{"title":"Archie Shepp","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eBorn Archie Vernon Shepp on 24 May 1937 in Fort Lauderdale, Florida, and raised in Philadelphia, Pennsylvania, Archie Shepp is a tenor and soprano saxophonist, composer, playwright, and educator recognised as one of the most influential avant-garde musicians of the 1960s.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eMoving to New York City, Shepp played tenor saxophone with Cecil Taylor's quartet from 1960 to 1962, a pioneering free jazz group that proved transformative. His first recording as leader came in 1962 with the Archie Shepp-Bill Dixon Quartet on Savoy Records. In 1963, he formed the New York Contemporary Five with Don Cherry, John Tchicai, Don Moore, and J.C. Moses, releasing a critically acclaimed self-titled debut. John Coltrane's admiration led to Impulse! Records, beginning with \u003cem\u003eFour for Trane \u003c\/em\u003e(1964) featuring mainly Coltrane compositions with Tchicai, Roswell Rudd, Alan Shorter, Reggie Workman, and Charles Moffett. Shepp participated in \u003cem\u003eA Love Supreme \u003c\/em\u003esessions in late 1964, though his takes weren't included on the original release. In 1965, he recorded \u003cem\u003eAscension\u003c\/em\u003e with Coltrane and shared \u003cem\u003eNew Thing at Newport\u003c\/em\u003e, epitomising his place at the forefront of avant-garde jazz.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eShepp's 1965 album \u003cem\u003eFire Music\u003c\/em\u003e included the first signs of his developing political consciousness and Afrocentric orientation, taking its title from ceremonial African music traditions and featuring \"Malcolm, Malcolm—Semper Malcolm\", an elegy for Malcolm X. His 1967 album \u003cem\u003eThe Magic of Ju-Ju\u003c\/em\u003e was strongly rooted in African music with an African percussion ensemble. Alongside Pharoah Sanders, Shepp was at the forefront of the movement among African-American jazzmen increasingly influenced by continental African cultural and musical traditions. He formulated a saxophone style featuring a gruff tone, wide vibrato, hearty swing, and eruptions of harsh screams and multiphonics, with John Coltrane and Ben Webster as important influences. In 1969, he performed in Algiers for the Pan-African Cultural Festival with Dave Burrell, Sunny Murray, and Clifford Thornton.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eNamed 2016 NEA Jazz Master, Shepp remains a towering figure bridging free jazz, African traditions, and political consciousness.\u003c\/p\u003e","products":[{"product_id":"archie-shepp-four-for-trane-1965-japanese-impulse-stereo-lp","title":"Archie Shepp - Four For Trane (1965 Japanese Impulse! Stereo LP)","description":"\u003cp data-end=\"1214\" data-start=\"1061\"\u003e\u003cb\u003eVinyl\u003c\/b\u003e\u003cspan\u003e: EX\u003c\/span\u003e\u003cbr\u003e\u003cb\u003eSleeve\u003c\/b\u003e\u003cspan\u003e: VG+\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eObi:\u003c\/strong\u003e\u003cspan\u003e None\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eOur grading system explained \u003c\/span\u003e\u003ca href=\"https:\/\/dpbg4u-d1.myshopify.com\/pages\/secondhand-grading-guide\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003ehere\u003c\/b\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003ePhoto is of the actual item.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArchie Shepp - Four For Trane\u003c\/strong\u003e \u003cstrong\u003eVinyl LP - 1965 Japanese Impulse! Stereo\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eJohn Coltrane as co-producer\u003c\/strong\u003e - Trane personally oversaw this tribute featuring his compositions\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eOriginal 1965 Japanese pressing\u003c\/strong\u003e - King Records, same year as US release with flip-back cover.\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eNew Thing meets hard bop\u003c\/strong\u003e - Shepp's avant-garde sextet reimagines Coltrane classics\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eTenor saxophonist Archie Shepp's tribute to John Coltrane features four Coltrane compositions plus one Shepp original, recorded on 10 August 1964 at Van Gelder Studio with co-production by Coltrane himself alongside Bob Thiele. The sextet—Shepp on tenor, John Tchicai on alto, Roswell Rudd on trombone, Alan Shorter on flugelhorn, Reggie Workman on bass, and Charles Moffett on drums—transforms Coltrane pieces like \"Syeeda's Song Flute\", \"Cousin Mary\", and \"Naima\" through the lens of the New Thing movement, Shepp's more avant-garde approach revealing new dimensions in familiar material. Released in Japan in 1965 by King Records, this original pressing captures the moment when free jazz and hard bop traditions intersected, Coltrane's endorsement through co-production signalling his support for the younger generation pushing jazz's boundaries.\u003c\/p\u003e\n\u003cp\u003eThe album balances reverence for Coltrane's compositions with Shepp's distinctive voice, the arrangements honouring the source material's structures while allowing freer improvisation than Coltrane's own versions. Tchicai's alto and Rudd's trombone add textural colours absent from Coltrane's quartet, while Workman (who had played with Coltrane) and Moffett provide rhythm section foundation that bridges hard bop tradition and free jazz exploration. Shepp's tenor work demonstrates both his debt to Coltrane and his own emerging voice, his tone rougher and more emotionally raw. Van Gelder's engineering and King Records' Japanese pressing quality preserve this historic session where New Thing met spiritual jazz under Coltrane's blessing.\u003c\/p\u003e","brand":"Impulse!","offers":[{"title":"Default Title","offer_id":43232565493819,"sku":null,"price":105.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/IMG_6174.jpg?v=1771802922"},{"product_id":"archie-shepp-quartet-blue-ballads-1996-japanese-venus-records-limited-edition-vinyl-lp","title":"Archie Shepp Quartet - Blue Ballads (1996 Japanese Venus Records, Limited Edition Vinyl LP)","description":"\u003cp data-end=\"1214\" data-start=\"1061\"\u003e\u003cb\u003eVinyl\u003c\/b\u003e\u003cspan\u003e: NM\u003c\/span\u003e\u003cbr\u003e\u003cb\u003eSleeve\u003c\/b\u003e\u003cspan\u003e: EX\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eObi:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eEX\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eOur grading system explained \u003c\/span\u003e\u003ca href=\"https:\/\/dpbg4u-d1.myshopify.com\/pages\/secondhand-grading-guide\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003ehere\u003c\/b\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003ePhoto is of the actual item.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArchie Shepp Quartet - \u003cem\u003eBlue Ballads\u003c\/em\u003e | Vinyl LP - 1996 Venus Records Limited Edition (TKJV-19002, Hyper Magnum Sound LP Collection)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eArchie Shepp's 1995 New York studio session\u003c\/strong\u003e with pianist John Hicks, bassist George Mraz and drummer Idris Muhammad, recorded at Clinton Studio A on 24 and 25 November 1995\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eThe first in a series of ballad albums\u003c\/strong\u003e Shepp recorded for the Tokyo audiophile label Venus Records in the mid-1990s\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"whitespace-normal break-words pl-2\"\u003e\n\u003cstrong\u003eVenus Records TKJV-19002\u003c\/strong\u003e; Hyper Magnum Sound LP Collection; produced by Tetsuo Hara; limited edition pressing\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eArchie Shepp spent the 1960s at the centre of the free jazz movement — he was one of the signatories on the 1965 \"Black Music\" manifesto, recorded for Impulse! under John Coltrane's endorsement, and was among the most politically explicit voices in American jazz. By the 1990s his recording work had shifted toward a more intimate, ballad-centred approach, and his association with the Tokyo audiophile label Venus Records produced some of his most widely praised recordings of that era. \u003cem\u003eBlue Ballads\u003c\/em\u003e was the first in a series, recorded at Clinton Studio A in New York over two days in November 1995. Tetsuo Hara, the Venus founder, produced and engineered under the label's \"Hyper Magnum Sound\" methodology, prioritising analogue warmth and direct signal path recording.\u003c\/p\u003e\n\u003cp\u003eThe quartet — John Hicks on piano, George Mraz on bass, Idris Muhammad on drums — is well matched to Shepp's late style. Hicks was one of the more sympathetic post-bop pianists of his generation, combining blues feeling with harmonic sophistication. Mraz was in demand across both mainstream and avant-garde jazz from the 1960s through the 2000s. The six tracks on the LP are all American standards: Rodgers and Hart's \"Little Girl Blue,\" Count Basie and Jerry Livingston's \"Blue and Sentimental,\" Arthur Schwartz and Howard Dietz's \"Alone Together,\" Vincent Youmans and Billy Rose's \"More Than You Know,\" Arthur Hamilton's \"Cry Me a River\" and Rainger and Robin's \"If I Should Lose You.\"\u003c\/p\u003e\n\u003cp\u003eThis Venus Hyper Magnum Sound LP Collection pressing is a limited edition.\u003c\/p\u003e","brand":"Venus Records","offers":[{"title":"Default Title","offer_id":43375290155067,"sku":null,"price":210.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/IMG_6495.jpg?v=1775105820"},{"product_id":"archie-shepp-tray-of-silver-1979-japanese-denon-vinyl-lp","title":"Archie Shepp - Tray of Silver (1979 Japanese Denon Vinyl LP)","description":"\u003cp class=\"p1\"\u003e\u003cb\u003eVinyl\u003c\/b\u003e: EX\u003cbr\u003e\u003cb\u003eSleeve\u003c\/b\u003e: VG+\u003cbr\u003e\u003cstrong\u003eObi:\u003c\/strong\u003e\u003cspan\u003e None\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eOur grading system explained \u003c\/span\u003e\u003ca href=\"https:\/\/dpbg4u-d1.myshopify.com\/pages\/secondhand-grading-guide\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003ehere\u003c\/b\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003ePhoto is of the actual item.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArchie Shepp - \u003cem\u003eTray of Silver\u003c\/em\u003e | Vinyl LP - 1979 Japanese Denon (YX-7806-ND, Nippon Columbia Co. Ltd.)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBy 1979, Archie Shepp had moved a considerable distance from the scorched-earth free jazz of his Impulse! years. The Japanese market had provided a new audience and a string of dates for Denon and other labels, and the music he was making there drew on the hard bop tradition he had grown up with before Ornette Coleman and John Coltrane changed everything. \u003cem\u003eTray of Silver\u003c\/em\u003e is one of those dates — a quintet session devoted mostly to Horace Silver.\u003c\/p\u003e\n\u003cp\u003eThree of the four tracks are Silver's: \"No Smokin',\" his 1952 bebop blues; \"Nica's Dream,\" the 1956 Blue Note staple dedicated to the Baroness Pannonica de Koenigswarter; and \"Cookin' at the Continental,\" recorded for Silver's \u003cem\u003eThe Stylings of Silver\u003c\/em\u003e in 1957. The fourth track, \"If You Could See Me Now,\" is Tadd Dameron's 1945 ballad. The quintet plays all four long and open, each piece given space to develop past its head statement. Roy Brooks, Silver's drummer between 1959 and 1964, anchors the rhythm section with Takashi \"Gon\" Mizuhashi on bass. Mickey Tucker plays piano. Howard Johnson switches instruments across the two sides: baritone saxophone throughout the A side, tuba throughout the B.\u003c\/p\u003e\n\u003cp\u003eThe session was recorded using Denon's 14-bit\/47.25 kHz PCM digital system — one of the earliest all-digital jazz recordings made commercially. Yoshio Ozawa produced; Kaoru Iida engineered.\u003c\/p\u003e","brand":"Denon","offers":[{"title":"Default Title","offer_id":43454397612091,"sku":null,"price":40.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/IMG_6715.jpg?v=1777085744"},{"product_id":"archie-shepp-three-for-a-quarter-one-for-a-dime-1969-us-impulse-as-9162-gatefold-lp-japanese-distribution","title":"Archie Shepp - Three For A Quarter, One For A Dime (1969 US Impulse! AS-9162 Gatefold LP, Japanese distribution)","description":"\u003cp data-start=\"1061\" data-end=\"1214\"\u003e\u003cb\u003eVinyl\u003c\/b\u003e\u003cspan\u003e: VG+\u003c\/span\u003e\u003cbr\u003e\u003cb\u003eSleeve\u003c\/b\u003e\u003cspan\u003e: VG+\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eObi:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eNone\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eOur grading system explained \u003c\/span\u003e\u003ca href=\"https:\/\/dpbg4u-d1.myshopify.com\/pages\/secondhand-grading-guide\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003ehere\u003c\/b\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003ePhoto is of the actual item.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArchie Shepp - \u003cem\u003eThree For A Quarter\u003c\/em\u003e, One For A Dime | Vinyl LP - 1969 US Impulse! Gatefold (AS-9162, King Record Co. Ltd. Japan distribution)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis is not a separately manufactured Japanese pressing — it is the original US Impulse! pressing, distributed in Japan by King Record Co. Ltd. with Japanese liner notes added to the gatefold. Bob Thiele produced; Wally Heider engineered; Nat Hentoff wrote the original liner notes; Henry Epstein and Byron Goto designed the cover.\u003c\/p\u003e\n\u003cp\u003eThe recording was made on the same night as \u003cem\u003eLive in San Francisco\u003c\/em\u003e — February 19, 1966 at the Both\/And Club — but held back and not issued until 1969. The quintet is the group Shepp was working with throughout 1966: Roswell Rudd on trombone, Beaver Harris on drums, Donald Garrett and Lewis Worrell on bass. What separates this material from \u003cem\u003eLive in San Francisco\u003c\/em\u003e is the mode of performance: rather than a set of composed or standard pieces, this is a single extended improvisation lasting thirty-three minutes, divided by the physical constraints of the LP format into Side A (approximately 17.5 minutes) and Side B (approximately 15.5 minutes).\u003c\/p\u003e\n\u003cp\u003eShepp and Rudd open together on a theme that starts boppish and moves quickly outward. Shepp takes the floor and stays there for most of Side A, his tenor large-toned and relentless. Beaver Harris plays at full intensity throughout. On Side B, Shepp moves to acoustic piano and Rudd takes a long trombone solo, the only sustained moment where Shepp steps aside. He picks up his saxophone to close the performance.\u003c\/p\u003e","brand":"Impulse!","offers":[{"title":"Default Title","offer_id":43473432510523,"sku":null,"price":70.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/IMG_6783.jpg?v=1777590916"},{"product_id":"archie-shepp-a-sea-of-faces-1975-italian-black-saint-bsr-0002-original-gatefold-lp-first-pressing","title":"Archie Shepp - A Sea of Faces (1975 Italian Black Saint BSR 0002 Original Gatefold LP, First Pressing)","description":"\u003cp data-start=\"1061\" data-end=\"1214\"\u003e\u003cb\u003eVinyl\u003c\/b\u003e\u003cspan\u003e: EX\u003c\/span\u003e\u003cbr\u003e\u003cb\u003eSleeve\u003c\/b\u003e\u003cspan\u003e: EX\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eOur grading system explained \u003c\/span\u003e\u003ca href=\"https:\/\/dpbg4u-d1.myshopify.com\/pages\/secondhand-grading-guide\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003ehere\u003c\/b\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003ePhoto is of the actual item.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArchie Shepp - \u003cem\u003eA Sea of Faces\u003c\/em\u003e | Vinyl LP - 1975 Black Saint Original First Pressing, Gatefold (BSR 0002)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eGiacomo Pellicciotti founded Black Saint Records in Milan in 1975; this album was the label's second release and was recorded the same year at Phonogram Studios. The ensemble brought together Dave Burrell on piano, Cameron Brown on bass, Beaver Harris on drums, trombonist and vocalist Charles Greenlee, vocalists Bunny Foy and Rafi Taha.\u003c\/p\u003e\n\u003cp\u003eShepp plays tenor saxophone, soprano saxophone, piano and voice across the four tracks, though he did not write most of the material. \"Hipnosis,\" which fills the entire Side A, is Grachan Moncur III's, an obsessive, repeated bass figure that rarely shifts key; the theme appears only fifteen minutes in, and the tension is maintained almost entirely through Shepp's improvising and Burrell's percussive comping alongside Greenlee's trombone. \"Song for Mozambique\" was written by Semenya McCord with a poem by Shepp. Foy sings in the foreground while Shepp recites over Cameron Brown's bass. \"I Know 'Bout the Life,\" by Aishah Rahman and Shepp, is the Soul-Jazz ballad of the set, Foy again on vocals and Shepp at the piano. \"Lookin' for Someone to Love\" is by Cal Massey, the Philadelphia composer who wrote \"Father and Son\" and \"Assunta\" for Freddie Hubbard's \u003cem\u003eHub Cap\u003c\/em\u003e session in 1961.\u003c\/p\u003e\n\u003cp\u003eThis is the original first pressing on black and white Black Saint labels, with a gatefold sleeve.\u003c\/p\u003e","brand":"Black Saint","offers":[{"title":"Default Title","offer_id":43474617139259,"sku":null,"price":115.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/IMG_6790.jpg?v=1777637032"},{"product_id":"archie-shepp-the-magic-of-ju-ju-1976-japanese-impulse-gatefold-lp","title":"Archie Shepp - The Magic of Ju-Ju (1976 Japanese Impulse! Gatefold LP)","description":"\u003cp\u003e\u003cb\u003eVinyl\u003c\/b\u003e: VG+\u003cbr\u003e\u003cb\u003eSleeve\u003c\/b\u003e:\u003cspan\u003e VG+\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eObi:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eNone\u003c\/p\u003e\n\u003cp\u003eOur grading system explained \u003ca href=\"https:\/\/dpbg4u-d1.myshopify.com\/pages\/secondhand-grading-guide\"\u003e\u003cb\u003ehere\u003c\/b\u003e\u003c\/a\u003e.\u003cbr\u003ePhoto is of the actual item.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArchie Shepp - \u003cem\u003eThe Magic of Ju-Ju\u003c\/em\u003e | Vinyl LP - 1976 Japanese ABC Impulse! Stereo Gatefold Reissue (YP-8526-AI, Nippon Columbia Co. Ltd.)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBob Thiele recorded Archie Shepp at the Van Gelder Studio, Englewood Cliffs, on April 26, 1967. Bob Simpson engineered. The ensemble for the title piece was assembled with percussion as its structural core — five players on drums, rhythm logs, talking drums and hand percussion, with Reggie Workman on bass providing the only sustained pitch beneath Shepp's tenor. Martin Banks on trumpet and Michael Zwerin on trombone sit out the first fifteen minutes.\u003c\/p\u003e\n\u003cp\u003eShepp's emotional and fiery tenor takes off immediately, gradually morphing with the five percussionists who perform on instruments including rhythm logs and talking drums. Shepp never loses the initial energy, moving forward like a man possessed as the drumming simultaneously builds into a fury. Upon the final three minutes, the trumpets of Martin Banks and Michael Zwerin make an abrupt brief appearance, apparently to ground the piece to a halt. Ed Blackwell, best known as Ornette Coleman's drummer, plays rhythm logs here, a different function from his usual kit role, his contribution embedded within the percussion collective rather than driving it.\u003c\/p\u003e\n\u003cp\u003eSide B changes the terms. \"You're What This Day Is All About\" is a waltz, under two minutes, Zwerin's trombone given more space than he has on the title track. \"Shazam\" is the most explicitly bop-grounded piece on the record. \"Sorry 'Bout That\" runs ten minutes and is the second piece on the album where Shepp develops at length. The album title references both Vietnam-era G.I. slang and jùjú, the percussive music of the Yoruba people of Lagos, the African percussion and the political context were both deliberate. Ralph J. Gleason wrote the original liner notes.\u003c\/p\u003e\n\u003cp\u003eThis is the 1976 Japanese ABC Impulse! stereo gatefold reissue (YP-8526-AI), manufactured by Nippon Columbia Co. Ltd.\u003c\/p\u003e","brand":"Impulse!","offers":[{"title":"Default Title","offer_id":43493894160443,"sku":null,"price":175.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0630\/3203\/3339\/files\/IMG_6872.jpg?v=1778224932"}],"url":"https:\/\/lushliferecords.com.au\/collections\/archie-shepp.oembed","provider":"Lush Life Records","version":"1.0","type":"link"}