-start=\"847\" data-end=\"866\"\u003eFearless Movement\u003c\/em\u003e is both a personal statement and a celebration of collective creativity.\u003cstrong data-start=\"943\" data-end=\"966\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1179\" data-end=\"1335\"\u003eAmbitious, heartfelt, and overflowing with sound, \u003cem data-start=\"1229\" data-end=\"1248\"\u003eFearless Movement\u003c\/em\u003e confirms Kamasi Washington as one of the most important voices in contemporary jazz.\u003c\/p\u003e","brand":"Young","offers":[{"title":"Default Title","offer_id":42469374787643,"sku":null,"price":75.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/9899d14312b75dd2548176aed557cf63_700x700_96c0c935-3235-4261-8551-c579849580b4.webp?v=1758202193"},{"product_id":"the-modern-jazz-quartet-the-modern-jazz-quartet-1960s-japanese-atlantic-mono-vinyl-lp","title":"The Modern Jazz Quartet - The Modern Jazz Quartet (1960s Japanese Atlantic Mono Vinyl LP)","description":"\u003cp\u003e\u003cstrong\u003eThe Modern Jazz Quartet - \u003cem\u003eThe Modern Jazz Quartet\u003c\/em\u003e | Vinyl LP - 1960s Japanese Atlantic Mono (ATL-5003, Victor Record Company)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBy 1957 the Modern Jazz Quartet had settled into the group that would last for decades: John Lewis composing and directing from the piano, Milt Jackson's vibraphone as the singing voice up front, and Percy Heath and Connie Kay holding a rhythm section of unusual delicacy. This self-titled Atlantic album catches them recreating the set they were playing on the road, and it moves between two sides of the band. There is the elegant, chamber-like side, a five-song medley of ballads that drifts from \"They Say It's Wonderful\" to \"Body And Soul\", and there is the swinging side, a brisk \"A Night In Tunisia\" and the first version of Milt Jackson's blues \"Bags' Groove\" the quartet cut for Atlantic. \"La Ronde: Drums\" hands the spotlight to Connie Kay, whose light, precise playing rarely got a feature like this. The whole record has the poise the MJQ was known for, jazz played with the manners of a string quartet but the blues never far away.\u003c\/p\u003e\n\u003cp\u003eThe Modern Jazz Quartet held to this format, and this personnel, for the better part of forty years, which is almost unheard of in jazz. Records like this one built the reputation: serious, understated, and quietly radical in the way they folded European form into a swinging quartet. It is not their most famous album, \u003cem\u003eFontessa\u003c\/em\u003e and the \u003cem\u003eDjango\u003c\/em\u003e material tend to get named first, but it is a fine, representative document of the group in its early Atlantic years.\u003c\/p\u003e\n\u003cp\u003eThis copy is a Japanese pressing on Atlantic, manufactured by Victor Record Company in a fully laminated flip-back sleeve, catalogue number ATL-5003.\u003c\/p\u003e","brand":"Atlantic","offers":[{"title":"Default Title","offer_id":42472995848251,"sku":null,"price":40.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/IMG_8080.jpg?v=1785555402"},{"product_id":"sonny-stitt-sonny-stitt-plays-1978-japanese-roost-mono-vinyl-lp","title":"Sonny Stitt - Sonny Stitt Plays (1978 Japanese Roost Mono Vinyl LP)","description":"\u003cp\u003e\u003cstrong\u003eSonny Stitt - \u003cem\u003eSonny Stitt Plays\u003c\/em\u003e | Vinyl LP - 1978 Japanese Royal Roost Mono Reissue (YW-7805-RO, originally Roost RLP 2208)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSonny Stitt spent his career answering one question: was he anything more than a Charlie Parker copy? On alto saxophone the resemblance was uncanny, close enough that Stitt eventually leaned on the tenor to carve out his own identity. This 1955 Roost date, though, is Stitt on alto and unbothered by the comparison, playing a warm set of standards and blues with nothing to prove. He is joined by a rhythm section any leader would want: Hank Jones, whose piano is as elegant here as anywhere, the great Count Basie guitarist Freddie Green, Wendell Marshall on bass and Shadow Wilson on drums. The material is mostly standards, \"There'll Never Be Another You\", \"The Nearness Of You\", \"Yesterdays\" and \"My Melancholy Baby\", taken at a relaxed, singing pace, with a few Stitt originals for contrast. It is a blowing session in the best sense, built to show off the leader's fluency and tone, and it makes the case that whatever he owed to Parker, Stitt was a master in his own right.\u003c\/p\u003e\n\u003cp\u003eStitt was one of the most recorded saxophonists in jazz, a working musician who cut hundreds of sessions across four decades and rarely turned in a bad one. Records like this show why he lasted: a huge sound, an endless flow of ideas, and a swing that never faltered. The Parker question followed him to the end, but sets like this answer it on their own terms.\u003c\/p\u003e\n\u003cp\u003eThis copy is the 1978 Japanese mono reissue on Royal Roost, catalogue number YW-7805-RO, of the album usually listed as Sonny Stitt Plays, originally Roost RLP 2208.\u003c\/p\u003e","brand":"Royal Roost","offers":[{"title":"Default Title","offer_id":42473237512251,"sku":null,"price":40.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/IMG_8075.jpg?v=1785563346"},{"product_id":"miles-davis-1958-miles-1979-japanese-cbs-sony-mono-vinyl-lp","title":"Miles Davis - 1958 Miles (1979 Japanese CBS\/Sony Mono Vinyl LP)","description":"\u003cp\u003e\u003cstrong\u003eMiles Davis - \u003cem\u003e1958 Miles\u003c\/em\u003e | Vinyl LP - 1979 Japanese CBS\/Sony Mono (20AP 1401, CBS Favorite Jazz series)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e1958 Miles\u003c\/em\u003e gathers one of the most beautiful sessions Miles Davis ever recorded. By the spring of 1958 his sextet had reached an extraordinary line-up, John Coltrane and Cannonball Adderley sharing the front line, Paul Chambers and Jimmy Cobb in the rhythm section, and a young Bill Evans newly installed at the piano in place of Red Garland. Evans changed everything. His impressionistic, classically shaded harmony pulled Miles's music towards the spare, modal, floating sound that would become \u003cem\u003eKind of Blue\u003c\/em\u003e a year later, and you can hear the shift happening in real time here. The May 1958 date is the heart of the record: a definitive \"On Green Dolphin Street\", a \"Stella By Starlight\" of almost unbearable tenderness with Miles on muted trumpet, and a long, easy \"Love For Sale\". The set opens out with \"Fran-Dance\", Miles's reworking of an old folk tune, and closes with \"Little Melonae\", a Jackie McLean line from an earlier 1958 date with Red Garland and Philly Joe Jones still aboard. It is Miles at a hinge point, and it is gorgeous.\u003c\/p\u003e\n\u003cp\u003eThis material has been scattered across various American releases over the years, but Japanese collectors have long treasured \u003cem\u003e1958 Miles\u003c\/em\u003e as the album that gathers the best of it in one place, and this CBS\/Sony pressing is one of the reasons. Japanese buyers took the presentation seriously: the cover carries a print by Masuo Ikeda, one of the country's most celebrated postwar artists, and the pressing itself is prized for its quiet, well-defined sound.\u003c\/p\u003e\n\u003cp\u003eThis copy is the 1979 Japanese mono edition on CBS\/Sony, part of the CBS Favorite Jazz series, catalogue number 20AP 1401.\u003c\/p\u003e","brand":"CBS","offers":[{"title":"Default Title","offer_id":42473674768443,"sku":null,"price":45.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/IMG_8205.jpg?v=1786072538"},{"product_id":"count-basie-basie-the-atomic-mr-basie-1982-japanese-roulette-vinyl-lp","title":"Count Basie - Basie \/ The Atomic Mr. Basie (1982 Japanese Roulette Vinyl LP)","description":"\u003cp\u003e\u003cstrong\u003eCount Basie And His Orchestra \/ Neal Hefti - \u003cem\u003eBasie\u003c\/em\u003e (The Atomic Mr. Basie) | Vinyl LP - 1982 Japanese Roulette (YS-7111-RO)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEveryone knows this record by its nickname. Released in 1958 as simply \u003cem\u003eBasie\u003c\/em\u003e, it came in a sleeve dominated by an atomic mushroom cloud and has been called \u003cem\u003eThe Atomic Mr. Basie\u003c\/em\u003e ever since. It is one of the greatest big-band albums ever made, thanks to a perfect meeting of band and writer. The Count Basie orchestra of the late fifties, the so-called New Testament band, was a precision machine, and in Neal Hefti it found an arranger who wrote every note here to its exact strengths. The results run from the roaring to the sublime. \"The Kid From Red Bank\" is a barnstorming feature for Basie's own piano, \"Whirly-Bird\" and \"Fantail\" swing at full throttle, and then there is \"Li'l Darlin'\", one of the most beloved charts in all of jazz, a ballad taken so slowly it seems to hang in the air. The band is stacked with soloists, Thad Jones and Joe Newman on trumpets, Frank Foster and Eddie \"Lockjaw\" Davis on tenors, with Freddie Green's rhythm guitar and Basie's own famous economy holding it together.\u003c\/p\u003e\n\u003cp\u003eNeal Hefti went on to write music the whole world knows, the themes to \u003cem\u003eBatman\u003c\/em\u003e and \u003cem\u003eThe Odd Couple\u003c\/em\u003e among them, but this is the record that made his name in jazz, and it remains the high point of his partnership with Basie. The album has never been out of favour, and \"Li'l Darlin'\" in particular has been covered and studied endlessly since.\u003c\/p\u003e\n\u003cp\u003eThis copy is the 1982 Japanese reissue on Roulette, part of the label's Count Basie Collection, catalogue number YS-7111-RO.\u003c\/p\u003e","brand":"Roulette","offers":[{"title":"Default Title","offer_id":42473698295867,"sku":null,"price":60.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/IMG_8165.jpg?v=1786097408"},{"product_id":"alice-coltrane-the-carnegie-hall-concert","title":"Alice Coltrane – The Carnegie Hall Concert (2024 Impulse! 2LP Vinyl)","description":"\u003cp data-start=\"211\" data-end=\"419\"\u003eRecorded live at Carnegie Hall in New York on February 21, 1971, and released for the first time in 2024, \u003cem data-start=\"317\" data-end=\"344\"\u003eThe Carnegie Hall Concert\u003c\/em\u003e captures \u003cstrong data-start=\"354\" data-end=\"372\"\u003eAlice Coltrane\u003c\/strong\u003e at the height of her spiritual jazz journey.\u003c\/p\u003e\n\u003cp data-start=\"421\" data-end=\"795\"\u003eJoined by a stellar lineup — including \u003cstrong data-start=\"460\" data-end=\"479\"\u003ePharoah Sanders\u003c\/strong\u003e, \u003cstrong data-start=\"481\" data-end=\"497\"\u003eArchie Shepp\u003c\/strong\u003e, \u003cstrong data-start=\"499\" data-end=\"517\"\u003eJimmy Garrison\u003c\/strong\u003e, \u003cstrong data-start=\"519\" data-end=\"534\"\u003eCecil McBee\u003c\/strong\u003e, \u003cstrong data-start=\"536\" data-end=\"552\"\u003eEd Blackwell\u003c\/strong\u003e, and \u003cstrong data-start=\"558\" data-end=\"577\"\u003eClifford Jarvis\u003c\/strong\u003e — Coltrane leads a transcendental performance that moves from meditative to ecstatic. With harp, piano, and organ, she creates sweeping soundscapes that blend Eastern influence, modal jazz, and cosmic improvisation.\u003cstrong data-start=\"797\" data-end=\"818\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"885\" data-end=\"1107\"\u003ePresented as a deluxe 2×LP on Impulse! with gatefold packaging and booklet, \u003cem data-start=\"961\" data-end=\"988\"\u003eThe Carnegie Hall Concert\u003c\/em\u003e is both a historic document and an essential listening experience for fans of Coltrane, Sanders, and spiritual jazz.\u003c\/p\u003e","brand":"Impulse!","offers":[{"title":"Default Title","offer_id":42474026336315,"sku":null,"price":100.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/602458828696.jpg?v=1758361414"},{"product_id":"the-quintet-jazz-at-massey-hall-1976-japanese-debut-fantasy-mono-vinyl-lp","title":"The Quintet - Jazz At Massey Hall (1976 Japanese Debut\/Fantasy Mono Vinyl LP)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThe Quintet (Parker, Gillespie, Powell, Mingus, Roach) - \u003cem\u003eJazz at Massey Hall\u003c\/em\u003e | Vinyl LP - 1976 Japanese Debut Mono Reissue (VIJ-5001M, Victor Musical Industries)\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" dir=\"ltr\"\u003e\u003cem\u003eJazz at Massey Hall\u003c\/em\u003e is the record people mean when they talk about the greatest jazz concert ever held. On 15 May 1953 the five most important figures in bebop shared a stage in Toronto: Charlie Parker on alto, Dizzy Gillespie on trumpet, Bud Powell at the piano, Charles Mingus on bass and Max Roach on drums. It should have been a coronation. In fact the hall was half empty, its audience drawn away by a Rocky Marciano title fight televised the same night, and the musicians had been at odds for years. None of that reaches the music. What was captured is bebop at its highest pitch, five masters pushing each other through \"Salt Peanuts\", \"Hot House\" and a blazing \"A Night In Tunisia\", with Parker and Gillespie trading phrases like the old sparring partners they were. It was the last time the two of them were recorded together. Mingus taped the show and put it out on Debut, the label he and Roach ran, later overdubbing his own bass because the original had barely registered.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" dir=\"ltr\"\u003eThere is a footnote that became famous. Parker was under contract to Norman Granz, so on the original Debut sleeve he could not be named, and appears instead as \"Charlie Chan\", a wink that fooled no one. The recording survived because Mingus had the presence of mind to capture it and the label to release it, and it has been in print somewhere ever since, one of the essential documents of the music.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" dir=\"ltr\"\u003eThis is the 1976 Japanese mono reissue on Debut, licensed from Fantasy and manufactured by Victor Musical Industries, catalogue number VIJ-5001M.\u003c\/p\u003e","brand":"Debut Records","offers":[{"title":"Default Title","offer_id":42475237343291,"sku":null,"price":40.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/IMG_8070.jpg?v=1785556517"},{"product_id":"makaya-mccraven-in-these-times","title":"Makaya McCraven – In These Times (2022 International Anthem \/ Nonesuch \/ XL LP Vinyl)","description":"\u003cp data-start=\"217\" data-end=\"531\"\u003eReleased in 2022, \u003cem data-start=\"235\" data-end=\"251\"\u003eIn These Times\u003c\/em\u003e is the long-awaited project from drummer, composer, and producer \u003cstrong data-start=\"317\" data-end=\"336\"\u003eMakaya McCraven\u003c\/strong\u003e, a leading voice in today’s progressive jazz movement. Years in the making, the album weaves together live performance, studio craft, and McCraven’s signature approach to “organic beat music.”\u003c\/p\u003e\n\u003cp data-start=\"533\" data-end=\"807\"\u003eWith strings, horns, and layered textures supporting his rhythm-forward vision, McCraven creates a sound that is both rooted in jazz tradition and pushing far beyond it. 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Expansive, meditative, and boundary-pushing, the record blends harp, modular synths, and electronics with contributions from the UK’s vibrant jazz community.\u003c\/p\u003e\n\u003cp data-start=\"523\" data-end=\"807\"\u003eBuilt around long-form compositions and immersive soundscapes, the music shifts between celestial ambience, spiritual jazz, and textured improvisation. 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A leading figure in the UK jazz renaissance, Garcia blends spiritual jazz, Afro-Caribbean rhythms, dub, and soul into a vibrant, forward-looking sound.\u003c\/p\u003e\n\u003cp data-start=\"460\" data-end=\"739\"\u003eThe album moves seamlessly from deep, meditative grooves to joyful, dance-driven passages, with Garcia’s warm, expressive tenor saxophone always at the center. 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Known for his genre-defying approach and collaborations, Glasper once again brings together an impressive roster of guest artists to create a rich, modern soundscape.\u003c\/p\u003e\n\u003cp data-end=\"920\" data-start=\"532\"\u003eThe album features appearances from \u003cstrong data-end=\"578\" data-start=\"568\"\u003eH.E.R.\u003c\/strong\u003e, \u003cstrong data-end=\"590\" data-start=\"580\"\u003eCommon\u003c\/strong\u003e, \u003cstrong data-end=\"601\" data-start=\"592\"\u003eQ-Tip\u003c\/strong\u003e, \u003cstrong data-end=\"622\" data-start=\"603\"\u003eJennifer Hudson\u003c\/strong\u003e, \u003cstrong data-end=\"646\" data-start=\"624\"\u003eEsperanza Spalding\u003c\/strong\u003e, \u003cstrong data-end=\"665\" data-start=\"648\"\u003eTy Dolla $ign\u003c\/strong\u003e, and more — each track offering a fresh fusion of styles anchored by Glasper’s unmistakable touch on keys. 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Featuring flutes, clarinets, and other woodwinds instead of his usual saxophone, the music blends elements of spiritual jazz, ambient textures, and global influences. Special guests include \u003cstrong data-start=\"768\" data-end=\"790\"\u003eEsperanza Spalding\u003c\/strong\u003e, \u003cstrong data-start=\"792\" data-end=\"807\"\u003eJason Moran\u003c\/strong\u003e, and \u003cstrong data-start=\"813\" data-end=\"835\"\u003eNduduzo Makhathini\u003c\/strong\u003e, adding depth and resonance to the album’s reflective sound.\u003cstrong data-start=\"900\" data-end=\"923\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1098\" data-end=\"1257\"\u003eGentle, spacious, and deeply moving, \u003cem data-start=\"1135\" data-end=\"1179\"\u003ePerceive Its Beauty, Acknowledge Its Grace\u003c\/em\u003e is a powerful evolution for one of the leading voices in contemporary jazz.\u003c\/p\u003e\n\u003cp data-start=\"1098\" data-end=\"1257\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLimited to 1000 copies, the VMP exclusive version is pressed on 180g Black vinyl at Furnace Record Pressing. The 2LPs will arrive in double gatefold, tip-on, foil-stamped and numbered jacket. It was mastered for vinyl by Ryan Smith at Sterling Sound.\u003c\/span\u003e\u003c\/p\u003e","brand":"Impulse!","offers":[{"title":"Default Title","offer_id":42477404258363,"sku":null,"price":110.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/Perceive_its_Beauty_Acknowledge_its_Grace_50128e12_thumbnail_4096.webp?v=1758461167"},{"product_id":"the-comet-is-coming-hyper-dimensional-expansion-beam","title":"The Comet Is Coming – Hyper-Dimensional Expansion Beam (2022 Impulse! Vinyl LP)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eThe Comet Is Coming – \u003cem data-start=\"145\" data-end=\"179\"\u003eHyper-Dimensional Expansion Beam\u003c\/em\u003e (2022 Impulse! LP)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"233\" data-end=\"453\"\u003eReleased in 2022 on Impulse!, \u003cem data-start=\"263\" data-end=\"297\"\u003eHyper-Dimensional Expansion Beam\u003c\/em\u003e is the third album from UK cosmic-jazz trio \u003cstrong data-start=\"342\" data-end=\"365\"\u003eThe Comet Is Coming\u003c\/strong\u003e — \u003cstrong data-start=\"368\" data-end=\"389\"\u003eShabaka Hutchings\u003c\/strong\u003e (saxophone), \u003cstrong data-start=\"403\" data-end=\"416\"\u003eDanalogue\u003c\/strong\u003e (synths), and \u003cstrong data-start=\"431\" data-end=\"442\"\u003eBetamax\u003c\/strong\u003e (drums).\u003c\/p\u003e\n\u003cp data-start=\"455\" data-end=\"744\"\u003eRecorded in Peter Gabriel’s Real World Studios, the album explodes with energy, blending spiritual jazz, electronica, funk, and psychedelic grooves. From pulsing, high-energy tracks to spacious cosmic passages, the record captures the band’s signature mix of intensity and transcendence.\u003c\/p\u003e\n\u003cp data-start=\"455\" data-end=\"744\"\u003e\u003cmeta charset=\"utf-8\"\u003eDriving, cosmic, and fiercely modern, \u003cem data-start=\"1010\" data-end=\"1044\"\u003eHyper-Dimensional Expansion Beam\u003c\/em\u003e is a journey through sound and space — essential for fans of spiritual and experimental jazz.\u003c\/p\u003e","brand":"Impulse!","offers":[{"title":"Default Title","offer_id":42477485654075,"sku":null,"price":50.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/khsdbfhkbdkhhbksd__20618.jpg?v=1758462160"},{"product_id":"chick-corea-gary-burton-in-concert-z-rich-october-28-1979","title":"Chick Corea and Gary Burton – In Concert, Zürich, October 28, 1979 (1980 ECM 2LP Vinyl)","description":"\u003cp\u003eReleased in 1980 on ECM, \u003cem\u003eIn Concert, Zürich, October 28, 1979\u003c\/em\u003e captures pianist \u003cstrong\u003eChick Corea\u003c\/strong\u003e and vibraphonist \u003cstrong\u003eGary Burton\u003c\/strong\u003e in a dazzling live performance. Building on the chemistry of their earlier collaborations (\u003cem\u003eCrystal Silence\u003c\/em\u003e, \u003cem\u003eDuet\u003c\/em\u003e), this double LP showcases their telepathic interplay and expansive improvisations.\u003c\/p\u003e\n\u003cp\u003eThe concert features extended interpretations of Corea’s and Burton’s compositions alongside jazz standards, moving effortlessly between lyrical ballads, intricate counterpoint, and fiery rhythmic exchanges. Spacious and crystalline in true ECM fashion, the recording highlights the unique textures of piano and vibraphone in perfect balance.\u003c\/p\u003e\n\u003cp\u003eA captivating live document, \u003cem\u003eIn Concert\u003c\/em\u003e is both intimate and virtuosic — essential listening for fans of modern jazz duos and ECM’s signature sound.\u003c\/p\u003e","brand":"ECM Records","offers":[{"title":"Default Title","offer_id":42489243697211,"sku":null,"price":40.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/IMG_4182.jpg?v=1758759320"},{"product_id":"mal-waldron-left-alone-mal-waldron-live-1-1974-fontana-japanese-vinyl-lp","title":"Mal Waldron - Left Alone: Mal Waldron Live 1 (1974 Fontana Japanese Vinyl LP)","description":"\u003cp\u003e\u003cstrong\u003eMal Waldron - \u003cem\u003eLeft Alone: Mal Waldron Live 1\u003c\/em\u003e | Vinyl LP - 1974 Fontana Japanese Pressing (PAT-1061, Nippon Phonogram, limited edition)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMal Waldron was Billie Holiday's regular accompanist from April 1957 until her death in July 1959. He played on her final recording sessions, wrote \"Soul Eyes\" for John Coltrane while working as house pianist at Prestige Records, and appeared on sessions with Charles Mingus, Jackie McLean and Eric Dolphy. In 1963 a drug-induced breakdown left him unable to play the piano or remember any music he had ever learned. He spent years relearning the instrument from nothing, and the pianist who emerged was different from the one who'd gone in: slower, more deliberate, built on repetition and accumulation rather than bebop's usual velocity. He left the US permanently in the mid-1960s for Europe, and Japan became one of his most important destinations. This 1971 concert at Yamaha Hall in Tokyo captures him with three of Japan's finest jazz musicians.\u003c\/p\u003e\n\u003cp\u003eSide A is a quartet. Kohsuke Mine plays alto saxophone alongside Waldron's piano, Isao Suzuki's bass and Yoshiyuki Nakamura's drums. \"Left Alone\" opens the concert, the song Holiday wrote lyrics for on a cross-country flight and sang to Waldron when the plane landed. She never got around to recording it, always forgetting the sheet music. The first recording was Waldron's 1959 studio version with Jackie McLean on alto; here, twelve years later, Mine takes the melody in McLean's place, and Waldron's piano underneath has the weight of everything that happened in between. \"Straight No Chaser\" follows, Monk's composition played at a slow burn for nearly ten minutes. 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These two broadcasts, captured from club radio feeds rather than commercial sessions, give the record its particular character. The 1951 session on Side B is the sharper of the two sonically, the room close and the rhythm section immediate; Buster Harding's Trio anchors the set, and Stan Getz drifts in on three numbers. \"He's Funny That Way\" opens Side B with the Harding group, Holiday working at a mid tempo without hurry. \"Billie's Blues,\" her own composition, is the bluntest statement on the record. \"Miss Brown to You,\" \"Lover Come Back to Me,\" \"Ain't Nobody's Business If I Do\" and the closing \"You're Driving Me Crazy\" complete the side.\u003c\/p\u003e\n\u003cp\u003eSide A moves to October 1953, now with the Carl Drinkard Trio. The sound is marginally softer on the original tapes, and reviewers of multiple pressings have noted this difference exists in the source material rather than any manufacturing variation. Holiday's voice shows more wear than two years earlier but none less intensity. \"I Cover the Waterfront,\" \"I Love You Porgy,\" \"Willow Weep for Me\" and \"You Go to My Head\" are the strongest performances here, each given space to settle and develop. Both sessions were announced on broadcast by jazz critics of the period; the atmosphere of the club is audible in the room tone. This is the 1976 Japanese Storyville Series mono pressing, manufactured by Trio Electronics, Inc.\u003c\/p\u003e","brand":"Storyville","offers":[{"title":"Default Title","offer_id":42489686622267,"sku":null,"price":75.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/IMG_6826.jpg?v=1777760728"},{"product_id":"art-blakey-a-night-in-tunisia","title":"Art Blakey’s Jazz Messengers – A Night in Tunisia (1973 RCA Japan Reissue Vinyl LP)","description":"\u003cp\u003eCut in New York in \u003cstrong\u003e1957\u003c\/strong\u003e, this blistering \u003cstrong\u003eRCA\u003c\/strong\u003e session captures Art Blakey’s Jazz Messengers with a hard-hitting frontline: \u003cstrong\u003eBill Hardman\u003c\/strong\u003e (trumpet), \u003cstrong\u003eJackie McLean\u003c\/strong\u003e (alto sax), \u003cstrong\u003eJohnny Griffin\u003c\/strong\u003e (tenor sax), \u003cstrong\u003eSam Dockery\u003c\/strong\u003e (piano) and \u003cstrong\u003eJimmy “Spanky” De Brest\u003c\/strong\u003e (bass). 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He used no pick, plucking the strings with the side of his thumb for a warm, round tone, and he soloed in parallel octaves, two notes moving as one. By 1960 the word was out, and Riverside's Orrin Keepnews brought him to New York and set him in front of a tough rhythm section: Tommy Flanagan on piano, Percy Heath of the Modern Jazz Quartet on bass and his brother Albert Heath on drums. This is the album that made Wes's name. He runs through four of his own tunes, among them \"Four On Six\" and \"West Coast Blues\", both of which became standards, alongside Sonny Rollins's \"Airegin\", Dave Brubeck's \"In Your Own Sweet Way\" and a couple of ballads. The playing is fast and fluid but never cold, with the blues under everything.\u003c\/p\u003e\n\u003cp\u003eIt did exactly what Keepnews hoped. The record established Montgomery as the most important guitarist in jazz since Charlie Christian and set the template that George Benson, Pat Metheny and countless others would follow, and in 2017 the American Library of Congress added it to the National Recording Registry. Most fans still rate it the high point of his studio work, before the lush pop crossovers of his final years. \u003c\/p\u003e\n\u003cp\u003eThis is the 1974 Japanese pressing on Riverside and Milestone, manufactured by Victor Musical Industries.\u003c\/p\u003e","brand":"Riverside","offers":[{"title":"Default Title","offer_id":42495069290555,"sku":null,"price":50.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/IMG_8370.jpg?v=1787987791"},{"product_id":"mccoy-tyner-echoes-of-a-friend-1972-japanese-jvc-vinyl-lp","title":"McCoy Tyner - Echoes of a Friend (1972 Japanese JVC Vinyl LP)","description":"\u003cp\u003e\u003cstrong\u003eMcCoy Tyner - \u003cem\u003eEchoes of a Friend\u003c\/em\u003e | Vinyl LP - 1972 Japanese JVC (SMJ-6009, Victor Musical Industries, Inc.)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eColtrane and Tyner had known each other since 1955, when Tyner was seventeen. 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Davis plays the line Evans wrote for him, and what makes it work is the tone: dry, precise, unadorned, sitting on top of the orchestra rather than blending into it. \"Will O' The Wisp,\" from de Falla's ballet \u003cem\u003eEl Amor Brujo\u003c\/em\u003e, is the shortest track and the most contained, Davis's flugelhorn carrying a fragmented melody over muted brass.\u003c\/p\u003e\n\u003cp\u003eSide B is where Evans's original compositions take over. \"The Pan Piper\" was inspired by a field recording of Peruvian music, its melody drawn from a single instrument against a rhythmic backdrop that Elvin Jones anchors with hand percussion rather than the drum kit he played in Coltrane's quartet. \"Saeta\" reimagines the vocal form sung during Semana Santa processions in Seville: Davis's trumpet functions as the human voice, crying out above a slow march. \"Solea,\" the 12-minute closing piece, is based on the soleá, one of the foundational forms of flamenco, and is the track where Davis sounds most like himself, stretching further from the written material than anywhere else on the album.\u003c\/p\u003e\n\u003cp\u003eThis is the 1981 Japanese stereo reissue on CBS\/Sony 18AP 2057.\u003c\/p\u003e","brand":"CBS","offers":[{"title":"Default Title","offer_id":42533950980155,"sku":null,"price":70.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/IMG_7542.jpg?v=1782603008"},{"product_id":"art-blakey-et-les-jazz-messengers-au-club-st-germain-vol-2","title":"Art Blakey et les Jazz Messengers – Au Club St. Germain, Vol. 2 (1959 Victor Japan Vinyl LP)","description":"\u003cp\u003eReleased in \u003cstrong\u003e1959\u003c\/strong\u003e on \u003cstrong\u003eVictor Records Japan (RA 5119)\u003c\/strong\u003e, this mono \u003cstrong\u003eOrtophonic recording\u003c\/strong\u003e captures \u003cstrong\u003eArt Blakey and the Jazz Messengers\u003c\/strong\u003e live at \u003cstrong\u003eClub St. Germain\u003c\/strong\u003e in Paris — one of the most electrifying live sessions in hard bop history. 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Miles Davis's \"Sippin' At Bells\" and Henderson and Vallee's \"Deep Night\" round out the four tracks. All four run between eight and ten minutes, long enough for everyone to solo at length, and the rhythm section holds a groove under each one that justifies the album's title.\u003c\/p\u003e\n\u003cp\u003eClark died on January 13, 1963 at the age of 31. He left behind eleven sessions as a leader for Blue Note and appeared as a sideman on dozens more. Reid Miles's cover design, built around Francis Wolff's photograph of Ruth Lion's legs walking down a city street, became one of the defining images of jazz, reproduced on posters, T-shirts and tote bags for decades. This is the 1978 Japanese pressing (GXK 8043 \/ BST 81588), manufactured by King Record Co. Ltd as part of the Blue Note Masterpiece Selection 150 series. It includes the original obi strip and a Japanese liner note insert by the critic Shoichi Yui. 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