{"title":"Blue Note Tone Poet","description":"\u003cp\u003eJoe Harley has been chasing the sound of Blue Note's original master tapes for decades. The Tone Poet series is what happens when you let him loose on the catalogue. Launched in 2019 to mark Blue Note's 80th anniversary, each title is mastered all-analog by Kevin Gray at Cohearent Audio, pressed on 180g vinyl at RTI in California, and housed in gatefold tip-on jackets printed by Stoughton. Familiar sessions from the hard bop and post-bop years sit alongside records that never got the attention they deserved the first time around, with titles drawn from Pacific Jazz, United Artists, and Solid State as well as the Blue Note catalogue proper. Francis Wolff's session photography completes the package. If you're after the closest thing to hearing a Rudy Van Gelder master tape at home, this is the series.\u003c\/p\u003e","products":[{"product_id":"john-coltrane-blue-train","title":"John Coltrane - Blue train (2022 Blue Note Tone Poet Reissue LP Vinyl)","description":"\u003cp data-start=\"178\" data-end=\"545\"\u003e\u003cem data-start=\"178\" data-end=\"190\"\u003eBlue Train\u003c\/em\u003e (1957) is \u003cstrong data-start=\"201\" data-end=\"220\"\u003eJohn Coltrane’s\u003c\/strong\u003e only session as a leader for Blue Note — and one of the greatest hard bop albums ever recorded. With an all-star lineup featuring \u003cstrong data-start=\"351\" data-end=\"365\"\u003eLee Morgan\u003c\/strong\u003e (trumpet), \u003cstrong data-start=\"377\" data-end=\"394\"\u003eCurtis Fuller\u003c\/strong\u003e (trombone), \u003cstrong data-start=\"407\" data-end=\"421\"\u003eKenny Drew\u003c\/strong\u003e (piano), \u003cstrong data-start=\"431\" data-end=\"448\"\u003ePaul Chambers\u003c\/strong\u003e (bass), and \u003cstrong data-start=\"461\" data-end=\"481\"\u003ePhilly Joe Jones\u003c\/strong\u003e (drums), the album captures Coltrane in full creative flight.\u003c\/p\u003e\n\u003cp data-start=\"547\" data-end=\"839\"\u003eFrom the moody, unforgettable title track to the blistering swing of \u003cem data-start=\"616\" data-end=\"628\"\u003eLocomotion\u003c\/em\u003e and the lyrical ballad \u003cem data-start=\"652\" data-end=\"671\"\u003eI’m Old Fashioned\u003c\/em\u003e, every tune is a showcase of Coltrane’s evolving mastery. The blend of bold solos and tight ensemble work makes \u003cem data-start=\"784\" data-end=\"796\"\u003eBlue Train\u003c\/em\u003e both accessible and endlessly rewarding.\u003cstrong data-start=\"841\" data-end=\"862\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"952\" data-end=\"1061\"\u003eA cornerstone of any jazz collection, \u003cem data-start=\"990\" data-end=\"1002\"\u003eBlue Train\u003c\/em\u003e is Coltrane at his most powerful, lyrical, and inspired.\u003c\/p\u003e\n\u003cp data-start=\"952\" data-end=\"1061\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTone Poet Vinyl Edition was produced by \u003c\/span\u003e\u003cstrong\u003eJoe Harley,\u003c\/strong\u003e\u003cspan\u003e mastered by \u003c\/span\u003e\u003cstrong\u003eKevin Gray\u003c\/strong\u003e\u003cspan\u003e from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket.\u003c\/span\u003e\u003c\/p\u003e","brand":"Blue Note","offers":[{"title":"Default Title","offer_id":42461681614907,"sku":null,"price":120.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/1.JC_BLUETRAIN_MONO_COVER_1000X1000_f15a93f7-357f-4d3e-8630-dad238d24104.webp?v=1757905949"},{"product_id":"stanley-turrentine-comin-your-way-2020-blue-note-tone-poet-vinyl-lp","title":"Stanley Turrentine – Comin’ Your Way (2020 Blue Note Tone Poet Vinyl LP)","description":"\u003cp data-start=\"346\" data-end=\"758\"\u003eRecorded on \u003cstrong data-start=\"358\" data-end=\"378\"\u003eJanuary 20, 1961\u003c\/strong\u003e at \u003cstrong data-start=\"382\" data-end=\"403\"\u003eVan Gelder Studio\u003c\/strong\u003e in Englewood Cliffs, New Jersey, \u003cem data-start=\"437\" data-end=\"454\"\u003eComin’ Your Way\u003c\/em\u003e captures \u003cstrong data-start=\"464\" data-end=\"486\"\u003eStanley Turrentine\u003c\/strong\u003e at his most soulful and confident. Long buried in the Blue Note vaults before finally surfacing, this \u003cstrong data-start=\"589\" data-end=\"609\"\u003eTone Poet Series\u003c\/strong\u003e edition restores one of the saxophonist’s most satisfying sessions — a warm, swaggering set that bridges \u003cstrong data-start=\"715\" data-end=\"727\"\u003ehard bop\u003c\/strong\u003e and \u003cstrong data-start=\"732\" data-end=\"745\"\u003esoul-jazz\u003c\/strong\u003e with ease.\u003c\/p\u003e\n\u003cp data-start=\"760\" data-end=\"1118\"\u003eJoined by his brother \u003cstrong data-start=\"782\" data-end=\"802\"\u003eTommy Turrentine\u003c\/strong\u003e on trumpet, \u003cstrong data-start=\"815\" data-end=\"832\"\u003eHorace Parlan\u003c\/strong\u003e on piano, \u003cstrong data-start=\"843\" data-end=\"860\"\u003eGeorge Tucker\u003c\/strong\u003e on bass, and \u003cstrong data-start=\"874\" data-end=\"889\"\u003eAl Harewood\u003c\/strong\u003e on drums, Turrentine leads a band locked into the kind of groove only \u003cstrong data-start=\"960\" data-end=\"979\"\u003eRudy Van Gelder\u003c\/strong\u003e could capture. You can hear the room breathe — every cymbal flicker, every horn swell, glowing through the studio’s legendary acoustics.\u003c\/p\u003e\n\u003cp data-start=\"1120\" data-end=\"1418\"\u003eThe album opens with \u003cem data-start=\"1141\" data-end=\"1178\"\u003eMy Girl Is Just Enough Woman for Me\u003c\/em\u003e, all charm and drive, while \u003cem data-start=\"1207\" data-end=\"1223\"\u003eFine L’il Lass\u003c\/em\u003e and \u003cem data-start=\"1228\" data-end=\"1241\"\u003eThomasville\u003c\/em\u003e simmer with that unmistakable Blue Note heat. Turrentine’s tone turns tender on \u003cem data-start=\"1322\" data-end=\"1348\"\u003eSomeone to Watch Over Me\u003c\/em\u003e, before closing with \u003cem data-start=\"1370\" data-end=\"1385\"\u003eStolen Sweets\u003c\/em\u003e — equal parts swing and smile.\u003c\/p\u003e\n\u003cp data-start=\"1420\" data-end=\"1758\"\u003eWith \u003cstrong data-start=\"1425\" data-end=\"1455\"\u003ecover design by Reid Miles\u003c\/strong\u003e and \u003cstrong data-start=\"1460\" data-end=\"1492\"\u003ephotography by Francis Wolff\u003c\/strong\u003e, the packaging is as iconic as the music itself. Pressed on \u003cstrong data-start=\"1553\" data-end=\"1571\"\u003e180-gram vinyl\u003c\/strong\u003e, mastered from the original tapes, and housed in a \u003cstrong data-start=\"1623\" data-end=\"1652\"\u003eStoughton tip-on gatefold\u003c\/strong\u003e, this \u003cstrong data-start=\"1659\" data-end=\"1682\"\u003eBlue Note Tone Poet\u003c\/strong\u003e edition feels as close as you can get to being in the room with the band.\u003c\/p\u003e\n\u003cp data-start=\"1760\" data-end=\"1963\"\u003eFor fans of \u003cstrong data-start=\"1772\" data-end=\"1800\"\u003eStanley Turrentine vinyl\u003c\/strong\u003e, \u003cstrong data-start=\"1802\" data-end=\"1814\"\u003ehard bop\u003c\/strong\u003e and \u003cstrong data-start=\"1819\" data-end=\"1832\"\u003esoul-jazz\u003c\/strong\u003e collectors, \u003cem data-start=\"1845\" data-end=\"1862\"\u003eComin’ Your Way\u003c\/em\u003e is both a rediscovery and a revelation — classic Blue Note craftsmanship, revived in perfect form.\u003c\/p\u003e","brand":"Blue Note","offers":[{"title":"Default Title","offer_id":42554736050235,"sku":null,"price":80.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/comin-your-way-blue-note-tone-poet-series.jpg?v=1761381140"},{"product_id":"donald-byrd-slow-drag-blue-note-tone-poet-180g-gatefold-vinyl-lp","title":"Donald Byrd - Slow Drag (Blue Note Tone Poet 180g Gatefold Vinyl LP)","description":"\u003cp\u003e\u003cstrong\u003eDonald Byrd - \u003cem\u003eSlow Drag\u003c\/em\u003e | Vinyl LP - Blue Note Tone Poet Series, all-analog 180g reissue (gatefold, Kevin Gray mastering)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBy 1967 Donald Byrd, the Detroit trumpeter who had been one of Blue Note's most dependable leaders through the hard bop years, was near the end of his straight-ahead run, a few years before Black Byrd and the jazz-funk records that made him a star. \u003cem\u003eSlow Drag\u003c\/em\u003e catches him still in the older mode, cut at Rudy Van Gelder's studio in May 1967 with a strong quintet: Sonny Red on alto, Cedar Walton on piano, Walter Booker on bass and Billy Higgins on drums. It is hard bop with a relaxed, bluesy roll to it, soul-jazz around the edges. The title track stretches out over nine minutes on a slow, greasy groove, Sonny Red contributes the blues \"Jelly Roll\", and the ballads \"Secret Love\" and \"My Ideal\" let Byrd show off the warm, rounded tone he was known for. You can hear the music starting to loosen toward the modal and the funky, but it swings the whole way.\u003c\/p\u003e\n\u003cp\u003eByrd would soon leave hard bop behind almost entirely, and \u003cem\u003eSlow Drag\u003c\/em\u003e became one of the quieter gems near the end of that chapter, a favourite among Blue Note collectors precisely because it is less famous than his big sellers. This is the Blue Note Tone Poet edition, the audiophile reissue series overseen by Joe Harley. It is an all-analog pressing, mastered by Kevin Gray from the original tapes, pressed on 180g vinyl at RTI, and housed in a heavyweight Stoughton gatefold jacket with Francis Wolff's session photographs and Nat Hentoff's original notes. It is about as good as this music has ever sounded at home.\u003c\/p\u003e","brand":"Blue Note","offers":[{"title":"Default Title","offer_id":42554740342843,"sku":null,"price":110.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/91utdc4Pf3L._AC_SL1500.jpg?v=1761382588"},{"product_id":"chet-baker-chet-baker-sings-2023-blue-note-tone-poet-180g-mono-lp","title":"Chet Baker - Chet Baker Sings (2023 Blue Note Tone Poet 180g Mono LP)","description":"\u003cp\u003eOne of the most beloved vocal jazz albums ever recorded, \u003cem\u003eChet Baker Sings\u003c\/em\u003e captures the trumpeter's intimate, almost fragile voice interpreting classic standards with heartbreaking vulnerability. Originally released in 1956 on Pacific Jazz and reissued in this 2023 Blue Note Tone Poet Series repress, the album features Baker's tender readings of songs like \"My Funny Valentine\", \"I Fall In Love Too Easily\", and \"Look For The Silver Lining\", accompanied by pianist Russ Freeman and rotating rhythm sections. Mastered by Kevin Gray at Cohearent Audio and pressed by Record Technology Incorporated on 180-gram mono vinyl in a gatefold sleeve, this represents the finest available contemporary presentation of Baker's landmark vocal debut.\u003c\/p\u003e\n\u003cp\u003eBaker's voice, criticized by some for limited range and technique, possesses an emotional directness that transcends conventional vocal virtuosity. His half-spoken, half-sung delivery conveys loneliness, yearning, and a kind of bruised romanticism that made him an icon of 1950s cool jazz aesthetics. Freeman's sensitive piano accompaniment and the various rhythm sections (featuring Carson Smith and Jimmy Bond on bass, Bob Neel and others on drums) provide subtle support that never overwhelms Baker's delicate voice and trumpet. The 14 standards receive readings that have become definitive for many listeners, particularly \"My Funny Valentine\", which Baker essentially claimed as his signature song through this performance.\u003c\/p\u003e\n\u003cp\u003eThis 2023 repress of the 2020 Tone Poet release differs slightly from the original pressing in RTI plating identifiers and hype sticker wording (now \"cut directly from the original analog tapes\" rather than \"mastered from\"). The Tone Poet Series represents Blue Note's commitment to audiophile-quality reissues using all-analog mastering by Kevin Gray, RTI's premium pressing, and Stoughton tip-on gatefold packaging. Note the spine printing error stating \"Stereo\" when this is a mono pressing, carried over from the 2020 edition.\u003c\/p\u003e","brand":"Blue Note","offers":[{"title":"Default Title","offer_id":43086464188475,"sku":null,"price":105.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/602508358913.jpg?v=1766271205"},{"product_id":"wayne-shorter-schizophrenia-2023-blue-note-tone-poet-series-lp-gatefold","title":"Wayne Shorter - Schizophrenia (2023 Blue Note Tone Poet Series LP Gatefold)","description":"\u003cp\u003e\u003cstrong\u003eWayne Shorter - \u003cem\u003eSchizophrenia\u003c\/em\u003e | Vinyl LP - 2023 Blue Note Tone Poet Series (B0036692-01, 180g, Kevin Gray\/Cohearent Audio, RTI)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWayne Shorter recorded \u003cem\u003eSchizophrenia\u003c\/em\u003e on March 10, 1967, two years into his tenure with the Miles Davis Second Great Quintet and twelve months after \u003cem\u003eAdam's Apple\u003c\/em\u003e. The session used the same rhythm section as \u003cem\u003eThe All Seeing Eye\u003c\/em\u003e — Herbie Hancock on piano, Ron Carter on bass, Joe Chambers on drums — and added Curtis Fuller on trombone and James Spaulding on alto saxophone and flute to extend the front line into a sextet. Rudy Van Gelder recorded; Francis Wolff produced.\u003c\/p\u003e\n\u003cp\u003eFive of the six tracks are Shorter originals. \"Tom Thumb\" opens Side A brash and angular; \"Go\" and the title track push toward harder freedom; \"Miyako,\" named for Shorter's daughter, moves slower and more openly. \"Playground\" closes the album with controlled urgency. The sixth piece, \"Kryptonite,\" is Spaulding's. The recording was done but not released until May 1969, held back as Blue Note went through its Liberty Records transition. By then Shorter had already recorded \u003cem\u003eSuper Nova\u003c\/em\u003e with a completely different ensemble and a different conception of what jazz could do. \u003cem\u003eSchizophrenia\u003c\/em\u003e arrived after the fact, documenting a moment that had already moved on. This Tone Poet reissue was produced by Joe Harley, mastered by Kevin Gray at Cohearent Audio from the original analog master tapes, pressed on 180g vinyl at Record Technology Incorporated and packaged in a gatefold tip-on jacket.\u003c\/p\u003e","brand":"Blue Note","offers":[{"title":"Default Title","offer_id":43414323200059,"sku":null,"price":90.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/WLF13734.jpg?v=1776063476"},{"product_id":"jackie-mclean-let-freedom-ring-2024-blue-note-tone-poet-series-gatefold-lp","title":"Jackie McLean - Let Freedom Ring (2024 Blue Note Tone Poet Series Gatefold LP)","description":"\u003cp\u003e\u003cstrong\u003eJackie McLean - \u003cem\u003eLet Freedom Ring\u003c\/em\u003e | Vinyl LP - 2024 Blue Note Tone Poet Series 180g Gatefold (602448644343, Kevin Gray\/RTI)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eJackie McLean had been recording for Blue Note since 1959 and playing hard bop since the early 1950s. By March 1962, when he walked into Van Gelder Studio with Walter Davis Jr. on piano, Herbie Lewis on bass and Billy Higgins on drums, he had been listening to Ornette Coleman and John Coltrane for two years and wanted to bring what he heard into his own language without abandoning it. The result was four pieces that moved between hard bop structure and something more open, the boundaries crossed mid-phrase rather than mid-track.\u003c\/p\u003e\n\u003cp\u003e\"Melody for Melonae\" opens with McLean's alto at the top of its register, holding a long note that bends upward into a shriek. It was the first time he had used this technique on record, and it changed the sound of the rest of his Blue Note career. The composition is slow, the rhythm section floating rather than driving, the blues feeling held in the harmony while the solo moves above and around it. \"I'll Keep Loving You\" is Bud Powell's ballad, the one standard on the album, McLean's reading restrained and interior.\u003c\/p\u003e\n\u003cp\u003eSide B opens with \"Rene,\" a twelve-bar blues with conventional changes that McLean plays as if the form were a suggestion. \"Omega\" closes the album as the most abstract piece, more modal than blues, Higgins and Lewis pushing the tempo while Davis's piano stabs percussively. Higgins had been the original drummer in Ornette Coleman's quartet and had recorded \u003cem\u003eThe Shape of Jazz to Come\u003c\/em\u003e in 1959. What he brought from that experience into this rhythm section is audible throughout: a looseness with the beat that gives McLean room to stretch without the floor disappearing.\u003c\/p\u003e\n\u003cp\u003eThis is the 2024 Blue Note Tone Poet Series pressing, mastered by Kevin Gray at Cohearent Audio from the original analog tapes, pressed on 180g vinyl at RTI.\u003c\/p\u003e","brand":"Blue Note","offers":[{"title":"Default Title","offer_id":43601627054139,"sku":null,"price":100.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/71WOHjEA7rL._UF1000_1000_QL80.jpg?v=1781130801"},{"product_id":"jackie-mclean-demons-dance-blue-note-tone-poet-vinyl-lp","title":"Jackie McLean - Demon's Dance (Blue Note Tone Poet Vinyl LP)","description":"\u003cp\u003e\u003cstrong\u003eJackie McLean - \u003cem\u003eDemon's Dance\u003c\/em\u003e | Vinyl LP - Blue Note Tone Poet Series Reissue (BST-84345, all-analogue, mastered by Kevin Gray)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eJackie McLean recorded three albums for Blue Note in 1967. The first, \u003cem\u003eNew and Old Gospel\u003c\/em\u003e, featured Ornette Coleman playing trumpet. The second, \u003cem\u003e'Bout Soul\u003c\/em\u003e, had Rashied Ali, fresh from John Coltrane's final band, on drums. \u003cem\u003eDemon's Dance\u003c\/em\u003e, cut in December, pulled back from both. McLean kept LaMont Johnson and Scotty Holt, the pianist and bassist who'd played on \u003cem\u003eNew and Old Gospel\u003c\/em\u003e, but brought in Jack DeJohnette, who'd built his reputation in Charles Lloyd's quartet, and the 22-year-old Woody Shaw, who'd already appeared on Blue Note sessions with Horace Silver and Larry Young but was still a few years from recording under his own name. The six tracks split evenly between McLean's own tunes, Shaw's writing and two compositions by Cal Massey. Massey was a Philadelphia trumpeter and composer whose pieces turned up on records by Coltrane, Archie Shepp and Lee Morgan; his \"Message From Trane,\" the album's closer, is a bright, swinging blues tribute to Coltrane, who had died five months before this session. Shaw's \"Sweet Love Of Mine\" works a bossa feel that sits unexpectedly well against the angular post-bop of everything else, and the title track opens the record at a hard charge.\u003c\/p\u003e\n\u003cp\u003eBlue Note shelved the album until October 1970, by which point the cover art worked in its favour: Mati Klarwein's painting looks like a cousin of the artwork he did for Miles Davis's \u003cem\u003eBitches Brew\u003c\/em\u003e, released the same year. Leonard Feather wrote the original liner notes and Francis Wolff produced and photographed the session. This Tone Poet reissue was mastered \u003cmeta charset=\"utf-8\"\u003efrom the original analogue tapes by Kevin Gray at Cohearent Audio, supervised by Joe Harley, and pressed at RTI on 180g vinyl. The gatefold jacket is printed by Stoughton.\u003c\/p\u003e","brand":"Blue Note","offers":[{"title":"Default Title","offer_id":44110652571707,"sku":null,"price":110.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/jackie-mclean-demons-dance-blue-note-tone-poet-series-album-cover-3348.webp?v=1788493881"},{"product_id":"mccoy-tyner-extensions-blue-note-tone-poet-vinyl-lp","title":"McCoy Tyner - Extensions (Blue Note Tone Poet Vinyl LP)","description":"\u003cp\u003e\u003cstrong\u003eMcCoy Tyner - \u003cem\u003eExtensions\u003c\/em\u003e | Vinyl LP - Blue Note Tone Poet Series Reissue (BN-LA006-F, all-analogue, mastered by Kevin Gray)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMcCoy Tyner left John Coltrane's quartet in 1965. Alice Coltrane joined it a year later, playing piano in the seat he'd vacated until Coltrane's death in July 1967. By February 1970, when Tyner recorded \u003cem\u003eExtensions\u003c\/em\u003e at Van Gelder Studio, he'd made four Blue Note albums of increasing ambition: \u003cem\u003eThe Real McCoy\u003c\/em\u003e, \u003cem\u003eTender Moments\u003c\/em\u003e, \u003cem\u003eTime for Tyner\u003c\/em\u003e and \u003cem\u003eExpansions\u003c\/em\u003e, each one wider in scope than the last. For this session he assembled a sextet that would have been impossible to convene a few years earlier. Elvin Jones, his old rhythmic partner from the Coltrane quartet, plays drums. Alice Coltrane plays harp on three of the four tracks, her sweeping glissandos opening \"Message From The Nile\" and carrying the album's spiritual undertow from there. Wayne Shorter, still a member of Miles Davis's band at the time, plays tenor and soprano saxophone, and Gary Bartz plays alto. Ron Carter, like Shorter a member of the Miles Davis quintet through most of the 1960s, holds down the bass.\u003c\/p\u003e\n\u003cp\u003eAll four compositions are Tyner's. \"Message From The Nile\" and \"Survival Blues\" stretch past twelve minutes each, long enough for the ensemble to develop ideas at a pace that recalls the Coltrane quartet's extended performances without imitating them. \"His Blessings\" closes the album as something more personal: Tyner described it in the original liner notes as reflecting his life and the time he spent with John Coltrane. Duke Pearson produced the session and Rudy Van Gelder engineered it, but Blue Note didn't release the album until 1973, three years after it was recorded and a year after Tyner had already left the label for Milestone.\u003c\/p\u003e\n\u003cp\u003eThis Tone Poet reissue was mastered by Kevin Gray at Cohearent Audio, supervised by Joe Harley, and pressed at RTI on 180g vinyl. The jacket is a standard single sleeve replicating the original release, including the period price code on the front cover.\u003c\/p\u003e","brand":"Blue Note","offers":[{"title":"Default Title","offer_id":44112032006203,"sku":null,"price":110.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/91gSXnP3utL._UF894_1000_QL80.jpg?v=1788503550"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/collections\/BREC0290_Static_Banner_Desktop_TPVS_985px-03.v3_7854b340-1e2c-4c34-bee5-7a891a797aef.webp?v=1788737697","url":"https:\/\/lushliferecords.com.au\/collections\/blue-note-tone-poet.oembed","provider":"Lush Life Records","version":"1.0","type":"link"}